Titoli in Teatro

Genç yaşta dul kalmış ve bir daha evlenmemeye yemin etmiş Bayan Popov’un evine davetsiz bir alacaklı gelir. Kadının kocasından kalan borcunu istemektedir. Ancak beklenmedik bir şekilde birbirlerinden etkilenmişlerdir. Tam kadro seslendirme ile sinematik sesli kitabı yaşayın.

Kibirli, zengin Bayan Stevenson, kocası Henry için sabırsızlıkla evde bekler. Ofisini aradığında telefon hatları birbirine karışır. O gece bir kadını öldürmeyi planlayan iki erkeğe kulak misafiri olur.Ve ondan sonra, nefesinizi tutarak dinleyeceksiniz. Tam kadro seslendirme ile sinematik sesli kitabı yaşayın.

The young king of Navarre and three of his courtiers have vowed to lock themselves away for three years of study and fasting, and to forswear the company of women for this period. No sooner is their vow made than it is tested, however, as the princess of France and three of her ladies arrive in Navarre on a diplomatic mission. The young men fall instantly and hopelessly in love, and the tension between their vow and their passion forms the subject of this charming and sparkling early comedy.

Ideal for students of Shakespeare and Dance Studies, Choreographing Shakespeare explores how dance adaptations strive to design legible and intelligible stories, while ultimately celebrating the beauty of pure movement.

« Les Cinq sens » (« Le Brognet » - « Fugue » - « Le Verger » - « Veaux, vaches » - « Tampon ») : Cinq premières fois drôles et féroces où résonnent la violence des premiers désirs et la solitude de la jeunesse. « Toute ma vie j'ai fait des choses que je savais pas faire » : Après avoir tué un homme dans un bar, le protagoniste est coincé par ses poursuivants. Il tente de les retenir par la parole avant qu'ils ne lui règlent son compte. Rémi De Vos a écrit de nombreuses pièces dont « Alpenstock » suivi de « Occident » (2006) et « Débrayage » suivi de « Beyrouth Hotel » (2008).

Le parfait équilibre d'Okionuk est ébranlé par l'arrivée d'un marchand proposant des objets aussi surprenants que superflus. Les villageois ne possédant pas d'argent pour se les offrir, il propose d'être payé en mots. Rapidement, la langue disparaît et avec elle, les pensées, l'imaginaire et la mémoire.

This book is ideal for anyone keen to understand how contemporary plays and playwrights work, particularly those wanting to write for the stage themselves. Drawing heavily on contemporary practice, it considers moments from a range of plays, with a focus on those from the National Theatre's repertoire. The book embraces a range of different dramaturgical structures and styles popular today; plays by a diverse selection of writers; and the current openness of dramatic form.

An intimate and captivating exploration of Lin-Manuel Miranda’s artistic journey, revealing how the creator of the Broadway musicals Hamilton and In the Heights found his unique voice through bold collaborations, redefining the world of musical theater. How did Lin-Manuel Miranda, the sweet...

അരങ്ങിന്റെ വെള്ളിവെളിച്ചത്തില്‍ നിന്ന് തലമുറ കളെ ആനന്ദിപ്പിച്ച ജനപ്രിയനാടക കലാകാരന്മാരെ മറവിയുടെ കൂരിരുട്ടില്‍നിന്ന് ഓര്‍മ്മയുടെ പൂമുഖത്തേക്കു കൊണ്ടുവരുന്നു.

An exciting history of the improv group you’ve never heard of that changed comedy in America—this is the story of Boom Chicago in Amsterdam as told by its founders and most famous alumni! Featuring a foreword by Seth Meyers, a backword by Jordan Peele, and interviews with Seth Meyers, Jordan Peele, Amber Ruffin, Jason Sudeikis, Ike Barinholtz, Greg Shapiro, Kay Cannon, and many more.

