Titoli in Storia e critica

When he retired as the chief security officer of New York City's Metropolitan Museum of Art, John Barelli had spent the better part of 40 years responsible not only for one of the richest treasure troves on the planet, but the museum's staff, the millions of visitors, as well as American presidents, royalty, and heads of state from around the world. For the first time, John Barelli shares his experiences of the crimes that occurred on his watch, the investigations that captured thieves and recovered artwork....

Phoebe Hoban, author of definitive biographies of Jean-Michel Basquiat and Alice Neel, now turns her attention to Lucian Freud, the grandson of Sigmund and one of the greatest painters England has produced. Lucian Freud: Eyes Wide Open is the first biography to assess Freud’s work and life, showing how the two converge.

Historically, major women artists have been excluded from the mainstream art canon. Aligned with the resurgence of feminism in pop culture, Broad Strokes offers an entertaining corrective to that omission. Art historian Bridget Quinn delves into the lives and careers of 15 brilliant female artists in this smart, feisty, educational, and enjoyable book.

Tarea es la de pintar a Don Quijote hasta más difícil que la de hinchar un perro. No ya ilustrar la obra imperecedera de Cervantes, sino vestir de carne visible y concreta un espíritu individual y vivo, no mera idea abstracta. Con escrupuloso cuidado me he entretenido en entresacar de las páginas vivas de El Ingenioso Hidalgo, cuantos pasajes se refieren más o menos directamente a los caracteres físicos de Don Quijote. Invito al lector a que divaguemos un poco acerca de la expresión pictórica de este símbolo vivo.

Kim była najbardziej grzeszna Madonna średniowiecza? Kto malował lubieżne służące? Czyje oczy hipnotyzowały Wiedeń? Kolejna książka z bestsellerowej serii biografii historycznych wydawnictwa Lira zabiera czytelników w krainę światowego malarstwa. Dlaczego artysta zdecydował się uwiecznić rysy tej a nie innej damy? Czy były to przypadkowe modelki? A może portretowane były żony, córki lub kochanki bogatych sponsorów zamawiających owe obrazy?

When Trisha Low moves West, her journey is motivated by the need to arrive “somewhere better” - someplace utopian, like revolution; or safe, like home; or even clarifying, like identity. Instead, she faces the end of her relationships, a family whose values she has difficulty sharing, and America’s casual racism, sexism, and homophobia. In this book-length essay, the problem of how to account for one’s life comes to the fore - sliding unpredictably between memory, speculation, self-criticism, and art criticism, Low seeks answers that she knows she won’t find.

The Gutmanns, as they were known, rose from a small Bohemian hamlet to become one of Germany's most powerful banking families. They also amassed a magnificent, world-class art collection that included works by Degas, Renoir, Botticelli, Guardi, and many, many others. But the Nazi regime snatched from them everything they had worked to build: their remarkable art, their immense wealth, their prominent social standing, and their very lives.

In this series of essays, Roger Kimball, managing editor of the New Criterion and an art critic for the London Spectator, examines the current art scene with a scathing intelligence and a crystalline eloquence of writing style. Particularly amusing are his dissections of art-show catalogspeak.

Western art, with its lineage from the ancient world to the present, has given us works of genius by the likes of Phidias, Michelangelo, Leonardo, Rembrandt, Vermeer, Monet, Van Gogh, and many more. In the 25 engrossing lectures of Understanding Western Art: Stories, Styles, and Masterworks, you’ll explore the larger themes, principles, and expressive currents that tell the story of Western art, and which shed light on its deeper meanings.

A sweeping and intellectually rigorous work of literary criticism that moves the field forward, from one of the preeminent public scholars “[Said’s] book is relaxed and discursive, original, immensely learned, fluently written.”―John Bayley, The New York Times Book Review Edward W. Said...

