Risultati Editore "Brilliance Audio" in Satira

Available to listeners for the first time, Sucker’s Portfolio showcases a collection of seven never-before-published works from Kurt Vonnegut, one of the greatest writers of the 20th century. Short, sardonic, and dark, these six brief fiction stories and one non-fiction piece are consummate Vonnegut with piercing satire and an eye for life’s obscene inanity. Also available for the first time is an unfinished science-fiction short story, included in the appendix.

What do you do when the doctor says you could die at any moment? Well...after you’ve made a cup of tea, of course. Nathan James is young, successful and has the world at his feet. Unfortunately, he’s also about to die—which ruins things somewhat. And now he’s staring imminent death in the face, Nathan is having to rethink some of his life choices very hard. Then Nathan falls in love with a charming girl called Alison, which is a really stupid thing to do. Because how can you give your heart to someone when it might be about to stop?

Wannabe actress Dani Steele's résumé resembles a cautionary tale on how not to be famous. She's pushing thirty and stuck in a dead-end insurance job, and her relationship status is holding at uncommitted. With unbearably perfect sisters and a mother who won't let her forget it, Dani has two go-tos for consolation: maple scones and a blog in which she pours her heart out to her celebrity idol. He's the man her father never was, no boyfriend will ever be - and not so impossible a dream as one might think.

Flatland is populated by Squares, Triangles, Circles, and Lines, all of which are strictly divided by class and gender. However, our narrator, A Square, living a practical life in this two-dimensional universe, dreams of other worlds. Perhaps A Sphere, a figure from a three-dimensional realm, can help drive home the point. But, as A Square soon discovers, educating Flatland about the shapes of things to come proves to be a dangerous infraction.

Candide, the illegitimate nephew of a German baron and student of eternal optimist Pangloss, is living a simple and sheltered life in "the best of all possible worlds." But when Candide falls in love with the wrong woman, his uncle's young daughter, he is exiled from the baron's castle and suffers great tragedy and catastrophe, which leaves him disillusioned and questioning the goodness of the universe.

Gravedigger John Gascoigne lives in Downfell Hurst with his wife, Florrie, their three children and his mother, Gran. John is a deep thinker but extremely taciturn - a man of few words and many grunts. Which is why everyone is alarmed when he's hit on the head by a cricket ball, and it suddenly seems as if the words won't stop. What's more, he says he is talking to Saint Christopher - only no one else can see the saint, and they're beginning to worry John's not quite right in the head.

Samuel Pickwick, founder and chairman of the Pickwick Club, engages three fellow members to accompany him on a journey. By coach they’ll travel to the outreaches of London to explore, observe, and report back on the quaint wonders of the English countryside. What transpires is a picaresque romp of misadventures, hair-raising challenges, and romantic follies entangling the fates of a riot of colorful characters - a passel of villains, spinsters, poets, and sportsmen - and the unworldly Pickwick himself, who has much to learn about life outside his gentleman’s club.

Andy Bellows is in a right state. Plagued with insomnia, anxiety and neckache, he’s convinced there’s something seriously wrong with him. And the worst thing is that his doctor agrees. The diagnosis: Andy is in the grip of a self-destructive addiction to technology - he just cannot put that bloody mobile phone down. Texting, tweeting, gaming and online dating - technology rules Andy’s life. His phone even monitors his bowel movements. So how will he cope when he’s forced to follow doctor’s orders and step away from all of his beloved screens?

Perhaps Vidal’s most outrageous novel, this is an indescribable fantasy purportedly set in the city of Duluth (which, however, is near the Mexican border) and involving a TV show also named Duluth (a parody of Dallas), a spaceship that has landed nearby, the antics of a policewoman, Darlene Ecks, and much else.

"I am Myra Breckinridge, whom no man will ever possess." So begins the irresistible testimony of the luscious instructor of Empathy and Posture at Buck Loner's Academy of Drama and Modeling. Myra has a secret that only her surgeon shares; a passion for classic Hollywood films, which she regards as the supreme achievements of Western culture; and a sacred mission to bring heteronormative civilization to its knees. Fifty years after its first publication unleashed gales of laughter, delight, and ferocious dissent, Myra's moment to instruct and delight has once again arrived.

