Risultati letto da "Joel Froomkin" in Tutte le categorie

Listeners will discover lost and forgotten women who wrote horror every bit as effectively as their male contemporaries. They will learn about their lives and careers, the challenges they faced as women working in a male-dominated field, the way they overcame those challenges, and the way they approached the genre - which was often subtler, more psychological, and more disturbing.

It’s the end of summer 2003. George W. Bush has recently declared the mission in Iraq accomplished, the unemployment rate is at its highest in years, and Martha Stewart has just been indicted for insider trading. Meanwhile, somewhere in the Midwest, Troy Augustus Loudermilk (fair-haired, statuesque, charismatic) and his companion Harry Rego (definitely none of those things) arrive at America’s most prestigious creative-writing program, to which Loudermilk has recently been accepted for his excellence in poetry. Loudermilk, however, has never written a poem in his life.

Harvey Milk - eloquent, charismatic, and a smart-aleck - was elected to the San Francisco Board of Supervisors in 1977, but he had not even served a full year in office when he was shot by a homophobic fellow supervisor. Milk's assassination at the age of 48 made him the most famous gay man in modern history; 20 years later, Time magazine included him on its list of the hundred most influential individuals of the 20th century.

The time: the waning years of the 1990s at the dawn of the millennium. The place: an isolated rural town called Auburn, which could be anywhere at all - a town where everyone knows everyone else - where dark secrets run through its veins like blood. Everyone knows that 16-year old Mikey Childress is "different." A target for bullies since he was a small boy, everything Mikey does attracts abuse: the way he walks, the way he talks, the way he looks. Everyone knows he's not like the other boys in Auburn - the boys who play hockey, who fight, the boys who pursue girls.

As author Ethan Mordden looks back at Chicago's various moving parts - including the original 1926 play that started it all, a sexy silent film directed by Cecil B. DeMille, a talkie remake with Ginger Rogers, the musical itself, and at last the movie of the musical - we learn how the American theater serves as a kind of alternative news medium, a town crier warning the public about the racy, devious interior contradictions of American society. Opinionated, witty, and rich in backstage anecdotes, All That Jazz brings the American musical to life in all its artistry and excitement.