Titoli in Moderna

מה קורה כאשר פו הדוב פוגש את וודי אלן? מה עשתה אליס על הספה של פרויד? איך הצליח עמנואל קאנט לפגוש את מרילין מונרו? האם אנו מבזבזים זמן או שהזמן מבזבז אותנו? מהי משנתו הפילוסופית של ארנולד שוורצנגר? מהו הקשר בין "מטריקס" ל"ארץ הפלאות"? איך חוגגים מסיבת לא יומהולדת? לכמה אדמה זקוק הרוזן טולסטוי? איך הפך סנדלר חולמני למלך צרפת? מדוע נזקק האסטרונום הטורקי לחליפת ארמאני? האם הנסיך הקטן מצא תשובה לשאלתו של ביאליק? האם יש משמעות לשאלות על משמעות? מהם הדברים החשובים באמת?

أنت تنظر بعين الوهم فترى الناس يرتعشون أمام عصافة الحياة فتظنهم أحياء وهم أموات منذ الولادة ولكنهم لم يجدوا من يدفنهم فظلوا منطرحين فوق الثرى ورائحة النتن تنبعث...

في عالمنا المعاصر، يعاني كثيرون من القلق والتوتر والشعور بالانقسام. ومع انتشار وسائل التواصل الاجتماعي، أصبحت هذه المشاعر أكثر حدة والفجوات بيننا وبين أنفسنا...

Who needs philosophy? Ayn Rand's answer: Everyone. This collection of essays was the last work planned by Ayn Rand before her death in 1982. In it, she summarizes her view of philosophy and deals with a broad spectrum of topics. According to Ayn Rand, the choice we make is not whether to have a philosophy, but which one to have: a rational, conscious, and therefore practical one, or a contradictory, unidentified, and ultimately lethal one.

In the years between her first public lecture in 1961 and her last in 1981, Ayn Rand spoke and wrote about topics as different as education, medicine, Vietnam, and the death of Marilyn Monroe. In The Voice of Reason, these pieces are gathered together in book form for the first time. Written in the last decades of Rand's life, they reflect a life lived on principle, a probing mind, and a passionate intensity. With them are five essays by Leonard Peikoff, Rand's longtime associate and literary executor.

In this beautifully written and brilliantly reasoned collection of essays, Ayn Rand throws new light on the nature of art and its purpose in human life. Once again, she demonstrates her bold originality and her refusal to let conventional ideas define her sense of the truth. Rand eloquently asserts that one cannot create art without infusing it with one's own value judgments and personal philosophy - even an attempt to withhold moral overtones only results in a deterministic or naturalistic message.

When we think of philosophy that can guide us in our everyday lives, we are more likely to think of Ancient Greece or Rome than we are 20th-century Mexico. But Mexican philosophy, which came into focus in the last century, following the Mexican Revolution, is a rich and wide-ranging tradition with much to offer readers today. Emerging in defiance of the Western philosophy bound up with colonial power—first brought to Mexico with the Augustinians in the 16th century, and, like so much else, imposed on Mexicans for centuries after that—it boasts a range of powerful ideas and advice.

As Elizabeth Anscombe, Philippa Foot, Mary Midgley, and Iris Murdoch labored to make a place for themselves in a male-dominated world, as they made friendships and families, and as they drifted toward and away from each other, they never stopped insisting that some lives are better than others. Drawing on a cluster of recently opened archives and extensive correspondence and interviews with those who knew them best, Benjamin Lipscomb traces the lives and ideas of four friends who gave us a better way to think about ethics, and ourselves.

The explanations of transcendent phenomena given by saints, sages, and near-death experiencers—miracles, immortality, heaven, God, and transcendent awareness—are fully congruent with scientific discoveries in the fields of relativity, quantum physics, medicine, M-theory, neuroscience, and quantum biology. The Physics of God describes the intersections of science and religion with colorful, easy-to-understand metaphors, making abstruse subjects within both science and religion easily accessible to the layman—no math, no dogma. 

Postmodernism has become the buzzword of contemporary society over the last decade. But how can it be defined? In this highly engaging introduction, the mysteries of this most elusive of concepts are unraveled, casting a critical light upon the way we live now, from the politicizing of museum culture to the cult of the politically correct. The key postmodernist ideas are explored and challenged, as they figure in the theory, philosophy, politics, ethics, and artwork of the period, and it is shown how they have interacted within a postmodernist culture. 

Timothy Williamson tackles some of the key questions surrounding philosophy in new and provocative ways, showing how philosophy begins in common sense curiosity, and develops through our capacity to dispute rationally with each other. Discussing philosophy's ability to clarify our thoughts, he explains why such clarification depends on the development of philosophical theories, and how those theories can be tested by imaginative thought experiments, and compared against each other by standards similar to those used in the natural and social sciences.

Long before the United States was a nation, it was a set of ideas, projected onto the New World by European explorers with centuries of belief and thought in tow. From this foundation of expectation and experience, America and American thought grew in turn, enriched by the bounties of the Enlightenment, the philosophies of liberty and individuality, the tenets of religion, and the doctrines of republicanism and democracy.

This volume explores the metaphysics of Alexander Gottlieb Baumgarten (1714-1762) and its decisive influence on Immanuel Kant. For over a century, scholars have recognized the significance of Baumgarten's Metaphysics, both because of its impact on Kant's intellectual development and because of the way it fundamentally informed the work of generations of German philosophers, including Moses Mendelssohn, Thomas Abbt, Johann Gottfried Herder, Solomon Maimon, Johann August Eberhard, and arguably even Georg Friedrich Hegel. 

Thinkers have been fascinated by paradox since long before Aristotle grappled with Zeno's. In this volume in The MIT Press Essential Knowledge series, Margaret Cuonzo explores paradoxes and the strategies used to solve them. She finds that paradoxes are more than mere puzzles but can prompt new ways of thinking. A paradox can be defined as a set of mutually inconsistent claims, each of which seems true. Paradoxes emerge not just in salons and ivory towers but in everyday life.

What is it that makes humans human? As science and technology challenge the boundaries between life and nonlife, between organic and inorganic, this ancient question is more timely than ever. Acclaimed object-oriented philosopher Timothy Morton invites us to consider this philosophical issue as eminently political. In our relationship with nonhumans, we decide the fate of our humanity. Becoming human, claims Morton, actually means creating a network of kindness and solidarity with nonhuman beings, in the name of a broader understanding of reality.

A majestic work of intellectual and cultural history, The Secular Enlightenment demonstrates how secular values and pursuits took hold of 18th-century Europe, spilled into the American colonies, and left their lasting imprint on the Western world for generations to come.

Descartes is perhaps best known for his statement, "Cogito, ergo sum," the cornerstone of his metaphysics. But he did not intend the metaphysics to stand apart from his scientific work, which included important investigations into physics, mathematics, and optics. In this book, Sorell shows that Descarates was, above all, an advocate and practitioner of the new mathematical approach to physics, and that he developed his philosophies to support his discoveries in the sciences. 

With his well known idiosyncrasies and aphoristic style, Friedrich Nietzsche is always bracing and provocative, and temptingly easy to dip into. Michael Tanner's introduction to the philosopher's life and work examines the numerous ambiguities inherent in his writings and explodes many of the misconceptions that have grown in the hundred years since Nietzsche wrote "do not, above all, confound me with what I am not!"