Titoli in Urbana

F. Scott Fitzgerald published this captivating short story in 1926, a year after The Great Gatsby. One of his most famous short stories, Fitzgerald wrote “The Rich Boy” about one of his friends in the guise of a wealthy, old-money protagonist, Anson Hunter, and the effects of wealth on his character and thus with women, love, and life. It originally appeared in two parts, in the January and February 1926 issues of Redbook. “The Rich Boy” is a masterpiece of twentieth-century American fiction.

Once the top dog, Danny Mckay has walked away from his old gangland life. He’s on the straight and narrow now, looking forward to settling down and living a quiet life. But trouble seems to follow Danny. And when his own family is caught up in a shocking event, Danny is dragged back into the gangland world, hell-bent on revenge. Danny’s determined to make someone pay, but the rules are different this time around—old friends are enemies, and Danny doesn’t know who he can trust.

Keema is back, and dirtier than ever. After oddly maneuvering her way out of the blood bath she left behind in Arizona, Keema is up to her old tricks again. Between sex, greed, and murder, it’s almost impossible to escape from the hood life she’s grown accustomed to. From one scam to the next, she finally comes up with a new hustle that rains money and is sure to give her the riches she thinks she deserves. That is until someone from her past emerges, sending her into mental shock. The stakes become high as Keema fights for her life, still with her mind on her money.

After surviving another attempt on her life, Keema Newell proves that a true hustler never dies. As a ghetto superstar and queen of the streets, she struggles to put the pieces of her life back together, while trying to tame her now notorious daughter, Treasure. Money, murder, and mayhem comes from every angle as Keema finds herself in a viscous web of deceit, tearing apart the lives of everyone she comes in contact with—ultimately making her fair game for her ruthless enemies. Little does she know, her own daughter has plans to step in and take over the throne.

After the defeat of the rival Gordon and Thompson families, the Blood Brothers' reputations as feared lieutenants of the McVay clan are firmly established. The Gallowburn has become an untouchable stronghold in their capable hands. However, danger rears its head in another form—Jamie’s deadliest foe, Cameron Abernethy. Still fighting to be released from prison, Cameron decides to use the Lawson family, the Blood Brothers’ biggest rivals, to discover his daughter's whereabouts.

Cammie, a dancer in her thirties, has just landed her first part in a show since coming to New York City. Yet the tug of familial obligations and the guilt of what she sacrificed to be there weigh down her dancing feet. Cammie’s lover, Tom, an older piano player, came to the city as a young man in the 1980s with a story eerily in tune with Cammie’s own. Through their triumphs and failures, both learn the fleetness of glory, the sweetness of new love, and how a dream come true isn’t cherished until it’s passed.

Leonard Dunning wakes up in a home he doesn't remember—and to a face in the mirror he doesn't recognize. He soon discovers he attends Blue Cherry High with his best friend, Josh Bernstein, who seems to be the most popular boy in school, with several girls competing for his attention. As the girls collide and clash over the oblivious Josh, Leo realizes each of them displays quirks of characters found in an anime harem comedy. So if Josh is the story's protagonist, what does that make Leo?

My reputation with women stinks. I'll admit I haven't always treated them with the respect they deserve. That's not to say I'm a bad guy or anything. What my sisters and cousin would call toxic, I prefer to think of as selfish. But I'm ready to change everything if it means I'll have a chance with the lovely, sweet, wounded Sofia Diaz—and her adorable son Mateo. They've been through a lot with her ex—and she's still dealing with him far more often than I'd like—but I'm prepared to be there for both of them, to do whatever it takes to make them happy.

Alors que se prépare l’Expo, ça grouille de vie à la Place des Érables. Le beau pharmacien manifeste de plus en plus d’intérêt pour Mado, l’exubérante serveuse du casse-croûte. Cependant, il n’aura pas les coudées aussi franches qu’il le souhaiterait pour la conquérir. En face, chez les Picard, Arthur est très amoureux de la belle Anna et, à seize ans, semble voir une éclaircie à son avenir. Son ami Daniel et sa chérie n’ont pas la même chance.

Alors que les années 1960 tirent à leur fin, bonheurs et chagrins continuent de se multiplier à la Place des Érables. Agathe, la coiffeuse du quartier, tente de surmonter les pénibles conséquences des frasques de son Rémi et de limiter les commérages à son sujet. Autant essayer de calmer les poules dans une basse-cour!

