Titoli in Vittoriano

Hendes Majestæt Dronning Victoria ønsker at adskille Prins Holden og Hendes Kongelige Højhed Prinsesse Marigold, og insisterer derfor på, at prinsessen skal overvære begravelsen af Prins Eumenus af Malia, der skal finde sted i Athen. Prinsesse Marigold rases over at blive tvunget til at forlade den mand, hun elsker, og overtaler Avila Grandell, der ligner hende til forveksling, til at rejse i stedet. Avilas mor er skeptisk, men Avila bønfalder hende om at få lov, og da Prins Holden garanterer, at deres plan er idiotsikker, giver Mrs. Grandell efter – og eventyret kan begynde...

Na de dood van hun vader is er voor de drie zusters Maldon weinig geld over. Andrina, de oudste, wil zo spoedig mogelijk respectabele echtgenoten voor haar zusjes vinden. Ze roept daartoe de hulp in van haar onbekende peetvader, de Hertog van Broxbourne, die in Londen woont. Op weg naar hem wordt ze in een herberg door een vreemd heerschap beledigd. Ze is heel verbaasd wanneer blijkt dat deze heer haar peetvader is! In de boeken van Cartland is de hoofdrolspeelster meestal een onschuldige, pure vrouw, die een intrigerende, avontuurlijke man ontmoet.

Som viscounten af Wiltshires arving er spionen Rafe Wolfford forpligtet til at finde en hustru. Men hun skal være af rette støbning – ikke for frisindet og ikke typen, der vil opdage hans dobbeltliv. Den ligefremme lady Verity er det helt forkerte valg. Men Rafe bliver nødt til at komme tæt på den fængslende kvinde for at finde ud af, om hun eller andre i Elegant Occasions lækker oplysninger til franskmændene. Efter en katastrofal forlovelse har Verity svært ved at åbne sit hjerte igen. Rafe er charmerende, flot og kysser som en drøm, men hun ved, at han gemmer på noget.

Irrungen, Wirrungen (1888) ist einer der bekanntesten Romane von Theodor Fontane, in dem er die feinsinnige, aber aussichtslose Liebesgeschichte zwischen dem adeligen Offizier Botho von Rienäcker und der bürgerlichen Näherin Lene Nimptsch erzählt. Fontane entwirft ein vielschichtiges Panorama der Berliner Gesellschaft im 19. Jahrhundert – geprägt von Konventionen, Klassenunterschieden und der stillen Kraft weiblicher Würde. Die leise Tragik dieser Beziehung ist zugleich scharfe Gesellschaftsanalyse und anrührende Charakterstudie.

Winter 1895. Als haar vader sterft en zijn glasmakerij wordt geveild, blijft de achttienjarige Anna Härtel berooid achter met haar zieke moeder en zes jaar jongere zusje. Om toch wat geld te verdienen maakt ze 's avonds glazen engeltjes, die ze op de markt verkoopt. Maar op een dag verandert haar leven drastisch: koningin Victoria van Engeland heeft over haar en haar kunstzinnige engeltjes gehoord en nodigt Anna uit op het paleis in Londen. Anna pakt al haar engelen in en gaat op reis.

A London deb and a military hero meet at a ball and fall in love. Years later, a chance meeting reveals the truth of the past and yet the impossibility of a future together. Can they surpass love's barriers the second time around?

When Frederick, an American expatriate traveling in Europe, meets the commonplace, newly rich Miller family from New York, he is charmed by the daughter, Daisy, and her "inscrutable combination of audacity and innocence". The Millers have no perception of the complex code that underlies behavior in European society, and Winterbourne is astonished at the girl's unworldliness and her mother's unconcern when Daisy accompanies him to the Castle of Chillon.

It has been 12 years since a dark, murderous figure stalked the alleys and courts of Whitechapel. And yet, in the summer of 1900, East London is still poor, still brutal, still a shadow city to its western twin. Among the reformers is an idealistic young woman named India Selwyn-Jones, recently graduated from medical school. With the help of her influential fiance - Freddie Lytton, an up-and-coming Liberal MP - she works to shut down the area's opium dens that destroy both body and soul.

