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From a young age Kerouac was a spiritual thinker and questioner, and he always considered himself a spiritual writer. Buddhism gave more meaning to Jack’s work as a writer: he was working not for personal accomplishment and glory but for human betterment. And Buddhism justified his lifestyle: with its vision of the material world as empty and illusory, he was free to do what he wanted.

This novella tells the story of a ten-year-old Black boy named Pictorial Review “Pic” Jackson, who lives with his grandfather in North Carolina in the 1940s. After his grandfather dies and Pic is living with another relative, his older brother, Slim, shows up to take him out of that dysfunctional home, and they journey from the rural South to New York City. They head for Harlem, where Slim lives with his girlfriend and where Pic sees firsthand the economic hard times his brother is experiencing. After losing job after job, Slim sends his pregnant girlfriend off to San Francisco.

Before Jack Kerouac expressed the spirit of a generation in his 1957 classic On the Road, he spent years figuring out how he wanted to live and, above all, learning how to write. Atop an Underwood brings together more than sixty previously unpublished works that Kerouac wrote before he was twenty-two, ranging from stories and poems to plays and parts of novels, including an excerpt from his 1943 merchant marine novel, The Sea Is My Brother. These writings reveal what Kerouac was thinking, doing, and dreaming during his formative years and reflect his primary literary influences.

In the summer of 1956, Jack Kerouac hitchhiked from Mill Valley, California, to the North Cascades to spend two months serving as a fire lookout for the US Forest Service. Taking only the Diamond Sutra for reading material, he intended to spend his time in deep contemplation and to achieve enlightenment.

Jack Kerouac tells the story of Jack Duluoz, a French-Canadian boy growing up in Kerouac’s own birthplace, the dingy factory town of Lowell, Massachusetts. There, Doctor Sax, with his flowing cape, slouched hat, and insinuating leer, is chief among the many ghosts and demons that populate Jack’s fantasy world. Deftly mingling memory and dream, Kerouac captures the accents and textures of his boyhood in Lowell in this novel of a cryptic, apocalyptic hipster phantom.

Una de las obras capitales de Jack Kerouac, el escritor paradigmático de la Generación Beat. Ambientada en California, expone su descubrimiento del budismo y su primera ley, "la vida es sufrimiento", durante la época en que se sentía un fracasado al no encontrar editor para sus libros. Pero además de un modo filosófico de encarar el fracaso y de la búsqueda del auténtico significado –el Dharma– por parte de unos jóvenes desharrapados y febriles, Los Vagabundos del Dharma expresa la comunión con la naturaleza en la cima de altas montañas, la fraternidad y la poesía.

Jack Kerouac’s archive is vast. Throughout his life he was constantly writing, and he meticulously saved and catalogued his material. The result is that beyond the work published in his lifetime there has been a rich stream of posthumous writing that is far from tapped. This collection of previously unpublished writing culled from the Kerouac archive, and as a companion to Paul Maher Jr.'s Becoming Kerouac, spans Kerouac’s adult life, from a journal written at age seventeen to autobiographical reflections a few years before his death.