Titoli in Biografie e memorie

So often the stories shared by trans people about their transition center on gender dysphoria: a feeling of deep discomfort with their birth-assigned gender, and a powerful catalyst for coming out or transitioning. But for many non-cisgender people, it's gender euphoria that pushes forward their transition: the joy the first time a parent calls them by their new chosen name, the first time they have the confidence to cut their hair short, the first time they truly embrace themself.

When a mass shooter killed five people in an LGBTQ nightclub in Colorado Springs, grieving people graffitied James Dobson's Focus on the Family headquarters with the words "Their blood is on your hands." Such an accusation comes as no surprise to Amber Cantorna-Wylde, whose father is a Focus on the Family executive and cast Amber out of her family when she came out in 2012.

Britney Daniels is a Black, masculine-presenting, tattooed lesbian from a working-class background. For the last five years, she has been working as an emergency-room nurse. She began Journal of a Black Queer Nurse as a personal diary, a tool to heal from the day-to-day traumas of seeing too much and caring too much. Hilarious, gut-wrenching, and infuriating by turns, these stories are told from the perspective of a deeply empathetic, no-nonsense young nurse, who highlights the way race, inequality, and a profit-driven healthcare system make the hospital a place where systemic racism is lived.

When Maeve DuVally came out as a transgender woman while working as a corporate communications manager at Goldman Sachs, she knew she couldn't do it quietly. DuVally intimately documents her struggle to be herself in this environment, initially keeping her identity a secret with wardrobe changes in the lobby bathroom after work. Eventually she declares herself and, to her surprise, Goldman Sachs embraces the effort. Surgery follows. When DuVally finally takes those first steps on heels through the corridors of this institution on the way to her first meeting as a woman, the listener cheers.

Nearing the age of forty, with an entire life already lived as a woman, Miles Borrero comes face to face with his father’s impending death. Suddenly realizing he has been stalling his transition for fear of losing his family’s love, this moment catalyzes Miles’s determination to be known as his father’s son. In Beautiful Monster, Miles chronicles his unusual childhood, by turns riveting and hilarious, in ’80s and ’90s Colombia during the Pablo Escobar years, as well as his move to Salt Lake City to pursue acting and the winding trajectory that eventually lands him in New York City.

In 2017, Raquel Willis took to the National Women’s March podium just after the presidential election of Donald Trump, primed to tell her story as a young Black transgender woman from the South. Despite having her speaking time cut short, the appearance only deepened her commitment to speaking up for communities on the margins. In this memoir, Raquel Willis recounts with passion and candor her experiences straddling the Obama and Trump eras, the possibility of transformation after tragedy, and how complex moments can push us all to take necessary risks and bloom toward collective liberation.

Born on the island of Trinidad in the Caribbean, Wil Roach grew up as a gay black boy in frosty London, learning by degrees about cultural and sexual diversity.

The Tony Award-nominated writer of The Tale of the Allergist's Wife and the long-running hit Off-Broadway play Vampire Lesbians of Sodom, and a Sundance Festival award winner Charles Busch has created a unique place in the entertainment world as a playwright, LGBT icon, drag actor, director, and cabaret performer, with his extraordinary gift for both connecting with and channeling the leading ladies of show business.

When Jan Morris passed away in 2020, she was considered one of Britain's best-loved writers. The author of Venice, Pax Britannica, Conundrum, and more than fifty other books, her work was known for its observational genius, lyricism, and humor, and had earned her a passionate readership around the world.

As a journalist in London, William discovered the Eurovision Song Contest—an annual competition known for its extravagant performers and cutthroat politics. Initially just a fan, he started blogging about the contest, ultimately becoming the most sought-after expert on the subject. William was soon jetting across the continent to meet divas, drag queens, and aspiring singers, who welcomed him to their beautiful, if dysfunctional, family of choice.

Siri Lindley wanted to be a world champion triathlete . . . even though she didn't know how to swim. She wanted to love and be loved . . . even though her father shunned her because she was gay. She wanted to savor every day and enjoy the life she'd made with her wife, her career, and her passion for horses . . . even though in November 2019 she was diagnosed with a rare—and usually fatal—form of acute myeloid leukemia. Every time Siri has faced what seemed impossible, she found a way to not only survive the situation, but to thrive within it.

