Risultati di "Lucy Taylor" in Tutte le categorie

Darkness, both literal and psychological, holds its own unique fascination. Despite our fears, or perhaps because of them, listeners have always been drawn to tales of death, terror, madness, and the supernatural, and no more so than today when a wildly imaginative new generation of dark dreamers is carrying on in the tradition of Poe and Lovecraft and King, crafting exquisitely disturbing literary nightmares that gaze without flinching into the abyss - and linger in the mind long after.

'An oracle' DOLLY ALDERTON 'Articulate[s] a universal, feminine wisdom with such ferocity it feels like she's slapping the reader around the face' OBSERVER 'Equal parts self-lacerating, tender and witty' GLAMOUR 'Furious, sharp, funny, honest' iPAPER On the Waterstones Best Books of 2025 List...

Do you have a niggling feeling, a secret hope, that work could be more joyful, more fun and (maybe) a little bit wilder? Do you sense deep down that doing great work doesn't need to be a slog? In Why Play Works, Lucy Taylor and Tzuki Stewart hear the stories of people who are radically reshaping the idea of work as play - from play practitioners to academics to organisations who take play seriously. How can working on serious problems be fun and delightful? Is play the opposite of work, or is it actually how we unlock success? How can reconnecting to our playfulness create more fulfilling and ...

SNAPPED is a brutally honest inquiry into historically white sororities and fraternities at American universities. After sharing her own harrowing experience as an Alpha Phi sister in season one, host Lucy Taylor passes the microphone to SNAPPED listeners to tell their own stories, illustrating the rampant racism, slut shaming, and hazing that continue to plague these institutions. The result is a plea for parents, college students, and potential new members to hear what sororities and fraternities don’t want you to know.This is Greek life, uncensored.

Возраст, внешность и социальное положение любовников уже давно не имеют для Вэл никакого значения. Люди стали для нее объектами, способом хоть ненадолго спастись - сбежать от одиночества и самой себя. Потерявшись в череде случайных встреч и мимолетных романов, Вэл одержима идеей почти мифического Города - то ли рая, то ли ада, в котором возможны самые немыслимые наслаждения.