Episodi

  • Mujun Zhou, "The Death and Life of Chinese Civil Society" (U Michigan Press, 2026)

    Mujun Zhou, "The Death and Life of Chinese Civil Society" (U Michigan Press, 2026)
    Apr 24 2026
    In a society undergoing rapid transformation, how do people engage in debates around a foreign concept and in doing so, pursue contested political futures? The Death and Life of Chinese Civil Society examines how a group of Chinese intellectual elites referred to as the liberals or ziyou pai edified the civil society project beginning in the 1990s to build an independent space to constrain state power, increase political participation, and promote China’s democratization. In the early 2000s, activists in movements such as the environmental and the AIDS movements identified with the liberals and regarded their activism as part of the project of building civil society. However, since the late 2000s the liberals’ influence has gradually declined. In prominent social movements in the 2010s such as the labor and feminist movements, activists have openly criticized the liberal interpretation of civil society and regarded liberals’ civil society agenda as irrelevant. In the book, Mujun Zhou employs the concept of interstitial space, or the space where the exercise of power has not been fully institutionalized, to examine the history of the civil society project over the past three decades and its changing relationship with other social movements. Zhou suggests that by advocating for civil society the liberals gained allies and thematized many social problems rising during China’s economic reform; however, liberals’ activism also produced new forms of power inequalities. Mujun Zhou is a cultural-political sociologist. She is currently Associate Professor of Sociology at Zhejiang University. Her major research interests lie in issues in political culture and social change. Yadong Li is an anthropologist-in-training. He is a PhD candidate of Socio-cultural Anthropology at Tulane University. More details about his scholarship and research interests can be found here. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    58 min
  • Susanne Vees-Gulani, 'Icon Dresden: Baroque City, Air War Symbol, Political Token" (U Michigan Press, 2026)

    Susanne Vees-Gulani, 'Icon Dresden: Baroque City, Air War Symbol, Political Token" (U Michigan Press, 2026)
    Mar 23 2026
    Icon Dresden: Baroque City, Air War Symbol, Political Token (University of Michigan Press, 2026) by Dr. Susanne Vees-Gulani explores how memory and politics in Dresden after its 1945 bombing are deeply intertwined with the city’s urban history. It highlights the complex origins of Dresden’s reputation as an exclusively cultural center, focusing on urban planning, marketing, tourism, and the city’s visual archive since the 17th century. Based on this iconic status, a narrative of victimhood arose after its destruction that ignored responsibilities while highlighting the city’s innocence. Despite its origin in Nazi propaganda, this narrative influenced postwar political discourse in socialist and post-reunification Germany. Icon Dresden also provides insight into Dresden’s role under National Socialism and the GDR’s evasive response to this history. It reveals how the strong presence of far-right movements in the city today stems from multiple discourses formed over centuries and communicated from generation to generation. Drawing on urban, heritage, and tourism studies, visual and memory studies, and environmental psychology, Icon Dresden examines Dresden’s history, identity, visual representations, and rebuilding decisions. It exposes the narratives that define its place in German and international memory and how, paradoxically, they support both Dresden’s current image as a symbol of peace and reconciliation and its backing of nativist and far-right movements. The book is available Open Access. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    43 min
  • Pedro Thiago Ramos Bassoe, "Supernatural Japan: Izumi Kyoka and the Global Fantastic" (U Michigan Press, 2026)

    Pedro Thiago Ramos Bassoe, "Supernatural Japan: Izumi Kyoka and the Global Fantastic" (U Michigan Press, 2026)
    Mar 18 2026
    Supernatural Japan: Izumi Kyoka and the Global Fantastic (U Michigan Press, 2026)examines the role of Japanese writer Izumi Kyōka (1873–1939) in the formation of modern literature of the fantastic in Japan as a global literary genre. Kyōka wrote some of the most famous stories of ghosts, monsters, and the supernatural in modern Japanese literature, including The Holy Man of Mt. Kōya, The Grass Labyrinth, and The Castle Tower. Despite the clearly modernist elements and global influences of Kyōka’s fiction, his work has often been characterized as relying on traditional Japanese genres as inspiration for its themes and literary form. Pedro Bassoe considers how Kyōka’s stories have been produced by a meeting of global influences—including Apuleius, The Arabian Nights, Hans Christian Andersen, the Brothers Grimm, Prosper Mérimée, Guy de Maupassant, Gerhart Hauptmann, and Jules Verne—combined with traditional Japanese genres. Bassoe develops the notion of “the scholarly fantastic” to describe how a set of realistic epistemologies reinforce the fantastic in Kyōka’s writings. Supernatural Japan offers an up-to-date introduction to Izumi Kyōka and his writing for students, scholars, or fans of Japanese fantasy literature and media. Pedro Thiago Ramos Bassoe is Assistant Professor of Japanese at Purdue University. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    33 min
  • Stephen Lee Naish, "Screen Captures: Film in the Age of Emergency" (Lever Press, 2026)

