Risultati letto da "Emma John" in Tutte le categorie

Take your first steps into the adrenaline-fuelled fiction of the 41st millennium with a thrilling collection of tales, including an action-packed novella pitting noble Ultramarines against sinister necrons. Whether you're dipping a toe into the galaxy of Warhammer 40,000 or are a hardened veteran of the universe, this anthology is the perfect way to discover the many factions of the games in action-packed tales.

Long ago, the primarch Lorgar was humbled by his brother Guilliman for his belief in the Emperor's divinity. Led down a dark road by this shaming, Lorgar embraced Chaos. Now, he and his Word Bearers rampage across Guilliman's realm, burning his 500 worlds in the name of their new gods. But on such world, Lorgar finds a mystery that brings his past into the present and shines a new light on his endeavours. It seems that Lorgar's legacy may be greater than even he could have ever imagined....

In the sprawling Imperium of Mankind, everyone serves the Emperor in their own way. From the inquisitors who hunt the hidden enemies of humanity in the dark places of the galaxy to the brave soldiers who stand on the front line, and the Imperial Assassins who can change the tides of war with a single shot, each has a part to play in preserving the Imperium. In this audio anthology, three of these disparate heroes are put to the test, each facing a personal crisis that will see them either fall to darkness, or rise to continue doing their duty in the Emperor's name.

Three great heroes - Hamilcar Bear-eater, Neferata and Prince Maesa - each face very personal trials that could see them fall into darkness in these three tales that beautifully evoke bitter melancholy - as well as provide audio action. The gods are at war. As the Mortal Realms plunge into darkness and despair, there are an ambitious few who seek to turn these fortunes in their favour. Within the nightmarish, labyrinthine halls of Shadespire, a famed Lord-Castellant must escape the Mirrored City to cement his legend forever.

Emma John is in her 40s; she is neither married, nor partnered, with child or planning to be. In her hilarious and unflinching memoir, Self-Contained, she asks why the world only views a woman as complete when she is no longer a single figure and addresses what it means to be alone when everyone else isn't. 

Peepolykus (pronounced 'people-like-us') has toured its irreverent brand of comic theatre in more than 100 towns across four continents. Now the group has taken to the airwaves, hijacking the great works of fiction to hilarious effect. Assuming the roles of minor characters in major works, they derail the plots through their own hapless buffoonery, and from Madame Bovary to Macbeth, familiar stories take an unexpected turn. 

Suffused with her much-loved warmth and wit, Emma John's memoir follows her moving and memorable journey to master one of the hardest musical styles on earth - and to find her place in an alien world. Emma had fallen out of love with her violin when a chance trip to the American South introduced her to bluegrass music. Classically trained, highly strung and wedded to London life, Emma was about as country as a gin martini. So why did it feel like a homecoming?

Much Ado About Nothing, Twelfth Night, and As You Like It are usually regarded as Shakespeare’s crowning achievements in the world of mirth and humor. In this group of plays, written during the playwright’s Second Period (1595–1600), the author depicts chiefly the cheerful, energetic side...

It was just supposed to be a birthday party, a mobile celebration with a group of college friends on a modified fire truck. But at some point, things take a dark detour. As the pulsating beats of dance music reverberate over an endless stretch of asphalt, the temperature suddenly plummets, and the reality of the situation becomes chillingly clear: the driver will not stop. After frantically attempting to contact the mysterious motorist, the passengers begin to suspect this party may never end.

Much Ado About Nothing appears to have been written around 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the sombre tale of confused love between Hero and Claudio. The first is...

As the generating force of its plot, Twelfth Night uses a device which has since become a staple in comedy: gender confusion. Viola and her twin brother Sebastian, are shipwrecked on the coast of Illyria, a country ruled by the melancholy Duke Orsino. The twins are separated and Viola is led to...

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality...