Live from the belly of the beast – aka a London hotel room before the European premiere of their new movie – Brian Duffield (Spontaneous, No One Will Save You) and Daniel Kraus (the Pulitzer Prize-winning author of Angel Down) are my guests this week, breaking down a survival thriller with surprising emotional dimensions. Whalefall is the pair's exhilarating new underwater adventure, and on today's episode, the three of us reunite, having spent time together on the set of the movie in 2025.

Get ready for a deep dive – sorry, couldn't resist – into all the film's twists and turns, as well as personal revelations about what the story means to each of them. It's a whale of a time.

Script Apart is hosted by LA-based journalist, screenwriter and script consultant Al Horner.

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That's all, folks? Not by a long shot. Coyote Vs Acme – the Who Framed Roger Rabbit-esque courtroom comedy written by my guest today. Samy Burch – was famously cancelled by Warner Bros in late 2023 but has since experienced a remarkable revival, making its way to screens this summer as the result of enormous public outcry.

Today on the show, Samy breaks down both the film itself and the ways in which life imitated art in the aftermath of the movie's creation. The Dave Green-directed Looney Tunes tale is ultimately a story of David vs Goliath – an underdog (quite literally) going up against a huge corporation. That's what the story of Coyote vs Acme itself ended up becoming. On this week's episode, Samy and I dissect it all.

Script Apart is hosted by LA-based journalist, screenwriter and script consultant Al Horner.

For comprehensive feedback on your screenplay, head to scriptapart.com/coverage.

Want more Script Apart in your life? Subscribe to our Substack today, featuring exclusive essays and interviews.

Support for this episode comes from our friends at Final Draft.

Follow Script Apart on Instagram and TikTok.

The world has forgotten New York's famous web-slinger in the latest blockbuster outing in the MCU. The irony is, in real life, Peter Parker is a character that pop culture could never forget or cast aside. In today's Script Apart, Erik Sommers and Chris McKenna – the screenwriters behind this summer's all-conquering 'Brand New Day' – contemplate why that is and what makes him so enduring. They also share how Daredevil himself, Matt Murdock, almost had a presence in the movie, as Peter's lawyer during a court case after Spidey becomes the victim of IP theft. Yes, you read that right.

Script Apart is hosted by LA-based journalist, screenwriter and script consultant Al Horner.

For comprehensive feedback on your screenplay, head to scriptapart.com/coverage.

Want more Script Apart in your life? Subscribe to our Substack today, featuring exclusive essays and interviews.

Support for this episode comes from our friends at Final Draft.

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Time to delve into screenwriting parts unknown with the writers of one of 2026's most moving coming-of-age dramas. Todd Bartels and Lou Howe are my guests today, discussing in spoiler-filled detail how they cooked up a biopic exploring the teenage life and times of one Anthony Bourdain – author, chef and beloved TV travel host. Discover how they approached the various story threads and characters in the Matt Johnson-directed drama – and what they had to get right in the script to do right by the great man, whose memory could easily have been desecrated.

Script Apart is hosted by LA-based journalist, screenwriter and script consultant Al Horner.

For comprehensive feedback on your screenplay, head to scriptapart.com/coverage.

Want more Script Apart in your life? Subscribe to our Substack today, featuring exclusive essays and interviews.

Support for this episode comes from our friends at Final Draft.

Follow Script Apart on Instagram and TikTok.

Five weeks in hospital. Five months of being away from your podcast feeds. Yes, listeners, it's been a weird time. But Script Apart is finally coming back in the coming days! Before new episodes start dropping, here's a quick note from Al, with some a couple of announcements.

To submit your questions for our mailbag episodes, click here or email thescriptapartpodcast@gmail.com.

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Ground control to Script Apart listeners – today on the show, we’re blasting off into the cosmos with three formidable sci-fi storytelling talents. Phil Lord and Chris Miller are the writer-director-producer pair responsible for films like Into The Spider-Verse, Across The Spider-Verse, 21 Jump Street, 22 Jump Street, The Lego Movie and Cloudy With A Chance Of Meatballs. Screenwriter Drew Godard, meanwhile, you may know from movies like Cloverfield, Cabin In The Woods, World War Z and Bad Times At The El Royale, which he also directed.

Project Hail Mary is their new film, directed by Lord & Miller and written by Drew, and it’s one of the most entertaining and defiantly hopeful spectacles of the year so far – a tale of empathy and communication as a weapon against adversity, and another story of an astronaut adrift among the stars, adapted from an author who’s made that kinda his specialty. In 2015, Drew worked with Ridley Scott on The Martian – an adaptation of a novel by Andy Weir. A decade later, Drew teamed with Andy again on a film that, from the outside, might look like The Martian Part II. Project Hail Mary, though, is in fact a brilliant inversion of Andy’s breakthrough book, and of other similar-sounding space adventure yarns.

It stars Ryan Gosling as junior high teacher Ryland Grace – a man who wakes up one day alone on a space shuttle with amnesia, and no recollection of what put him there. Soon he discovers himself to be at the centre of a mission to heal our solar system’s dying sun. This dude in a nice cardigan is somehow humanity’s last shot at salvation.

“So, a bit like Sunshine by Danny Boyle?” I hear you ask. Not really! Despite the cosmic high-stakes involved in that premise, Project Hail Mary has a hilarious lightness of touch about it, and a message about friendship at its core that’s remarkable. In the spoiler conversation you’re about to hear, first with Drew, then handing over to Phil and Chris, you’ll hear exactly how the filmmakers arrived at that tone. Collectively, we break down every twist and turn in Project Hail Mary – including the inspirations behind Rocky, a character that let me be very clear, I would die for. Drew also gives me a couple of insights into what he’s cooking up with The Matrix 5, following the announcement a while back that he’s going to be helming the next instalment in that saga.

Support for this episode comes from Final Draft's Big Break screenwriting competition.

Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.

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Today on the show – a conversation about Bugonia, with the film’s writer, Will Tracy. Nominated for Best Adapted Screenplay at the upcoming Academy Awards, the Yorgos Lanthimos-directed film is an black comedy thriller about a pharmaceutical CEO, Michelle, played by Emma Stone, who’s kidnapped by a conspiracy theorist, Ted, played by Jesse Plemmons. Ted is convinced that Michelle is not of this planet. He’s insistent that she’s an infiltrator from an alien world, responsible for the collapse of Earth’s bee population and plotting a full-scale invasion.

The film’s an adaptation of a South Korean film from 2003, Jang Joon-hwan’s Save The Green Planet, but feels tailormade for 2026. After all, could you really blame someone for believing a pharmaceutical company CEO to be an alien, given the coldness they often exhibit and the corporate babble they speak. If you’re someone like Ted, all that empty LinkedIn speak about “synergy” and “Q1 shortfalls” and “creative solutions” may as well be an alien language, right? That’s the cleverness of the conceit in Bugonia. In 2026, there’s a chasm between the boardroom overlords who steer society and the people left behind by their decisions – especially when it comes to medicine in America, Michelle’s company’s MO – and Will’s script speaks to that chasm with sci-fi invention and offbeat humour.

Right now, those of you familiar with the screenwriter’s work, might be thinking: “Yeah, of course it does! Have you seen this guy’s CV?” And those people have got a point. Succession! The Menu! Mountainhead, on which he acted as a producer! These are all stories laser-focused on issues of class, staring into that aforementioned chasm between the haves and have-nots from different angles. In the spoiler conversation you’re about to hear, I get into the thematic throughlines between some of these stories and what draws Will to them, as well as the secrets behind the most fascinating twists and turns within this story.

Support for today's episode comes from Final Draft's Big Break screenwriting contest.

Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.

To get ad-free episodes and exclusive content, join us on Patreon.

Get coverage on your screenplay by visiting ScriptApart.com/coverage.

Pandora beckons once more, guys. Amanda Silver and Rick Jaffa are back on the show today, spilling secrets from their screenplay for the recent third film in the Avatar franchise, Fire & Ash. The husband-wife duo came on the show around the release of Avatar: The Way of Water a couple of years back, and it’s always a good time chatting with them – I love the unapologetic earnestness of their storytelling and the habit they have of taking huge, billion dollar IP and using them as vehicles for stories about the wonder of nature and what we risk by not showing our environment the appropriate care.

Rise Of The Planet Of The Apes. Dawn Of The Planet Of The Apes. Jurassic World. These are huge-scale blockbuster spectacles that, in an era of franchise films drenched in irony and a certain cynicism, make these very sincere pleas to appreciate animals. To revere and protect nature. Because to lose it or underestimate it leads to chaos and collapse. Fire & Ash is another film to bear that signature of theirs – and it’s an epic of mythic proportions. In the spoiler conversation you’re about to hear, we break down the intricacies of this latest collaboration with director James Cameron.

They tell me about the moment in which a character very viscerally contemplates suicide, in a scene I was really surprised to see in a Disney tentpole movie. They tell me about the conversations that led to the heartbreaking moment in which Sam Worthington’s Jake Sully agonises over whether to do the unthinkable to save his Na’vi tribe. And we also get into the ending of the movie and what exactly is happening as series antagonist Colonel Quaritch, played by Stephen Lang, throws himself to his apparent demise.

Script Apart is hosted by Al Horner and produced by Kamil Dymek. Follow us on Instagram, or email us on thescriptapartpodcast@gmail.com.

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Get coverage on your screenplay by visiting ScriptApart.com/coverage.