Titoli in Saggi

It's been over ten years since Robert Fulghum has published a book of his essays, but he is back and in fine form with What on Earth Have I Done?, encouraging listeners to slow down and pay attention to the miracles, sometimes hilarious and sometimes serious, that can be found around us...

A New York Times Book Review Editors' Choice A New York Times Bestseller A New York Magazine Best Book of the Year An Economist Best Book of the Year Pulitzer Prize–Winning Author of Gilead Marilynne Robinson has built a sterling reputation as a writer of sharp, subtly moving prose, not only...

From the bestselling author of Stitches, and Help, Thanks, Wow comes her long-awaited collection of new and selected essays on hope, joy, and grace. Anne Lamott writes about faith, family, and community in essays that are both wise and irreverent. It’s an approach that has become her...

Grammy Award Nominee for Best Spoken Word Album! Steve Martin's talent has always defied definition: an actor who's kept us riveted for over 25 years, a razor-sharp screenwriter, an acclaimed playwright. In this ingeniously funny collection of humorous riffs, those who thought Martin's gifts...

True stories of sudden death in the classic collection by a master of American journalism “Reporters love murders,” Calvin Trillin writes in the introduction to Killings. “In a pinch, what the lawyers call ‘wrongful death’ will do, particularly if it’s sudden.” Killings, first...

"[These essays] reflect a lively, unselfconscious, rigorous, erudite, and earnestly open mind that's busy refining its view of life, literature, and a great deal in between." —Los Angeles Times Split into five sections--Reading, Being, Seeing, Feeling, and Remembering--Changing My Mind finds...

Chi non vorrebbe conoscere il segreto per conservare i ricordi: dagli oggetti cui siamo affezionati ai momenti più importanti della nostra vita? Chi non vorrebbe ritrovare facilmente un'emozione racchiusa nella lettera che ci ha fatto innamorare, o impressa nel biglietto di un concerto indimenticabile? Non è solo una questione di ordine, ma di metodo e dimestichezza con le pratiche che, da sempre, si applicano al mondo degli archivi di aziende, istituzioni, famiglie.

Un texto brutal y necesario, que cuenta lo que casi nadie quiere oír y reflexiona sobre los riesgos, la ética y la necesidad del oficio de periodista. Hay tres cadáveres con nombre y vida en Los muertos y el periodista. Hay más, pero tres son esenciales. Tres hermanos salvadoreños pobres cuyos cuerpos aparecieron desfigurados (como poco) en un cañaveral. Este libro cuenta su historia. ¿Los tres hermanos han muerto realmente en un enfrentamiento entre pandilleros rivales? ¿A quién se protege no investigando las pruebas?

Leo Tolstoy wrote prolifically in a series of essays and polemics on issues of morality, social justice and religion. These culminated in What Is Art?, published in 1898. Although Tolstoy perceived the question of art to be a religious one, he considered and rejected the idea that art reveals and reinvents through beauty. The works of Dante, Michelangelo, Shakespeare, Beethoven, Baudelaire, and even his own novels are condemned in the course of Tolstoy's impassioned and iconoclastic redefinition of art as a force for good; for the improvement of humankind.

In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy that resonates profoundly. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—Abdurraqib uses music and culture as a lens through which to view our world so that we might better understand ourselves, and in so doing proves himself a bellwether for our times.

Once historias nada ejemplares, de esas que nunca veréis en el muro de una red social. Las once historias que descubriréis en estas páginas son vivencias reales, crudas y duras. Once jóvenes, casi niños, nos abren su corazón desde el centro de internamiento en el que están privados de libertad y cumplen con la justicia, para relatarnos hechos que han destrozado su vida y la de los demás. Son protagonistas de sucesos muy violentos, que ojalá formasen parte del argumento de una serie de televisión, pero, desgraciadamente, son casos que abren informativos.