Eleanor Merritt, a do-gooding American family-planning worker, was drawn to Kenya to improve the lot of the poor. Unnervingly, she finds herself falling in love with the beguiling Calvin Piper despite, or perhaps because of, his misanthropic theories about population control and the future of the human race. Surely, Calvin whispers seductively in Eleanor's ear, if the poor are a responsibility they are also an imposition.

For sheer unpredictable brilliance, Gogol may come to mind, but no author alive today takes a listener as far as Helen DeWitt into the funniest, most yonder dimensions of possibility. Her jumping-off points might be statistics, romance, the art world’s piranha tank, games of chance and games of skill, the travails of publishing, or success.

These are the voyages of the starship A.S.F. Willful Child. Its ongoing mission: to seek out strange new worlds on which to plant the Terran flag, to subjugate and if necessary obliterate new life-forms, to boldly blow the... And so we join the not-terribly-bright but exceedingly cock-sure Captain Hadrian Sawback and his motley crew on board the Starship Willful Child for a series of devil-may-care, near-calamitous and downright chaotic adventures through "the infinite vastness of interstellar space".

Never meddle with unidentified spying objects...The year is: The Future. Mars and Earth are like that divorced couple who don’t exactly like each other but have at least stopped fighting in public. Floating somewhere in between them, amid all the garbage and Gene Roddenberry’s ashes, a transport vessel called the SS Jefferson is homeward bound. Its crew might have even made it on time for once, too...

Fleeing the aftermath of a bizarre college prank and mourning the death of his deadbeat dad, Garrett Deaver escapes Pennsylvania for a salmon processing plant in remote Alaska, a state he has only known from his father’s stories. There he renames himself Beaver—just like a beaver, he’s “an industrious motherf*cker”—and he connives to become a supervisor at Klak Fancy Salmon, LLC, thinking it will solve his psychological and financial issues. He soon falls in with an entrepreneurial Turkish fish processor and a cynical old woman who mends nets and tells filthy jokes.

To satisfy a public that longs for a savior, Vidal’s eponymous hero of Kalki, born and bred in America’s Midwest, establishes himself in Nepal, puts out the word that he is the last incarnation of the god Vishnu, and predicts an imminent apocalypse meant to cleanse the planet.

Messiah traces the collapse of Christianity and the rise of the next great religion of Western civilization: Cavism. Founded by undertaker John Cave, Cavism holds that it is a holy thing to die. Packaged by a marketing genius, the new religion conquers the world more quickly than any prior memeplex, but pockets of resistance remain. Eugene Luther, formerly an apostle of Cavism, now a hunted apostate, writes his memoirs as a last gesture of freedom while the noose of a totalitarian religious state tightens around him.

Dark, lanky, and bald, New York-raised photographer Sabre Cumberbatch can’t tell if she’s highly talented or just highly Instagrammable. Up to here with art critics and their gaseous praise, Sabre returns to Barbados, her childhood island home, to water her roots. She needs to quell self-doubt by doing something—anything—profoundly important. Welcoming her with bejeweled open arms is her aunt Aggie, a fearsome high-society attorney eager to show off her famous American niece. When Sabre witnesses Aggie unleash her wrath on the household staff over a minor mistake, Sabre finds her cause.

Maren Winter is a world-renowned restaurateur who has built an empire. No one heeds the whispers of her retirement more closely than her three daughters, all in service to their mother’s legacy. On the night of Maren’s annual New Year’s Eve party, a line is crossed, and word of a humiliating family meltdown spreads like a Northern California wildfire through the culinary elite. It’s a golden opportunity for one of them to step into power—and a trigger for a spiraling descent into paranoia and blind ambition.

Will Fairweather is getting old. His back aches, his bowels misbehave if he eats spicy food and he’s completely lost his sense of rhythm. Life has taught him not to take risks, but even that hasn’t stopped his marriage hitting the rocks too. The last thing he needs is a surprise call from Red Fairweather, devil-may-care rock god—and the father Will hasn’t seen for thirty years. If Will’s old before his time, Red’s the boy who won’t grow up.