It’s not simply that Dot Wilkinson was one of the most decorated women’s softball players, bowlers, and athletes of all time and one of the original players from the three-time-world-champion PBSW Phoenix Ramblers softball team (1933–1965). Nor was it the length of her time here on Earth—over a century—although any of these things by itself would be impressive. The magic of Dot’s story is in the details. Out at the Plate is the story of a forgotten era in women’s history and sports, and one extraordinary woman’s place at the center of it all.

An androgynous gender-bending musician from the get-go, Cidny Bullens toured extensively with Sir Elton John and performed with Bob Dylan, undergoing a complete immersion in the drug-fueled excesses of 1970s rock 'n' roll. Despite getting sober, climbing the charts with the Grammy-nominated Survivor, as well as a Grammy nomination for his lead vocals in the soundtrack for the movie Grease, Bullens was unable to break out as a solo star in a world that allowed its artists to cross the gender line, but had much more narrow expectations about how women could behave and perform.

During her sophomore year at Middlebury College, Emily meets Max—“you” as she intimately refers to him in the book. Not exactly a tomboy, but not quite a girly girl either, Emily is intent on finding a masculine boyfriend to assuage a deeply rooted fear that she may not be quite feminine enough. Max—a boisterous class clown beloved by his many straight guy friends—has recently come out as gay and is embracing his newly claimed identity. Initially, Max and Emily dislike each other, but end up growing close after a make-out dare on Halloween.

Greg Marshall's early years were pretty bizarre. Rewind the VHS tapes and you'll see a lopsided teenager limping across a high school stage, or in a wheelchair after leg surgeries, pondering why he's crushing on half of the Utah Jazz. Add to this home video footage a mom clacking away at her newspaper column between chemos, a dad with ALS, and a cast of foulmouthed siblings. Fast forward the tape and you'll find Marshall happily settled into his life as a gay man only to discover he's been living in another closet his whole life.

Edith Hamilton didn’t publish her first book until she was 62. But over the next three decades this former headmistress would become the twentieth century’s most famous interpreter of the classical world. Today, Hamilton’s Mythology (1942) remains the standard version of ancient tales. During the Cold War, her influence even extended to politics, as she argued that postwar America could learn from the fate of Athens after its victory in the Persian Wars. Victoria Houseman tells the fascinating life story of a remarkable classicist whose ideas were shaped by—and aspired to shape—her times.

Lifting the Fire Hydrant Lid follows idealistic young recruit Kate Fullen as she negotiates training school and settles into life on the watch. With incidents and routine tasks woven into the fabric of the story, it describes the consuming pressure, emotional turmoil and unpredictable nature of the job. Utilising the rare perspective of a northern, queer, working-class female firefighter, Lifting the Fire Hydrant Lid examines the more intricate difficulties experienced by minority groups and gives a voice to a profession that is seldom heard and rarely seen.

A groundbreaking look at the history of transgender representation in TV and film, by an of-the-moment and in-demand culture reporter. Narrated by Tre'vell Anderson, WE SEE EACH OTHER is a personal history of trans visibility since the beginning of moving images. A literary reckoning, it unearths a transcestry that's long existed in plain sight and in the shadows of history's annals, and further contextualizes our present moment of increased representation.

Charles Finger’s book efficiently covers Oscar Wilde’s background, his early years and education, and his beginnings as an author, poet, and critic for several magazines. The author then turns to the activities of Wilde that drew the attention of others, culminating in the Marquess of Queensbury calling Wilde out as a homosexual. Wilde sued for slander, but the Marquess was acquitted and materials brought forth during the trial resulted in Wilde being arrested and tried for homosexuality. He was convicted and sentenced to two years of hard labor, from which he never really recovered.

A sequel to First Gear: A Motorcycle Memoir, Horses in the Sand is a collection of stories that document a queer Métis woman’s journey from her sparse beginnings as a child to becoming a tradeswoman, teacher, and artist. With courage, humour, and frank honesty, the stories describe what it was like to grow up as a girl who was starkly different from "normal" and how "coming out" became a lifelong process of self-acceptance and changing identities.