Titoli in Studi sui media

The Facebook Narcissist is the first book dedicated to exploring the relationship between narcissism and social media. Lena Derhally, a licensed psychotherapist certified in Imago therapy, delves into how social media enhances individual and cultural narcissism and how it may create or exacerbate toxic narcissistic tendencies in people who use it. Social media is here to stay, but with education and awareness on how it makes us and the world more narcissistic, we can change the narrative and focus on the ways in which social media can be positive, and even improve the world.

As consumers of art, and especially as fans, we have a host of tricky moral question to navigate: do the moral lives of artists affect the aesthetic quality of their work? In Drawing the Line, Erich Hatala Matthes argues that it doesn't matter whether we can separate the art from the artist, because we shouldn't. Matthes argues both that the lives of artists can play an important role in shaping our moral and aesthetic relationship to the artworks that we love and that these same artworks offer us powerful resources for grappling with the immorality of their creators.

Tyrants on Twitter is the first detailed analysis of how Chinese and Russian agents weaponize Facebook, Instagram, Twitter, and YouTube to subvert the liberal international order. In addition to examining the 2016 US election, David L. Sloss explores Russia's use of foreign influence operations to threaten democracies in Europe, as well as China's use of social media and other digital tools to meddle in Western democracies and buttress autocratic rulers around the world.

Long before the current preoccupation with "fake news", American newspapers routinely ran stories that were not quite, strictly speaking, true. Today, a firm boundary between fact and fakery is a hallmark of journalistic practice, yet for many readers and publishers across more than three centuries, this distinction has seemed slippery or even irrelevant.

Is a secret and corrupt Illuminati conspiring to control world affairs and bring about a New World Order? Was Donald Trump a victim of massive voter fraud? Is Elizabeth II a shape-shifting reptilian alien? Who is doing all this plotting? In Hope and Fear, Ronald H. Fritze explores the fringe ideas and conspiracy theories people have turned to in order to make sense of the world around them, from myths about the Knights Templar and the 10 Lost Tribes of Israel to Nazis and the occult, the Protocols of Zion and UFOs.

In QAnon and On, Guardian columnist Van Badham delves headfirst into the QAnon conspiracy theory, unpicking the why, how and who behind this century’s most dangerous and far-fetched internet cult. From Gamergate to Pizzagate and beyond to QAnon, internet manipulation and disinformation campaigns have grown to a geopolitical scale and spilled into real life with devastating consequences, entangling everyone from politicians to Hollywood celebrities.

Dieses Hörbuch ist den Gedanken der journalistischen Aufklärung verpflichtet. Zu ihren Kernaufgaben zählen die Kritik und Kontrolle politischer Macht. In der Praxis jedoch wird die Presse häufig zum Apologeten der Mächtigen und zum publizistischen Verteidiger des Status Quo. Statt Macht- und Gewaltverhältnisse aufzuklären, vernebelt sie oft die Interessen von Machteliten und wird so zum Helfer der Gegenaufklärung. Dieses Hörbuch zeigt, wie Kritik und Kontrolle von Eliten wieder in den Mittelpunkt der Recherche rücken können. Baab bietet einen Werkzeugkasten mit Instrumenten der Aufklärung.

Bloody Crossroads 2020 takes a deep dive into the role that mass-appeal movies, television, videos, and music played in America's political culture in the year of Donald Trump's failed reelection campaign. The book also explores the impact of entertainment celebrities in communications, fundraising, and campaigning to support the election of Joe Biden.

In Abundance, Pablo J. Boczkowski builds upon what we know about the historical and contemporary scholarship to develop a novel framework on the experience of living in a society that has more information available to the public than ever before, focusing on the interpretations, emotions, and practices of dealing with this abundance in everyday life.

With the rise of Jimmy Carter, the 1976 presidential election proved a transformative moment in US history, heralding a change in terms of how candidates run for public office and how the news media cover their campaigns.

