Titoli in Fantasmi

When five-year-old Winnie finds a little bird that is hurt, she wants to take it in and take care of it. Her mother is reluctant. She is terrified of birds. As she rightfully should be.

Hipopotamia es una colección de desvelos y un manual de contradicciones. Sexo, violencia y sangre fluyendo a través de las alcantarillas de la psique colectiva, esa que carece de puentes con la lógica o el sentido común. En estos diez relatos, el lector podrá encontrar lugares sórdidos, amores raros, atmósferas inquietantes y un buen puñado de alucinaciones. Puede, incluso, que en estos diez relatos el lector corra el riesgo de encontrarse a sí mismo.

The Ultimate Ghost Stories Collection is a fully indexed collection of classic ghost stories, read by three Audie-winning narrators. Included here are stories by Henry James, M.R. James, Edgar Allan Poe, Charles Dickens, Edith Wharton and Washington Irving.

River Hall, the uninhabited house in question, is a place of ghosts and secrets, and it simply cannot keep a tenant. Inherited by the too-young Miss Helena Elmsdale after her father’s death, it falls to her aunt, Miss Susannah Blake, to attend to the house. In order to see that it remains rented out, Miss Blake brings the property to Messrs. Craven and Son for management. The lawyers do their best, but there is something sinister at River Hall, and the tenants cannot seem to leave fast enough, threatening to leave Miss Blake and her orphaned niece in dire financial straits.

Itinerant schoolmaster Ichabod Crane comes to ply his trade in the quiet countryside near Tarry Town and falls in love with Katrina Van Tassel, the daughter of a wealthy farmer. But her hand is also sought by local hero Abraham “Brom Bones” Van Brunt who wages a war of pranks and practical jokes against the quirky outsider, who has become fascinated by the local folklore and spooky tales

In the Vault was based on a suggestion made in August 1925 by Charles W. Smith, editor of the amateur journal Tryout, which Lovecraft recorded in a letter: 'an undertaker imprisoned in a village vault where he was removing winter coffins for spring burial, and his escape by enlarging a transom reached by the piling up of the coffins'.

A very young woman's first job: governess for two weirdly beautiful, strangely distant, oddly silent children, Miles and Flora, at a forlorn estate...an estate haunted by a beckoning evil. Half-seen figures who glare from dark towers and dusty windows—silent, foul phantoms who, day by day, night by night, come closer, ever closer. With growing horror, the helpless governess realizes the fiendish creatures want the children, seeking to corrupt their bodies, possess their minds, own their souls. But worse, the governess discovers that Miles and Flora have no terror of the lurking evil.

Victims all describe hearing a voice before they die gruesomely. Sometimes it’s singing an old Taiwanese song, sometimes it’s in Japanese, and sometimes it’s an anguished call for help from a loved one. Can Wu Shih-sheng, a degenerate taxi driver in Taipei, hunt down the source of the voice that killed his wife before he becomes the next victim?

During a late-night horse ride, the lovelorn schoolteacher Ichabod Crane passes through the sites of familiar ghost stories. It is dark and the forest is full of spooky sounds. He thinks his imagination is getting the best of him, but suddenly he finds himself being pursued by a shadowy figure. To his horror, Ichabod realizes that the figure has no head on his shoulders, but instead holds his head in front of him on the saddle. Ichabod races to safety at the other side of the bridge, only to turn around and see the horseman’s head hurled directly at him.

When Amy Osbourne’s parents are lost at sea, she is forced to leave her London home and is sent to live with her aunt and uncle at the opposite end of the country. Alardyce House is depressing and dreary, her aunt haughty and cruel. Amy strikes up a friendship with her cousin Edward but his older brother Henry is just as conceited as his mother, and a mutual loathing develops between him and Amy. Struggling in this strange, unwelcoming environment, Amy begins to suspect that something isn’t right at Alardyce House.

La mirada de un niño, en principio de ignorancia y dulzura, se vuelve perdida y siniestra. Su madre le ha Internado en un hospicio que será como entrar en el mismo infierno, donde las monjas parecen obedecer al mismo Satanás. Los demás niños son como miembros de una secta que siguen a la Madre Superiora para no caer en sus despiadados castigos. Juan, como así se llama el niño, descubre la presencia de un ser que le incitará a vengarse de todo ese sufrimiento que le hace agonizar y que no entiende cómo puede venir de la mano de una sierva del Señor.