Saul doesn’t get why he’s misunderstood. At his high-tech day job, he hides in the bathroom writing a novel about his dead grandfather and wonders why his boss wants to fire him. He tells his almost ex-wife about a blind date and wonders why she slams the door in his face. He aches with worry for his seven-year-old son, who seems happier living with his mom and her new man. When the blind date becomes a complicated relationship, and Saul’s blunders at work threaten the survival of the company, Saul has to wake up and confront his fears.

Por el Desiré desfilan los sueños y realidades de un elenco de personajes memorables encabezado por Bella, cantante de boleros; Poco, un viejo enigmático de origen incierto; la solterona y cándida Antonia y su hermano Damián. Sus vidas son una demostración imponente de la distancia, a veces insalvable, que media entre los deseos de felicidad y las posibilidades reales de alcanzarla.

On the eve of the Occupy Wall Street protests, C is flat broke. Once a renowned textile artist, she’s now the sole proprietor of an arts supply store in Lower Manhattan. Divorced, alone, at loose ends, C is stuck with a struggling business, a stack of bills, a new erotic interest in her oldest girlfriend, and a persistent hallucination in the form of a rogue garden gnome with a pointed interest in systems collapse. Replaying recent history through a distorting glass, The Visitors charts the last days of a broken status quo as the path is cleared for something new.

The Vanderhaven family of Manhattan has it all: wealth, prestige, good looks, and a thriving business empire. But their seemingly perfect world is ripped apart when their younger daughter, eight-year-old Brenna, runs off after overhearing her parents arguing. Out on the streets, she quickly realizes shes lost. Even more frightening, Brenna soon realizes that a man is following her. Meanwhile, in a townhouse in Brooklyn, Callie Griffin is throwing a birthday party for her one-year-old son, Oliver. The joy of the day is ruined by her sister Lauren's too-short, drive-by appearance.

The Not Wives traces the lives of three women as they navigate the Occupy Wall Street movement and each other. Stevie is a nontenured professor and recently divorced single mom; her best friend, Mel, is a bartender, torn between her long-term girlfriend and her desire to explore polyamory; and Johanna is a homeless teenager trying to find her way in the world who bears shared witness to a tragedy that interlaces her life with Stevie’s.

After an unsuspected raid destroys the Bishop family empire, many hands fight to take over the territory now up for grabs. While Nessa thinks she’s won against her cheating, womanizing ex-man, Luke plays a few chess moves of his own. His plan to win at a game his father instilled in him, while testifying against those he once loved, backfires terribly. Chetti simply isn’t having it, and she’ll do whatever it takes to remain in control and live in the lap of luxury, while taking down her very own family.

Whoever said the king has to be a man? In this gritty tale of money, sex, and mayhem, Chetti Bishop must protect her family empire at all cost, despite the violence launched against her. As a self-proclaimed bitch, her sights are set on becoming untouchable. Nothing gets in her way…not even Nessa, a sexy outsider who secretly plots her revenge. The stakes soon become treacherous, while loyalty becomes nonexistent. As unsuspecting enemies emerge, murder is eminent, and the last one standing will walk away with millions.

Cold-hearted Keema takes the world by storm as she navigates her way through every trick and scam she can pull off. With four kids in tow, living off the welfare system had become her life along with the extra cash, sex, and violence her gangsta boyfriend Dupree brought into her life. Soon, chaos erupts, causing Keema’s secret past to become a problem. When the chips fall, they fall hard, leaving Keema willing to do whatever it takes to keep money in her pocket. She’s willing to go that extra mile, even if it means selling her kids or setting up her man.

Daddy’s girl Samantha Reynold hadn’t bargained on unexpectedly needing to step into her father’s shoes and take over the family casino business. Pampered and spoiled, Sam knows nothing about the rules of this glamorous but deadly new world. She has a lot to learn and even more to prove. But she won’t let her family down, especially when it looks like they could lose everything to their biggest rivals - the Stoker family.

Susana Hernández ens presenta "Mai més", una novel·la que ens situa en dos barris multiculturals de Barcelona, la Mina i el Besòs, i se centra en els entramats socials i els focus de delinqüència. Com la mateixa autora explica, "en aquesta segona novel·la apareix la lluita dels personatges, la realitat dels narcopisos i el rebrot de l’heroïna" i se serveix de les pàgines del llibre per retratar aquest somni europeu dels immigrants, que al final es converteix en un malson.