While the Civil War raged in America, another very different revolution was beginning to take shape across the Atlantic, in the studios of Paris: The artists who would make Impressionism the most popular art form in history were showing their first paintings amidst scorn and derision from the...

The volatile years of England's Tudor dynasty (1485–1603) and the five monarchs who ruled England during this period continue to fascinate and intrigue. Thanks to the paintings of artists like Hans Holbein, we have very definitive ideas about the appearance and personalities of Henry VII, Henry VIII, Edward VI, Mary I and her successor Elizabeth I. It is through their eyes of artists that we still see the dynasty which ruled England for just over a century.

This is the first book to closely examine the curatorial work that the celebrated poet Frank O'Hara (1926-1966) undertook for the Museum of Modern Art in New York and abroad. Upon his premature death, the New York Times obituary ran with the headline: 'Frank O'Hara, 40, Museum Curator / Exhibitions Aide at Modern Art Dies – Also a Poet'. However, in the half a century since, O'Hara's fascinating career as a curator has been eclipsed by the critical attention given over to his poetry.

Nicolas Krastev-Mckinnon propose dans cet ouvrage une lecture littéraire et philosophique de l'univers du rappeur. Sous une forme fragmentaire, l'écrivain décrit les lignes de force d'une discographie aussi complexe que brillante, qui a marqué le paysage musical français de son empreinte. Dans cette version enrichie, toutes les entrées du dictionnaire ont été revues et augmentées. Au fil de vingt nouvelles sections, Nicolas Krastev-Mckinnon intègre également les deux derniers albums de Damso - J'ai menti & BĒYĀH - à son analyse.

Brought to you by Penguin. 'For anyone who has enjoyed The Cultural Tutor on X, this book will be more of the same delight. Expect nuggets of insight and wisdom, wrapped in the author's trademark warmth and wit' Alain de Botton Who does the Mona Lisa actually depict? Why do we still look to the...

In the spring of 1790 two of the most gifted artists in Europe met in Rome and became fast friends, sharing their views on art, visiting the city’s ancient sites and making trips to the opera together. The Swiss history painter Angelica Kauffman and the French portraitist Elisabeth Vigée Le Brun are no longer household names in the early twenty-first century but were much-fêted celebrities in the late eighteenth. Franny Moyle uses their meeting in the eternal city as the point of departure for a lavishly illustrated 'life and times’ biography of two brilliant but neglected women artists.

Wrapped up in a snarky idealism, it starts as a funny and poignant love letter to art, and winds up making a compelling case for a kinder, more connected world.

Символизм — крупное течение в искусстве, представители которого всегда стремились к новаторству и использовали в своем творчестве символику, недосказанность, таинство образов. В классических работах символистов как нигде показаны жизнь, образ каждой души, ее переживания, смятения, чувства и впечатления. В этой книге подробно разбирается самый загадочный стиль в искусстве, рассматриваются шедевры символизма и их многозначительные тонкие смыслы.

Из-за чего аптекари стали героями шекспировской драмы? Что прятал купец в тайной комнате? Для чего гимназист затопил кабинет директора? И как бани разбили два брака? "Ключи от Москвы" — книга, которая открывает 16 дверей самых изысканных, загадочных и необычных домов города. Каждое здание — это не только архитектурная жемчужина Москвы, но и хранилище опасных секретов, пронзительных драм, любви и надежд прежних жильцов. Совершите путешествие в прошлое. Сидя за обеденным столом с Алексеем Толстым, послушайте его истории о парижских устрицах и былой роскоши.

Когда речь заходит об архитектуре, мы тотчас ясно представляем себе предмет, ведь архитектура окружает нас повсюду и сопровождает всю жизнь. Но когда заходит речь об архитекторах – то былая ясность исчезает, предмет разговора начинает скрываться в тумане, хотя имена авторов самых знаменитых зданий многие хорошо знают – Палладио или Корбюзье, Баженов или Растрелли, все мы слышали об этих гениальных зодчих.