Risultati di "Mary Wilkins" in Tutte le categorie

When Edward Glynn dies suddenly in the family home, the surviving siblings gather in mourning—yet grief quickly gives way to dread. A strange shadow begins appearing on the study wall each night, a tall and unmistakably human silhouette that refuses to fade, no matter how the room is rearranged or the light is moved. Caroline, Rebecca, and Emma Glynn struggle to hold themselves together as the tension among them thickens, suspicions grow sharper, and their brother Henry’s behavior turns increasingly frantic. What is the shadow? Why does it look like Edward?

Mary E. Wilkins Freeman is known primarily as a "feminist" and "local color" writer, for such classic tales as "The Revolt of Mother". She wrote very entertaining stories that included clear depictions of the pressures that often silenced or devalued women and their concerns. This famous story gets that message across but not without a bit of humor.

Up until recently, Freeman has been known primarily as a "feminist" writer, for her classic stories like "A New England Nun", and "The Revolt of Mother". However, she also wrote many well crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.

Mary Eleanor Wilkins Freeman (October 31, 1852¿March 13, 1930) was a prominent 19th century American author. Up until recently she was known primarily as a "feminist" writer, for her classic stories like "A New England Nun" and "The Revolt of Mother". However, she also wrote many well-crafted supernatural stories which have only recently begun to attract appreciative critical attention. These stories combine pragmatism and supernaturalism and are very much in the tradition of an "Americanized" Gothic.

Throughout the long centuries of human history is the want, and the need, to share information, to exchange ideas and for that knowledge and experience, for curiosity and learning, to be the basis of a civil society. In this volume we offer up a small selection of talents from the literary landscape of American women authors whose time has now come again.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. They can lift our lives into locations, people and experiences with a sweep of landscape, narration, feelings and emotions that is difficult to achieve elsewhere. For America, as the century closes, she is becoming less isolated. Her industrial might, her rising military power are pulling her ever closer into the entangled globe of nations. Her authors flex ideas and lexicons with riveting tales of this astonishing society.

Americans have vivid, colourful and mesmerising imaginations. On the flip side they are equally adept at Realism. In this volume their famed authors explore short stories that bring us up close and personal to reality.

This century is crammed full of talents that showcase an enviable array of stories and genres. Across a hundred years the short story develops, becomes yet more emboldened, more accessible to a wider audience as these female authors challenge the literary bastions.

Jane Field leaves Green River to make a claim on a relative's will which was sent to her in error. When she is mistaken for her sister, Jane assumes her identity in order to gain the whole estate.

The ferry-boat was waiting when Rebecca Flint got off the train with her bag and lunch basket. When she and her small trunk were safely embarked she sat stiff and straight and calm in the ferry-boat as it shot swiftly and smoothly across stream. There was a horse attached to a light country wagon on board, and he pawed the deck uneasily. His owner stood near, with a wary eye upon him, although he was chewing, with as dully reflective an expression as a cow.