Using the richness of braided essays, Theresa Kishkan thinks deeply about the natural world, mourns and celebrates the aging body, gently contests recorded history, and considers art and visual phenomena. Gathering personal genealogies, medical histories, and early land surveys together with insights from music, color theory, horticulture, and textile production, Kishkan weaves a pattern of richly textured threads, welcoming listeners to share her intellectual and emotional preoccupations.

Between 1821 and 1826, the prolific writer and journalist William Cobbett travelled the countryside of the South of England on foot and horseback. Rural Rides is a fascinating account of his journeys, and depicts a way of life in transition, juxtaposing lyrical descriptions of the countryside with criticism of the poverty of agricultural workers. A man of radical politics who encouraged the rural rising of 1830, Cobbett went on to become MP for Oldham and sought to represent the interests of both industrial and agricultural workers. Above all, Rural Rides celebrates agrarian England.

Cohen's subjects in A Place to Read can be as commonplace as golfing with close friends, amateur astronomy, birding, or learning to fly at the age of sixty. But he asks difficult questions about how we are grounded in space and time, how we are affected by our names, how a healthy person can turn into a hypochondriac, and how we might commune with the dead. And throughout he measures, compares and interprets his experiences through the lens of six decades of reading.

Il giovane Kihlgren parte da un progetto di tutela dei borghi storici in abbandono e del loro paesaggio duro, intenso e desolato ma che ha cancellato per dar vita a un’immagine più spendibile, una propria caratteristica fondante, la sua intima spiritualità. Vuole affrontare questa esperienza in prima persona, cercando di vivere l’ascesi di questi territori, ma è a questo punto che arrivano le giovani pastorelle abruzzesi portando al fallimento incondizionato la ricerca di santità e purezza del giovane.

Before Adam Farrer’s family relocated to Withernsea in 1992, he’d never heard of the Holderness coast. The move represented one thing to Adam: a chance to leave the insecurities of early adolescence behind. And he could do that anywhere. What he didn’t know was how much he’d grow to love the quirks and people of this faded Yorkshire resort, in spite of its dilapidated attractions and retreating clifftops. While Adam documents the minutiae of small-town life, he lays bare experiences that are universal.

En agosto de 1928, Manuel Chaves se embarca en un viaje en avión por Europa con la finalidad de escribir una serie de reportajes para el periódico del que es redactor jefe, Heraldo de Madrid. De Madrid a Bakú, pasando por Berlín y Leningrado: del Mediterráneo al Caspio. Chaves fue pionero en utilizar los adelantos técnicos de la época, como el avión, para ofrecer a sus lectores testimonios de primera mano sobre la situación política y social de algunos de los principales países europeos.

¿Son compatibles la libertad estética y el compromiso político? McEwan reflexiona a partir de Orwell y Camus. En 1940 George Orwell publicó el ensayo "En el vientre de la ballena", en el que se pregunta cómo pueden conjugar los escritores la integridad estética y el compromiso político. ¿Son compatibles? ¿Cuál debe prevalecer por encima del otro? ¿Tiene sentido exigirle a un creador la denuncia de las injusticias del mundo? Años después, en 1957, Albert Camus, otro heterodoxo antitotalitario, y temprano denunciante del estalinismo, se planteó el mismo asunto.

Una mirada contemporània a la vida i l'obra de Mary Shelley i al seu monstre immortal. "Més enllà de les justes reivindicacions de la crítica feminista, més enllà dels fills legítims i bastards a la cultura popular, més enllà dels abusos biogràfics que s'han comès i es cometen a partir de la seva extraordinària vida, Mary Shelley és una de les grans escriptores de la història, [...] un dels més grans escriptors que han existit."

Op reis saam met Marita van der Vyver, van Pretoria tot Provence! Retoer: Pretoria - Provence is ’n bundel van dié bekroonde en immergewilde skrywer se beste rubrieke, sketse en essays wat nog nie voorheen in bundelformaat uitgegee is nie. Dit sluit in ’n rubriek oor seksuele teistering waarvoor sy in 2018 met ’n ATKV-Mediaveertjie vereer is.