    Stephen Lee Naish, "Screen Captures: Film in the Age of Emergency" (Lever Press, 2026)
    Mar 10 2026
    Movies open a window into our collective soul. In Screen Captures: Film in the Age of Emergency (Lever Press, 2026), Stephen Lee Naish guides us through recent cinematic phenomena that reflect/refract our contemporary political existence. Stephen Lee Naish is a writer, independent researcher, and cultural critic. He is the author of several books on film, politics, music, and pop culture. He lives in Kingston, Ontario. He has appeared on the New Books Network three times for previous books: Create of Die: Essays on the Artistry of Dennis Hopper (2016), Deconstructing Dirty Dancing (2017), Riffs and Meaning (2018) From Star Wars-scope blockbusters and Hollywood coming-of-age comedies to independent horror productions, Naish draws out the ways these movies shape, and are shaped by, their audience's own dissatisfactions. In his discussion of the Star Wars franchise, Naish highlights a conflict between internet discussion-fueled fandom vs the Disney Empire that shares features with the ongoing rebellions depicted in the films themselves. A passionate fan base who can now voice their discontent via the internet is feeding back into the studio's agenda and criticizing the actions of characters within the film and the actors alike. Chapters on the super-heroes genre and disaster movies draw out the climate-based social tensions these reflect. Depictions of masculinity ("Men on the Verge of a Nervous Breakdown") on screens large and small bleed into discussions of the work and presence of Nicholas Cage, David Lynch, and Dennis Hopper -- with a side-excursion into Valerie Solanas's strikingly prescient SCUM Manifesto. Stephen Lee Naish's Screen Captures adds a sharpening filter to the film-goer's experience on the big and little screen. Joel Tscherne is an Adjunct History Professor at Southern New Hampshire University. His Twitter handle is @JoelTscherne. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 ora e 9 min
  • Reginald Jackson, “Textures of Mourning: Calligraphy, Mortality, and The Tale of Genji Scrolls” (U Michigan Press, 2018)

    Reginald Jackson, “Textures of Mourning: Calligraphy, Mortality, and The Tale of Genji Scrolls” (U Michigan Press, 2018)
    Mar 1 2026
    Reginald Jackson’s inspiring new book takes a transdisciplinary approach to rethinking how we read, how we pay attention, and why that matters deeply in shaping how we understand the past, live in the present, and imagine possible futures. Textures of Mourning: Calligraphy, Mortality, and The Tale of Genji Scrolls (University of Michigan Press, 2018) explores the relationship between reading, dying, and mourning across three central texts: the Heian period The Tale of Genji; the twelfth century Illustrated Handscrolls of the Tale of Genji (or, Genji Scrolls); and the twenty-first century Resurrected Genji Scrolls exhibition. The book’s analysis pivots on some key questions, including: “How does the desire to observe dying bodies potentially damage them?”; and “how do these deteriorating bodies in turn alter the texture of linguistic and visual representation?” The book addresses these questions while helping readers understand and appreciate calligraphy as a “kinetic medium” through which we might “chart the shifting contours of mortality’s link to legibility between terrains of written text and painted image.” In tracing Genji’s decompositional aesthetics across the four major parts of the book – Dying, Decomposing, Mourning, Resurrecting – Jackson’s writing simultaneously helps us to understand how mourning can itself be a kind of reading (and how “dwelling with the dead” can be a critical practice) at the same time that his writing becomes itself a form of mourning. As he reminds us in the book, mourning is not simply about experiencing loss: it can also be a resource for thriving. Textures of Mourning demonstrates what that might look like both when studying the medieval past, and when using it as a resource to inform the contemporary present and its many forms of violence. Ranging across art history, Japanese studies, and performance studies, this is a movingly and gorgeously composed book that should serve as a model for what transdisciplinary scholarship can be, and a reminder of the importance of performing and supporting more work that dances across disciplinary boundaries. Carla Nappi is the Andrew W. Mellon Chair in the Department of History at the University of Pittsburgh. You can learn more about her and her work here. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    1 ora e 21 min
  • Areum Jeong, "K-Pop Fandom: Performing Deokhu from the 1990s to Today" (U Michigan Press, 2026)

