Titoli in Italia

La obra fundamental sobre el origen, expansión y caída del movimiento fascista en el siglo XX. El atractivo estético del fascismo italiano llegó a asimilarlo a las vanguardias de principios del siglo XX. Como todo nacionalismo, fue vivido por sus seguidores como una religión secular, procedente del socialismo izquierdista pero a la vez con claros antecedentes derechistas. El estudio del fascismo, de su estética, de su lenguaje, de su poder de sugestión, no ha perdido actualidad y sigue atrayendo el interés de numerosos historiadores.

In Red Sauce, Ian MacAllen traces the evolution of traditional Italian-American cuisine, often referred to as "red sauce Italian," from its origins in Italy to its transformation in America into a new, distinct cuisine. It is a fascinating social and culinary history exploring the integration of red sauce food into mainstream America alongside the blending of Italian immigrant otherness into a national American identity.

Fourteenth-century Italy was chaotic: mercenaries swarmed across the land as competing city-states attempted to vie with each other for power, while pestilence and famine decimated populations. Into this cauldron was born Giangalezzo Visconti, a man who perfectly exemplified all the contradictions of his age. E. R. Chamberlin's The Count of Virtue is a remarkable study of the life and times of Giangaleazzo Visconti that provides fascinating insight into the political, social and cultural world of fourteenth-century Italy.

Beginning with Rodrigo Borgia, Chamberlin charts this intelligent but ruthless man's passage to the top. He uncovers how, as Pope Alexander VI, he directed his family to carve out a Borgia kingdom in the heart of Italy. The chaotic intrigues, alliances, and wars that Cesare and Lucrezia became embroiled with are exposed in fascinating detail as competing dynasties and cities struggled for survival before the family's fortunes crumbled.

Tasked with choosing a pontiff to replace a previous incumbent (Paul IV) whose reign was marked by repression and brutality, and faced with the growing challenge of the Protestant Reformation, the conclave faced a critically important decision for the future of the Roman Catholic Church and was faction-ridden even by the standards of such polarised gatherings. France and Spain, both looking to extend their power in Italy and beyond, had very different ideas of who the new pope should be, as did the Italian cardinals.

The Brandenburgers were Hitler's Special Forces, a band of mainly foreign German nationals who used disguise and fluency in other languages to complete daring missions into enemy territory. Overshadowed by stories of their Allied equivalents, their history has largely been ignored. First published in 1984, de Giampietro's highly-personal and eloquent memoir is a vivid account of his experiences. In astonishing detail, he delves into the reality of life in the unit from everyday concerns and politics to training and involvement in Brandenburg missions.

Beginning with the often violent circumstances of Dante's life, the book examines his successive works as testimony to the course of his passionate humanity: his lyric poetry through to the Vita nova as the great work of his first period; the Convivio, De vulgari eloquentia and the poems of his early years in exile; and the Monarchia and the Commedia as the product of his maturity.

Tacitus, who condemns the depravity of these rulers, which he saw as proof of the corrupting force of absolute power, writes caustically of the brutal and lecherous Tiberius, the weak and cuckolded Claudius, and "the artist" Nero. In particular, his account of the bloody reigns of Tiberius and Nero brims with plots, murder, poisoning, suicide, uprisings, death, and destruction. The Annals also provides a vivid account of the violent suppression of the revolt led by Boudicca in Britain, the great fire of Rome under Nero, and the subsequent bloody persecution of the Christians.

Caught between Camorra gunrunners selling to ISIS and Nigerian drug gangs along Italy's picturesque coast, each year thousands of refugees and migrants are lured into their underworld, forced to become sex slaves, drug mules, or weapon smugglers. In this powerful expose, investigative journalist Barbie Latza Nadeau follows the weapons trail, meets the trafficked women trapped by black magic, the brave nuns who try to save them, and the Italian police who turn a blind eye as the most urgent issues facing Europe play out in broad daylight.

John Hooper's marvelously entertaining and perceptive new book is ideal for anyone seeking to understand contemporary Italy and the unique character of the Italians. Looking at the facts that lie behind and often belie the stereotypes, his revealing book sheds new light on many aspects of Italian life: football and Freemasonry, sex, symbolism, and the reason Italian has twelve words for a coat hanger yet none for a hangover.

Commissioned in 1750, the Palazzo Venier was planned as a testimony to the power and wealth of a great Venetian family, but the fortunes of the Venier family waned, and the project was left abandoned and unfinished. Yet in the early 20th century, it attracted three fascinating women: Luisa Casati, Doris Castlerosse and Peggy Guggenheim.

In the summer of 1849, Giuseppe Garibaldi, Italy's legendary revolutionary, was finally forced to abandon his defense of Rome. He and his men had held the besieged city for four long months, but now it was clear that only surrender would prevent slaughter and destruction at the hands of a huge French army. Against all odds, Garibaldi was determined to turn defeat into moral victory.

بينيتو أندريا موسوليني حاكم إيطاليا ما بين 1922 و1943 شغل منصب رئيس الدولة الإيطالية ورئيس وزرائها وفي بعض المراحل وزير الخارجية والداخلية. وهو من مؤسسي الحركة...

The campaign of 1859 in Northern Italy was one of the first of the epoch-making, rapidly conducted wars that marked the latter half of the nineteenth century. It was, moreover, as has been pointed out by the author of Imperial Strategy, the “first war in Europe which conveyed some preliminary indication of what railways can accomplish.”

When Pliny the Elder perished at Stabiae during the eruption of Vesuvius in AD 79, he left behind an enormous compendium of knowledge, his 37-volume Natural History, and a teenaged nephew who revered him as a father. Grieving his loss, Pliny the Younger inherited the Elder's notebooks - filled with pearls of wisdom - and his legacy. At its heart, The Shadow of Vesuvius is a literary biography of the younger man, who would grow up to become a lawyer, senator, poet, collector of villas, and chronicler of the Roman Empire.

The 18th century’s Age of Enlightenment in pre-Revolutionary France continues to fascinate us today. Steegmuller brings his scholarly talents to this collection of the letters of Mme. Louise d’Épinay, best-known for the treatment she received in Rousseau’s Confessions. Eavesdropping on the writings of this intelligent woman, the listener gains not only insights into her friendship with Italian priest-diplomat, Ferdinando Galiani, but also a glance into the life of France’s elite.

Surprisingly neglected in accounts of Allied wartime triumphs, in 1941 British and Commonwealth forces completed a stunning and important victory in East Africa against an overwhelmingly superior Italian opponent. A hastily formed British-led force, never larger than 70,000 strong, advanced along two fronts to defeat nearly 300,000 Italian and colonial troops.

A history of the Renaissance told through the lives of its most influential patrons. From the late Middle Ages, the independent Italian city states were taken over by powerful families who installed themselves as dynastic rulers. Inspired by the humanists, the princes of 15th- and 16th-century Italy immersed themselves in the culture of antiquity, commissioning palaces, villas and churches inspired by the architecture of ancient Rome, and offering patronage to artists and writers.

En el siglo XVI, habitualmente conocido como "cinquecento", se prolonga este genio artístico italiano que alcanza cotas poco conocidas en Europa y, a nuestro juicio, en el mundo entero. Apoyándose sobre los descubrimientos del siglo anterior, aparecen ahora los grandes genios del arte italiano...

A partir del siglo XVII el grandioso arte del Renacimiento va tomando matices nacionalistas y de cierta exageración que se expresan en cada nación de una manera muy distinta. Es el estilo que se denomina habitualmente barroco y que presenta más diferencias que las que aparecían en el...