Titoli in Storia e critica

As the witty and passionate chief art critic for New York magazine, Jerry Saltz is often approached by artists, both amateur and professional, asking him for advice: How do I get started? How do I get better? Is what I'm doing even art at all? They want to know, in short, how to be an artist. Now, expanding on his viral cover story for New York magazine - and drawing on his decades of immersion in the art world - Saltz has the answers. How to Be an Artist is an indispensable book of practical inspiration for creative people of all kinds. 

An informative, fun and rather charming essay on the nature and history of one of life’s most desirable assets, Charm, by renowned culture and design critic, Stephen Bayley. Aiming to wound, a schoolmaster wrote on future design-guru Stephen Bayley’s last ever school report “Charm alone...

Modern technology radically transformed urban life by the first decade of the twentieth century. As one of Western Europe's least industrialized countries, Italy appeared impervious to such developments. It was this state of affairs at which the Futurist movement took aim. With its founding in 1909, the poet and impresario F. T. Marinetti called for a revitalization of aesthetic expression by means of "movement and aggression."

Penguin presents the audiobook edition of Feel Free by Zadie Smith, read by Nikki Amuka-Bird. From the MAN BOOKER PRIZE- and WOMEN'S PRIZE-SHORTLISTED author of Changing My Mind and Swing Time - discover a second unmissable collection of essays from Zadie Smith 'Generous, courageous, and...

'Essential . . . An urgent reckoning with institutional violence, curatorial practice and the meaning of freedom' Dan Hicks 'Daisy Dixon is the guide you need in encountering the disturbing side of human expression' Helen Carr 'A zesty new history of "dangerous art" . . . Skips with panache...

"L'impero delle luci" è uno dei più noti e importanti lavori di Giorgio De Chirico, pittore surrealista belga che operò agli inizi del Novecento, famoso per i suoi uomini con le bombette, la mela che prende il posto della testa e la pipa che non è una pipa. La sua pittura è intrisa di mistero, illusione, trabocchetti e realtà distorte che sono i tratti distintivi del primo surrealismo.

Shortlisted for the PEN Hessell-Tiltman Prize 2022 Longlisted for the 2021 National Book Award for Nonfiction The Cold War was not just a contest of power. It was also about ideas, in the broadest sense – economic and political, artistic and personal. In The Free World, the acclaimed Pulitzer...

A compelling call to rediscover the transformative power of art in an age of distraction, coercion and spectacle - with a new introduction by Donna Tartt In Reclaiming Art in the Age of Artifice, J. F. Martel offers a compelling and incisive meditation on the nature of art in a world dominated...

Narrated by Melanie McHugh. To read most histories of art, you might be forgiven for supposing that great artists are superhuman, and the knowledge of different movements, periods and styles is essential to truly appreciate art. It's time to look at art in a new way. THE POWER OF ART delves into...

Brought to you by Penguin. Artists have learnt to pay attention. The rest of us spend most of our time on auto-pilot, rushing from place to place, our overfamiliarity blinding us to the marvellous, life-affirming phenomena of our world. But that doesn't have to be the case. In his typical...

Are art and science separated by an unbridgeable divide? Can they find common ground? In this book, neuroscientist Eric R. Kandel, whose remarkable scientific career and deep interest in art give him a unique perspective, demonstrates how science can inform the way we experience a work of art and seek to understand its meaning. Kandel illustrates how reductionism - the distillation of larger scientific or aesthetic concepts into smaller, more tractable components - has been used by scientists and artists alike to pursue their respective truths.

"Mason Currey is the undisputed master of finding, in the messy lives of great artists and thinkers throughout time, deeply human lessons about cultivating meaning in our current age." —Cal Newport, New York Times bestselling author of Slow Productivity and Deep Work Daily Rituals author Mason...

Brought to you by Penguin. Since the inception of mainstream art history, Blackness has been distinctly ignored. In Reframing Blackness, art historian and founder of @ABlackHistoryOfArt, Alayo Akinkugbe challenges this void. Exploring the presentation of Black figures in Western art, Blackness...

En la Historia del Arte Español, como en la de cualquier país, lo más difícil, y para muchos lo más fácil, es recoger una serie de nombres, estilos, figuras, etc. que estudiar. Difícil porque no se sabe quienes son los mejores, ya que hablando de estilos artísticos es muy complicado...

Pablo Picasso fue publicado por primera vez en español en 1946. Su núcleo originario, sin embargo, hay que buscarlo en la edición francesa de 1930, en la que Ors y Picasso trabajaron en estrecha colaboración, el primero preparando un texto que había de ser la realización efectiva, en el...

The Swedish painter Hilma af Klint (1862-1944) was forty-four years old when she broke with the academic tradition in which she had been trained to produce a body of radical, abstract works the likes of which had never been seen before. Today, it is widely accepted that af Klint was one of the earliest abstract academic painters in Europe. But this is only part of her story. Not only was she a working female artist, she was also an avowed clairvoyant and mystic. 

These biographies of the great quattrocento artists have long been considered among the most important of contemporary sources on Italian Renaissance art. Vasari, who invented the term "Renaissance", was the first to outline the influential theory of Renaissance art that traces a progression through Giotto, Brunelleschi, and finally the titanic figures of Michaelangelo, Da Vinci, and Raphael.

Bloomsbury presents The Longing for Less by Kyle Chayka, read by Christopher Ragland. New York Times Book Review Editor's Choice "More than just a story of an abiding cultural preoccupation, The Longing For Less peels back the commodified husk of minimalism to reveal something surprising and...

Straightened. Stigmatised. 'Tamed'. Celebrated. Erased. Managed. Appropriated. Forever misunderstood. Black hair is never 'just hair'. This book is about why black hair matters and how it can be viewed as a blueprint for decolonisation. Emma Dabiri takes us from pre-colonial Africa, through the...

Tarea es la de pintar a Don Quijote hasta más difícil que la de hinchar un perro. No ya ilustrar la obra imperecedera de Cervantes, sino vestir de carne visible y concreta un espíritu individual y vivo, no mera idea abstracta. Con escrupuloso cuidado me he entretenido en entresacar de las páginas vivas de El Ingenioso Hidalgo, cuantos pasajes se refieren más o menos directamente a los caracteres físicos de Don Quijote. Invito al lector a que divaguemos un poco acerca de la expresión pictórica de este símbolo vivo.