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Priceless Crimes

Priceless Crimes

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Ever wondered about the untold stories behind history's most audacious art heists? Priceless Crimes uncovers the thrilling world of stolen masterpieces and the cunning minds who take them.

Join us as we delve into the shadowy realm of art theft, exploring everything from legendary museum robberies to intricate forgery schemes. We go beyond the headlines to reveal the meticulous planning, dramatic escapes, and often shocking fates of priceless artifacts.

New episodes arrive daily, Monday through Sunday, at 9:00 AM, bringing you a fresh dose of high-stakes intrigue. Each installment offers meticulously researched narratives, presenting a gripping account of the world's most infamous art criminals and the detectives who hunt them.

Priceless Crimes is for anyone fascinated by unsolved mysteries, true crime with a sophisticated twist, and the allure of hidden treasures. If you're captivated by the intersection of art history and criminal enterprise, this is your ultimate destination.

Subscribe now and unlock the secrets of the art world's greatest capers.© 2026 OBOMEDIA Creators Crimini reali
Episodi
  • The Woman at the Window Sold for €380 - Who Knew Its Secret?

    The Woman at the Window Sold for €380 - Who Knew Its Secret?
    Oct 19 2026
    The Woman at the Window Sold for €380 - Who Knew Its Secret?

    A panel painting sold for €380 at a farmhouse estate sale later authenticated as a late-sixteenth-century Flemish circle work now worth between €180,000 and €250,000 - but the buyer disappeared, a van with Indiana plates hauled it away, and a penciled note in the appraiser’s ledger hints someone asked about that gilt frame during the preview. Who placed a false name on the attendance sheet and how long had they known the painting’s true value?

    In this episode, we follow the chain of events from the Pelsner farmhouse sale to the anonymous removal of the panel, tracing the people, notes, and gaps that leave a single question unresolved: did knowledge of the painting’s worth travel in secret long before it sold?

    Person: Karl Pelsner
    Date: December 4, 2011
    Location: farmhouse twelve kilometers outside Linburg, Ohio
    Price at sale: €380
    Authenticated value range: €180,000-€250,000

    - The painting measured 44 by 31 centimeters and depicted a woman reading a letter at a window.
    - Appraiser Tom Hensley spent 40 minutes cataloguing 112 items and 90 seconds on the painting.
    - Hensley’s estimate for the painting was €100-€400 and its sale price was €380.
    - A penciled note in Hensley’s working notes beside the painting read: "GF - inquired specifically? Check."
    - An attendance sheet for the preview listed a Patricia Ames of Indianapolis, a name for which no traceable address exists.

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    20 min
  • Hidden in the Wall: Museum Registrar's Secret Swap Unraveled

    Hidden in the Wall: Museum Registrar's Secret Swap Unraveled
    Oct 18 2026
    Hidden in the Wall: Museum Registrar's Secret Swap Unraveled

    A misplaced Flemish oil painting worth up to $90,000 was found wrapped in acid-free linen inside a sub-basement wall just eight feet from the vault where a copy of the same work remained logged and accounted for - how could two identical paintings exist in a locked museum? Who altered the records and why would a registrar stay composed when the collection’s core truth unraveled?

    In this episode, we walk through the discovery, the paperwork trail, and the people who managed the Aldren Municipal Museum's collection as the central question hangs: was this a deliberate substitution, and if so, who executed it?

    Person: Marie Walker
    Person: Janet Holm
    Person: Chad Webb
    Date: November 14, 2011
    Location: Aldren Municipal Museum sub-basement

    - The painting was catalogued as locked inside the museum vault for the past 25 years.
    - The vault was eight feet away from where the painting was wedged flat against the wall studs.
    - The panel painting measures 18 by 24 inches and was acquired in 1986.
    - Vault access log showed 11 after-hours access events by Chad Webb over a 13-week window between September and November 2010.
    - A 2006 condition report contained a seven-word marginal annotation referencing a 2004 photo and a "minor tonal shift, panel edge, lower left."

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    22 min
  • A non-art person stopped mid-run because a bronze woman's hands were opening the wrong way

    A non-art person stopped mid-run because a bronze woman's hands were opening the wrong way
    Oct 17 2026
    A non-art person stopped mid-run because a bronze woman's hands were opening the wrong way

    A runner noticed something so small-a change in the angle of bronze fingers-that it unraveled eleven months of secret edits and a replacement sculpture worth $62,000. How did a forged bronze relief, altered catalog records, and a foundry edition of three come together without anyone noticing?

    In this episode, we follow the timeline from the original installation to the moment the substitution was discovered, laying out how access, credentials, and patient labor aligned to rewrite the official record and the object itself. What was the motive behind replacing one cast with another, and who had the time and skill to pull it off?

    Person: Douglas Russo
    Date: October 2019
    Location: Caldwell Reservoir, east bank
    Author: Connie Parrish
    Appraised value: $62,000 per cast

    - Russo stopped four miles into his run at 5:40 AM and took three photographs of the bronze relief.
    - The relief "Dispersal" was cast as a limited edition of three and measured approximately 18 inches by 24 inches.
    - Connie Parrish made the original at Kettler Cast in 2018 and the Caldwell Reservoir Collective installed it in spring 2019.
    - Someone used registrar Pam Voigt’s credentials to access ArtRegistry Central 41 times from ~November 2018 through September 2019.
    - Warren Erickson, age 41 in 2019, visited the Collective’s administrative office at least eight times between 2018 and 2019 while working restoration contracts.

    To listen to this podcast ad-free and access premium episodes, try our subscription with a 14-day free trial at obomedia.com.

    © 2026 OBOMEDIA. All rights reserved.
    This episode and its content (audio, text, and related materials) are the exclusive property of OBOMEDIA and are protected by applicable copyright laws. Reproduction, distribution, editing, or commercial use, in whole or in part, without prior written permission from OBOMEDIA is prohibited. For permissions, licensing, and business inquiries: business@obomedia.com.
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    16 min
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