A stirring true story of the journalists who dared to oppose Hitler - and the campaign waged against them. After serving in the First World War, Adolf Hitler encountered a serious obstacle to his plotting for power when the Munich Post, drawing on sources within the Nazi Party, began tracking the corruption and dark dreams of his inner circle. With leaked documents from Hitler's political rivals, who were shocked by his violent rhetoric and fearing the worst, the Post battled Hitler for ownership of the truth.

One of the basic structures of everyday life, money is at its core a communication media. Payment systems - cash, card, app, or Bitcoin - are informational and symbolic tools that integrate us into, or exclude us from, the society that surrounds us. Examining the social politics of financial technologies, Lana Swartz reveals what's at stake when we pay.

In Finding Truth in Fiction, two media psychologists reveal that there's much more to our desire to seek out stories in film, TV, and books than simple diversion - fiction can help us find truth in our real lives. Whether you consider yourself a fan of popular media or whether you find yourself thinking of a particular fictional scene for inspiration, you are not alone. Though some assume that interest in a fictional world is a sign of psychological trouble, the authors enthusiastically disagree.

From the cunning, calculating, government-trained warriors to the psychopathic, homegrown freelancers, you can find them all in Assassinations: The Plots, Politics, and Powers Behind History-Changing Murders. Exposed are the hidden agendas as well as the open warfare. The cynical preparations and devastating aftermaths are laid bare. You will quickly find yourself immersed in a world that is filled with killings made to seem like suicides, murders that were designed to look like heart attacks or overdoses, and accidents that, in reality, were carefully orchestrated deaths.

Lie Machines is full of riveting behind-the-scenes stories from the world's biggest and most damagingly successful misinformation initiatives - including those used in Brexit and US elections. Howard not only shows how these campaigns evolved from older propaganda operations, but also exposes their new powers, gives us insight into their effectiveness, and shows us how to shut them down.

To some, it is the voice of the nation, yet to others it has never been clearer that the BBC is in the grip of an ideology that prevents it reporting fairly on the world. Robin Aitken, who spent 25 years working for the BBC as a reporter and executive, argues that the Corporation needs to be reminded that what is 'fake' rather depends on where one is standing. This punchy polemic galvanises the debate over how our licence-fee money is spent and asks whether the BBC is a fair arbiter of the news, or whether it is a conduit for institutional liberal left-wing bias.

As is often observed, Trump is a symptom of a virus that has been incubating for at least 50 years. But not often observed is where the virus is imbedded: in the psychic core of our identity. In American Manifesto: Saving Democracy from Villains, Vandals, and Ourselves, Bob Garfield examines the tragic confluence of the American preoccupation with identity and the catastrophic disintegration of the mass media.

Today's computers are composing music that sounds "more Bach than Bach", turning photographs into paintings in the style of Van Gogh's Starry Night, and even writing screenplays. But are computers truly creative - or are they merely tools to be used by musicians, artists, and writers? Miller, an authority on creativity, identifies the key factors essential to the creative process, from "the need for introspection" to "the ability to discover the key problem." He talks to people on the cutting edge of artificial intelligence and explores the riches of computer-created art.

Sagen Medien, was ist? Eindeutig: nein. Der Bruch mit der Wirklichkeit ist im Journalismus längst eine bestimmende Konstante. Immer wieder ist zu beobachten, wie Medien Wirklichkeit ignorieren, verdrehen, frisieren oder gar gleich erfinden. Die Wirklichkeit, die Medien uns vor Augen führen, ist oft so stark verzerrt, dass es gilt, sie grundlegend zu hinterfragen. Insbesondere in den Zentren der tonangebenden Medien ist ein Journalismus entstanden, der mehr und mehr Züge einer Glaubenslehre trägt. Häufig bedienen Journalisten zuerst die eigenen Glaubensüberzeugungen, dann kommen die Fakten.

In artist Paul Klee’s The Twittering Machine, the bird-song of a machine acts as bait to lure humankind into a pit of damnation. Leading political writer Richard Seymour argues that this is a chilling metaphor for our relationship with social media. Former social media executives tell us that the system is an addiction machine. We are users, waiting for our next hit as we like, comment and share. We write to the machine as individuals, but it responds by aggregating our fantasies, desires and frailties into data, and returning them to us as a commodity experience.