A New Yorker, NPR, and Washington Independent Review Best Book of 2025 A coming-of-age tale from one of the most successful American producers of our time, Jeffrey Seller, who is the only producer to have mounted two Pulitzer Prize–winning musicals—Hamilton and Rent. Before he was producing...

In this brilliant work of political satire, Henry Morris presents fourteen years of Conservative (mis)rule in the only form in which such misfortunes could be portrayed: as a Shakespearean play. In five acts that take in five prime ministers, The Tories: A Tragedy is a captivatingly realised Jacobean tragedy, replete with Machiavellian manoeuvrings, hilarious mechanicals and poignant verse.

The inside story of what it took to bring Monty Python and the Holy Grail to Broadway as the unlikely theatrical hit Spamalot, told through actual diary entries from the legendary comic performer, founding member of Monty Python, and New York Times bestselling author On March 17, 2005, Spamalot...

Recorded live at the Friar's Club in New York City, this collection of stand-up routines features some of the greatest American comedians at the height of their comic skills. Presented by Joey Adams—and with introductions by television legends Milton Berle and Phyllis Diller—this recording captures performances by Norm Crosby, Freddie Roman, Soupy Sales, and Henny Youngman. In this nostalgic, hysterical collection, you'll laugh all the way through hundreds of hilarious jokes, gags, and putdowns.

Debuting at the Lunt-Fontanne Theatre in 1991, Catskills of Broadway was a critically acclaimed show that played to sold-out houses for more than a year, followed by a national tour. This audio recording captures the hilarity provided by comedians Dick Capri, Louise Duart, Mal Z. Lawrence, and Freddie Roman.

An “incisive…heartwarming” (The New York Times Book Review) exploration of the powerful and universal lessons from the music and lyrics of Stephen Sondheim, the genius behind such musical theater masterworks as Company, West Side Story, and Into the Woods. Stephen Sondheim died on November...

Das stetige Erstarken der Familien der flugfähigen Drachen ist der abtrünnigen menschengestaltigen Linie der Wolkenfelser seit langem ein Dorn im Auge. Weil alle direkten Versuche, den großen Drachen zu schaden, durch Lady Tessa erstickt werden, versuchen Sie, die beiden Königreiche des Clans gegeneinander auszuspielen und Tessas Reich von innen zu zersetzen. Als sie die menschliche Gefolgschaft, die Familie des Herrn des Weihergutes, überfallen, ahnen sie nicht, dass sie ihr eigenes Ende einläuten, erst recht nicht, wer es ihnen bereiten wird.

From its debut in 1962, Edward Albee’s Who’s Afraid of Virginia Woolf? was a wild success and a cultural lightning rod. The play transpires over one long, boozy night, laying bare the lies, compromises, and scalding love that have sustained a middle-aged couple through decades of marriage. It scandalized critics but magnetized audiences. Across 644 sold-out Broadway performances, the drama demolished the wall between what could and couldn’t be said on the American stage and marked a definitive end to the I Love Lucy 1950s.

Friedrich Schiller, frisches Mitglied der "Deutschen Gesellschaft", einer Vereinigung, die sich um die deutsche Sprache bemühte, wollte sich 1784 um die Stelle des Sekretärs der Gesellschaft bewerben. Er hielt bei seiner Bewerbung eben diese Rede über die "Schaubühne als moralische Anstalt." Seiner Meinung nach diente die Bühne als eine moralische Anstalt, eine Schule praktischer Weisheit, als gesellschaftspolitische Anstalt, als Instrument der Aufklärung und nicht zuletzt als ästhetische Bildungsanstalt.

Im vorliegenden Text steht das Kostümbild des Theaters im Mittelpunkt. Eine trockene Materie – mitnichten! Der anonyme Theaterkritiker verdeutlicht in unwiderstehlicher sprachlicher Manier anhand der berühmtesten Bühnenwerke Shakespeares, warum die Garderobe von Schauspielerinnen und Schauspielern ein sehr wichtiges Element bei großen Aufführungen abbildet.