    Areum Jeong, "K-Pop Fandom: Performing Deokhu from the 1990s to Today" (U Michigan Press, 2026)
    Feb 10 2026
    K-Pop Fandom: Performing Deokhu from the 1990s to Today (U Michigan Press, 2026) insists that K-pop fan practices and activities constitute a central productive force, shaping not only K-pop’s explosive global popularity, but also K-pop’s cultural impacts, politics, and horizons of possibility. Over the past three decades, the K-pop fandom and its activities have expanded, intensified, and diversified along myriad dimensions, assuming novel social, technological, and economic forms, some of which are unique to K-pop, and some of which reflect broader cultural and industrial logics of globalized mass entertainment culture. Areum Jeong argues that K-pop fans, in performing deokhu—a Korean term connoting an “avid fan”—perform a materialization of affective labor that also seeks to produce good relationships between asymmetrically positioned actors in the K-pop ecosystem. Through an autoethnography of becoming a K-pop deokhu, Jeong connects their experiences to generations of K-pop fans, showing simultaneously how fandom practices have shifted over time and the intricacies of fan labor participation. This personal connection paved the way for participant-observation and co-performer witnessing methodologies in the study, which crucially allowed for collaborating with fans whose communal pursuits have been stigmatized by dominant discourses that denigrate their activities as solely addictive, uncritical, and wasteful. Jeong’s genre-spanning corpus of fan activities and analyzing its contexts and contents represents an important contribution to the making of a fan archive that is also an archive of affective labor. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    37 min
  • Anita Gonzalez, "Shipping Out: Race, Performance, and Labor at Sea" (U Michigan Press, 2025)

    Anita Gonzalez, "Shipping Out: Race, Performance, and Labor at Sea" (U Michigan Press, 2025)
    Jan 9 2026
    Shipping Out: Race, Performance, and Labor at Sea (University of Michigan Press, 2025) by Dr. Anita Gonzalez provides a rare perspective on performance by staff above and below deck on Caribbean cruise ships, as viewed through the lenses of race, class, and gender. Drawing on her experiences as a destination lecturer on Caribbean cruise lines for twenty years, Dr. Gonzalez offers a unique viewpoint as she examines contemporary Caribbean cruise culture as an ethnographically complex site where North American and European travelers are exposed to other cultures through the orchestrated experiences on ship, and via excursions to ports. Dr. Gonzales argues that the cruise ship experience is deliberately crafted to deliver the best immersive performance by its workers. However, the workers never leave the theater, they merely move below deck—and like ships' stewards and cooks from previous centuries, they work within an imaginary where Global Majority people are envisioned as servants. By utilizing ethnography and archival materials to illustrate ship workers' experiences on contemporary cruise ships, and then contrasting those circumstances with the personal accounts of workers on historical merchant ships, Shipping Out illuminates how workers' presence on ships complicates notions of freedom and enslavement, home and journey, place and space. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    25 min
  • Theodore J. Karamanski, "Great Lake: An Unnatural History of Lake Michigan" (U Michigan Press, 2026)

    Theodore J. Karamanski, "Great Lake: An Unnatural History of Lake Michigan" (U Michigan Press, 2026)
    Jan 6 2026
    Theodore Karamanski joins fellow Lake Michigan enthusiast Jana Byars to talk about his new book, Great Lake: An Unnatural History of Lake Michigan. Looking down from outer space a vast expanse of blue appears in the heart of North America. Of the magnificent chain of inland seas, only one of those bodies of water--Lake Michigan--is entirely within the boundaries of the United States. Lake Michigan has been uniquely shaped by its relationship with humans, since its geological evolution took place at the same time as Paleo-Indian peoples interacted with the changing environment. Each generation of humans has altered the lake to suit society's changing needs, dredging harbors, building lighthouses, digging canals and channels, filling in shallows, and obliterating wetlands. Great Lake is a comprehensive survey of the manifold ways Americans, from the first Native American communities to the present age, have abused, nurtured, loved, and neglected this massive freshwater resource. Extending 307 miles from north to south, the lake cuts across climatic, environmental, and physiographic zones, from the prairies of Illinois to the boreal forests of the north. Bordered by large cities like Chicago and Milwaukee as well as smaller Wisconsin resorts and northern Michigan mines and mill towns, the lake touches people in urban centers and countryside. Thus, the history of Lake Michigan combines the history of frontier resource extraction, agricultural abundance, industrialization, and dense urbanization in the American heartland. Great Lake is the story of the ever-escalating and divergent demands Americans have placed on Lake Michigan, how the lake's ecosystem responded to those changes, and how together they have shaped the modern American Midwest. Learn more about your ad choices. Visit megaphone.fm/adchoices
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    39 min