Steven Bernstein is a known wildcard in the modern jazz game. He's a wily slide trumpeter, and the whip-smart bandleader behind both Millennial Territory Orchestra, a pugnacious little big band, and Sexmob, a go-anywhere four-piece band. So in some respects, Bernstein's latest is striking for its directness.

ResoNation Trio finds him strictly on valve trumpet and flugelhorn, with a lean-and-limber rhythm team of Scott Colley on bass and Nasheet Waits on drums. True to form, Bernstein added a further twist — inviting maverick producer Scotty Hard to reconstitute the trio's recordings for the companion album Ultra Resonance, a kaleidoscopic refraction evoking both dub and electronic collage.

Bernstein dropped by our studio before a recent show to talk about the jazz tradition, his drive for connection, and why this project had to happen now.

Watch the full conversation on our YouTube channel: https://youtu.be/n3IwFJe5AiE

Chapters:
00:00 – Intro: Josh & Nate catch up, remember Steven during the pandemic
03:42 – Introducing the new records: ResoNation Trio & Ultra Resonance
06:08 – Interview begins: welcoming Steven Bernstein
07:02 – Steven as "the ultimate band guy" — why it had to be Colley & Waits
08:30 – Bay Area roots: coming up around Andrew Hill, Rahsaan, the AACM
11:00 – "Spontaneous composition" and the making of ResoNation Trio
14:04 – Why now: readiness, aging, and finding his own voice
20:48 – Sequencing the album & introducing Ultra Resonance
22:33 – Dub roots: Garvey's Ghost, Scotty Hard's remix process
29:41 – Magical realism as the concept linking both albums
31:25 – Live performance: Steven plays flugelhorn ("Rotary") + the horn's history
38:55 – Learning from Levon Helm — melody, blues, and "spiritual jazz"
42:21 – Jazz education, rhythm, and drummers as the root of the music
50:20 – On legacy, influence, and Sex Mob's lasting impact
1:00:07 – Debrief + "This I Dig"

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Mana, the new album by Kalia Vandever, takes its name from a Native Hawaiian term for spiritual energy or sacred power. It’s an intentional gesture from an artist who has long possessed the instinct of a shape-shifter.

In addition to trombone, Vandever works with electronics and synthesizers on the album, as well as vocals — a first, inspired in part by their experiences with Haley Heynderickx, Japanese Breakfast and Harry Styles.

Before a mesmerizing solo performance at Solar Myth, Vandever joined Nate Chinen for a conversation about myth and mystique, collaboration and solitude, and what it means to open up in new ways as an improvising artist.

• 00:00 — Intro: Entering the World of Mana
• 05:11 — Interview Begins: Hawaiian Ancestry, Spirituality & Inspiration
• 13:20 — Touring with Harry Styles and Finding a Performance Voice
• 20:21 — Singing, Songwriting & Emotional Honesty on Mana
• 29:07 — International Anthem, Genre and the Evolution of Kalia's Music
• 35:43 — Interview Wrap-Up
• 37:09 — “This I Dig”: Micah Thomas's Lucid & Emily Wilson's The Odyssey
• 42:20 — Producer's Picks: Henry Solomon, Louis Armstrong & Laurent Benedict
• 49:06 — Credits

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Write us an email: editor@wrti.org

Emmet Cohen makes music for the people. That isn’t to say he panders or dumbs it down. Cohen is simply a pianist who puts connection at the center of his performance ethic, whether he’s burning down the bandstand, lighting up a livestream or laying it down in the studio.

He has also made a point of seeking out his jazz elders and welcoming younger fans into the fold, all with a spirit of upbeat discovery. There’s a reason DownBeat’s July cover story bears the headline “Emmet Cohen: Messenger of Joy.”

Cohen recently came through Philadelphia with his tour Miles and Coltrane at 100 and stopped by WRTI for a lively chat. Along with saxophonist Tivon Pennicott, he also performed the title suite from his new album, Universal Truth.

Watch the performance of the “Universal Truth” suite: youtu.be/3O-9LYjxj88

Watch our interview with Emmet Cohen: youtu.be/N-Cps3TDKvI

• 00:00 — Intro
• 02:05 — Miles & Coltrane at 100
• 05:12 — The Rise of Emmet's Place
• 12:10 — Building a Worldwide Jazz Community
• 16:25 — Reaching New Audiences
• 22:08 — Emmet Cohen on AI
• 24:22 — Why Young People Are Finding Jazz
• 29:50 — The Meaning of Universal Truth
• 33:00 — Live Piano Performance: “Eternal Glimpse”
• 34:10 — Writing Music Inspired by Miles & Coltrane
• 37:40 — Legacy, Mentorship and What Lasts
• 40:35 — Becoming the “Vibe Provider”
• 42:42 — Josh & Nate React
• 44:44 — “This I Dig”
• 50:47 — Credits

Want to support The Late Set? Become a WRTI member: wrti.org/donate

Follow us on Instagram: instagram.com/wrtimusic

Subscribe to our YouTube: youtube.com/@WRTImusic

Write us an email: editor@wrti.org