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Emma John is in her 40s; she is neither married, nor partnered, with child or planning to be. In her hilarious and unflinching memoir, Self-Contained, she asks why the world only views a woman as complete when she is no longer a single figure and addresses what it means to be alone when everyone else isn't. 

Peepolykus (pronounced 'people-like-us') has toured its irreverent brand of comic theatre in more than 100 towns across four continents. Now the group has taken to the airwaves, hijacking the great works of fiction to hilarious effect. Assuming the roles of minor characters in major works, they derail the plots through their own hapless buffoonery, and from Madame Bovary to Macbeth, familiar stories take an unexpected turn. 

Suffused with her much-loved warmth and wit, Emma John's memoir follows her moving and memorable journey to master one of the hardest musical styles on earth - and to find her place in an alien world. Emma had fallen out of love with her violin when a chance trip to the American South introduced her to bluegrass music. Classically trained, highly strung and wedded to London life, Emma was about as country as a gin martini. So why did it feel like a homecoming?

In As You Like It, a wicked Duke expels his virtuous brother, the lawful ruler, from his domains. The banished Duke takes refuge with his followers in the Forest of Arden, where they live as free a life as did Robin Hood and his merry men.

It was just supposed to be a birthday party, a mobile celebration with a group of college friends on a modified fire truck. But at some point, things take a dark detour. As the pulsating beats of dance music reverberate over an endless stretch of asphalt, the temperature suddenly plummets, and the reality of the situation becomes chillingly clear: the driver will not stop. After frantically attempting to contact the mysterious motorist, the passengers begin to suspect this party may never end.

Much Ado About Nothing appears to have been written about 1599, shortly before As You Like It and Twelfth Night. The action combines two narrative threads: the spirited comedy of the courtship of Benedick and Beatrice, and the somber tale of confused love between Hero and Claudio. The first is a creation by Shakespeare and the second appears to have been drawn from an Italian source, either by Bandello or Ariosto. The action takes place in Messina. Eponymous lovers Hero and Claudio seem to be ideally matched and nearly everyone is looking forward to their impending marriage.

This play is a dramatization of Boccaccio’s story of Gillette of Narbonne. Only the comic parts were of Shakespeare’s invention; he added the characters of the pusillanimous Parolles, the lofty courtier Lafew, the Clown Lavatch, and the long suffering Countess. He gave new depth and vitality to the leading characters, who are mere outlines in Boccaccio’s tale.

When notorious mafia boss Danny Black and lethal assassin James Kelly join forces to hunt down a mutual, elusive nemesis that threatens to destroy them both and take control of their city, they know they will be entering a deadly game. A game they must win if they are ever going to live in peace with the women they love away from crime, corruption, and death. But peace is an illusion, love is a daily torment, and death will always follow them.

From the moment Danny Black met Rose Cassidy, he knew she’d be the death of him. But their electric connection and twisted love gave him a purpose beyond ruling Miami with his iron fist. Faking his own death and disappearing to St. Lucia was the only way he could escape the deadly underworld that brought them together. But his seclusion was sabotaged when a notorious assassin lured him out and made him an offer he couldn’t ignore.

This is Age is Just a Number—a collection of age gap romances written by Kristen Proby, including Take A Chance With Me narrated by John Hartley and Kirsten Leigh, The Scandal narrated by Lance Greenfield and Emma Wilder, Enticing Liam narrated by Lance Greenfield and Jennifer Mack.