More than a year has passed since shaman John Running Deer and his equally gifted granddaughter, Evelyn Sherman, battled Brigindo and Teutates’ other three siblings in Cherokee, North Carolina. At the time, John and Evelyn prayed this would be it for dealing with violent ancient entities that supersede the normal realm of ghosts and other mischievous spirits. They naively equated the Hobbs family’s return to peaceful lives in Colorado as the end of their own misadventures with the supernatural. They couldn’t have been more wrong.

Here is a meeting with George and Marion Kerby, a couple of free-wheeling ghosts, who meet up with respectable banker Cosmo Topper. This was noted by the New York Times, claiming: “Thorne Smith created the modern American ghost story, ghosts with style and wit; ghosts that haunt us still.” Others pointed out, “Smith was a master of urbane wit and sophisticated repartee.” The overall mood has a touch of silliness, but it provides lighthearted reading and listening, a matter of nonsensical escapism. For Topper it meant relief from a nagging wife with ongoing indigestion.

New Hampshire, 1877. Maud Price was once a celebrated child medium, a true believer in lifting the veil between the living and the dead. Now penniless, her guiding spirits gone, the so-called “Maid of Light” is desperate to regain her reputation—but doing so means putting her faith in deceiving others.

"El almacén y otros cuentos inquietantes" es la recopilación de cuentos que cualquier fanático del género de terror, el gore y el suspense disfrutará leyendo. En estos doce relatos de inspiración cinéfila encontramos historias fantásticas, con zombis al estilo de The Walking Dead, vampiros que homenajean al Drácula de Bram Stoker, animales domésticos aterradores que recuerdan a los de "Cementerio de animales" de Stephen King y situaciones parecidas a las que podemos encontrar en películas como Amanecer de los muertos.

Two years ago, the Piper family fled Fenton House after their dream of a new life turned into an unspeakable nightmare. The house has stood empty ever since, given a wide berth by everyone except ghost hunters and occult fanatics. Now something is trying to lure the Pipers back to Fenton House. But is that “something” a malevolent supernatural entity? Or is there a more earthly explanation? Whatever the truth, Adam and Ella Piper are about to discover that their family’s future is inextricably bound up with the last place they ever wanted to see again. 

After the tragic death of their eleven-year-old son, Adam and Ella are fighting to keep their family from falling apart. Then comes an opportunity that seems too good to be true. They win a competition to live for free in a breathtakingly beautiful mansion on the Cornish Lizard Peninsula. There’s just one catch: the house is supposedly haunted. Despite misgivings, the chance to start afresh is too tempting to pass up. Adam, Ella, and their surviving son, Henry, move into Fenton House. But as the house starts to reveal its secrets, they come to suspect that they may not be alone.

Aaron, the ghost haunting Louie’s Gastropub, has become the bane of archivist Andrea Kelley’s existence. She’s been blocked at every turn by the inability to communicate with him, the glacial pace of historical research just to find a starting place to look for him, and her BFF, Detective William Taka’s refusal to have anything more to do with ghosts. But when Aaron leads her to a murder victim outside Louie’s, her desperation reaches new heights. With his job on the line, Taka agrees to help Andrea discover what Aaron needs from her - and what he knows about the murder.

Where do writers go when they die? The forgotten ones, at least, go to the Café of Minor Authors where they drink endless cups of cappuccino, self-obsess, and nurse their shattered dreams. Some authors, it’s rumored, can escape Oblivion if they try hard enough to write something the universe can’t ignore, even after death. This is the story of one ambitious writer stuck in Oblivion who not only risks upturning his own fate but also the fate of his literary hero and that of his great grandmother, Hanna, an aspiring actor in the Yiddish theater in the Prague of 1911.

If Tipsy Collins learned one thing from her divorce, it’s that everyone in Charleston is a little crazy - even if they’re already dead. Tipsy, a gifted artist, cannot ignore her nutty friends or her vindictive ex-husband, but as a lifelong reluctant clairvoyant, she has always avoided dead people. When Tipsy and her three children move into the house on Bennett Street, she realizes that some ghosts won’t be ignored. Till death do us part didn’t pan out for Jane and Henry Mott, who have haunted the house for nearly a century.