She’s crept back into the home she lost. He’s crept into her heart. Sophie Russell was once society’s darling. But after the disgrace and death of her father, she now finds all doors firmly shut to her - including those of her family home. To discover the secrets now hidden within its beloved walls, she’ll pose as a cook and spy on the estate’s new owner, a broodingly handsome viscount, who may have schemed against the Russells. Instead of dishing up the truth, the viscount tempts Sophie with delicacies of his own…

Without family or means, the strong-willed Lucy Snowe escapes the English countryside for the town of Villette. Though overwhelmed by a new culture and a foreign language, Lucy finds employment at an all-girls boarding school. Her self-reliance is soon compromised by her affections for two men: the kindhearted Dr. Bretton and the imperious professor M. Paul Emanuel. As Lucy longs for both independence and passion in a patriarchal society, fate plays its hand.

Martin Cynster arrives at Carmichael Steelworks set on acquiring the business as the jewel in his industrialist’s crown, only to discover that the lady owner is not at all what he expected. Miss Sophia Carmichael learned about steelmaking at her father’s knee and, having inherited the major shareholding, sees no reason not to continue exactly as she is—running the steelworks and steadily becoming an expert in steel alloys. When Martin Cynster tracks her down, she has no option but to listen to his offer—until impending disaster on the steelworks floor interrupts.

The scion of a noble house brought low by a storm and the lady who nurses him back to health strive to unravel a web of deception that threatens her family and forces them to fight for what they hold most dear - family, each other, and love.

When Miss Cara Di Abaccio is accused of stealing the Carisbrook emeralds by the infamously arrogant Lady Carisbrook and marched out of her guardian's house by Scotland Yard's finest, Barnaby Adair's cousin Hugo Adair takes umbrage and descends on Scotland Yard, breathing fire in Cara's defense. Hugo discovers Inspector Stokes has been assigned to the case, and after surveying the evidence thus far, Stokes calls in his big guns when it comes to dealing with investigations in the ton - namely, the Honorable Barnaby Adair and his wife, Penelope.

Lord Drake Varisey, Marquess of Winchelsea, eldest son and heir of the Duke of Wolverstone, must foil a plot that threatens to shake the foundations of the realm, but the very last lady - nay, noblewoman - he needs assisting him is Lady Louisa Cynster, known throughout the ton as Lady Wild.

Stacie - Lady Eustacia Cavanaugh - is adamant marriage is not for her. Wealthy and well-born, she needs for nothing, and with marriage off the table, to give her life purpose, she embarks on a plan to further the careers of emerging local musicians by introducing them to the ton via a series of musical evenings. Yet despite her noble status, Stacie requires a musical lure to tempt the haut ton to her events, and only one musician commands sufficient cachet - the reclusive and notoriously reluctant Marquess of Albury.

A jilted noblewoman forced into a dual existence half in and half out of the ton is unexpectedly confronted by the nobleman who left her behind 10 years ago, but before either can catch their breaths, they trip over a murder and into a race to capture a killer.

Sebastian Cynster knows time is running out. If he doesn't choose a wife soon, his female relatives will line up to assist him. Yet the current debutantes do not appeal. Where is he to find the right lady to be his marchioness? Then Drake Varisey, eldest son of the Duke of Wolverstone, asks for Sebastian's aid.

Leggendo questa storia estrema, questa esistenza di febbre, la follia assume consistenza fisica. Sembra quasi di poterla toccare. Toccare la follia ci atterrisce, perché ci spalanca l'universo vuoto sotto di noi.La comprensione di quanto sia vano il gioco estetico del consumismo della follia, la rete elettrica circolante nel sistema nervoso centrale di questi tempi estemporanei è un effetto inevitabile, una sorta d’illuminazione che folgora la lettura.

Elizabeth Black is the headmistress of a girls' school in 1830s Victorian London. She is also a well-respected author of stories written both for and about the upper-class ladies of Victorian society. But by night, she writes very different kinds of stories - the Penny Dreadfuls that are all the rage among the working-class men. Under the pseudonym Charles King, Elizabeth has written about dashing heroes fighting supernatural threats, intelligent detectives solving grisly murders, and dangerous outlaws romancing helpless women.

Emma Cadbury had been an innocent, a whore, a charity worker, and a surgeon. She chose a life without love until she saved a dying soldier in a charity ward. Brandon Rohan had lost himself to drugs and degradation, wanting to die, and only one person could save him. But she’d disappeared. Now they’ve come together again, but he doesn’t remember, and she doesn’t want to. But someone is trying to kill her, and Brandon is the one man who can save her.