Over the past year, I’ve had the chance to talk with some of the most interesting creative minds working in film, television, podcasting, and journalism—and to discuss their inspirations, influences, and obsessions. Now, Origin Stories is moving to a new home as part of the Campside community on Substack. But don't worry: I’ll keep doing what I’ve been doing: Origin Stories will still publish new content. And you’ll also find writing, interviews, and recommendations from Campside, plus new episodes and some old favorites from the archive. Hope you’ll come along.

To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.com

Hosted on Acast. See acast.com/privacy for more information.

Sam Fragoso is the host of Talk Easy, the long-running interview podcast known for its intimate, deeply reported conversations with artists, activists, and public figures. Since launching the show in 2016, Fragoso has built a reputation for interviews that feel less like promotion and more like genuine exchanges, shaped by extensive research and a clear editorial point of view.

In this episode, he talks to Matthew about the differences between written and audio interviews, why podcast conversations can feel more revealing, and how trust is built with guests. He also reflects on what it takes to create an environment where people are willing to open up, and how his approach has evolved over time.

“I’m taping for the listener,” he says. “I’m thinking about someone in their car, at home, walking their dog and going, is this going to land?”

To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation, or just want to say hi? Email us at Originstories@campsidemedia.com

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hosted on Acast. See acast.com/privacy for more information.

Caleb Gayle is a historian and journalist whose work bridges narrative nonfiction and the academy. A professor at Northeastern and a longtime magazine writer, he has built a reputation for excavating overlooked Black histories and rendering them with literary force.

In this episode, he talks to Matthew about Black Moses, his National Book Award–longlisted book about Edward McCabe — the 19th-century lawyer, newspaper publisher, and politician who envisioned Oklahoma as a Black-governed state. Gayle breaks down how he followed McCabe’s paper trail across archives with almost obsessive intensity, why he intentionally gets “lost” in research before finding the story, and how he learned to let narrative carry the theme. He also reflects on the discipline of structure and what it takes to make history feel urgent.

“Beautiful prose is the ball game for me,” he says. “The only thing I have in my arsenal is to render their story with some relative beauty.”

To connect with the team and gain access to behind the scenes content, join our community at ⁠joincampside.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠. Have a question, guest recommendation or just want to say hi? Email us at Originstories@campsidemedia.com

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hosted on Acast. See acast.com/privacy for more information.

Steve Burns is best known as the first host of the groundbreaking kids TV show Blue's Clues, which debuted nearly three decades ago, in 1996. After leaving Blue's Clues, Steve worked as a voiceover actor and a musician; his song "Mighty Little Man" became the theme song for "Young Sheldon." In this episode, he talks to Matthew about the creation of his new hit podcast, "Alive With Steve Burns," and the learning curve involved in experimenting with a new medium. "I watched like 40 hours of Dick Cavett and then I realized that was not useful to this forum in any way," he says. "And that I'd probably be better off taking some improv classes and understanding what journalism is. Right now, it seems like it's improvisational journalism if it's anything. But I'm still flailing around in a sea of fear when I'm here."

To connect with the team and gain access to behind the scenes content, join our community at ⁠joinoriginstories.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hosted on Acast. See acast.com/privacy for more information.

Debora Cahn is a television writer, producer, and showrunner. Debora launched her career as a scribe on The West Wing and Grey’s Anatomy; later, she served as a writer and executive producer on Homeland. In this episode, she talks to Matthew about The Diplomat, the hit drama series she created for Netflix.

“The game that we're trying to win is to stay in a viewer's life for years,” she says of The Diplomat, which is now entering its third season. “Make this story interesting to people for years. And to do that, you plant all of these things in the garden, to use a simple metaphor. And some of them grow and some of them don't. And some of them are just sort of sitting there waiting for you to take advantage of them somewhere down the line.”

To connect with the team and gain access to behind the scenes content, join our community at ⁠joinoriginstories.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hosted on Acast. See acast.com/privacy for more information.

Actor, writer, and producer John Hoffman talks to Matthew about co-creating and showrunning the hit television show "Only Murders in the Building,” which is now in its fifth season on Hulu. Hoffman addresses writing lines for comedic greats like Martin Short and Steve Martin, his writing schedule (start early!) and how he deals with studio notes. He also describes the wonder of having a series snap together: “For me, it’s like an internal turn of the dial that says, ‘OK, I understand it all now. I understand how the whole thing holds together thematically and emotionally and how it can be funny and all of that. I can see it.’ And once it clicks in that way, then everything's fun. Getting there is the work.”

To connect with the team and gain access to behind the scenes content, join our community at ⁠joinoriginstories.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hosted on Acast. See acast.com/privacy for more information.

Mimi Leder is a producer, director, and two-time Emmy winner. Among her credits are films like Deep Impact and On the Basis of Sex and television programs like The Morning Show, a critically-acclaimed drama now entering its fourth season on Apple TV.

In this episode of Origin Stories, she talks to Matthew about the establishing the tone of The Morning Show, the importance of creative synergy with actors and staff, and learning to honor both her experience and her gut instinct. “It’s really a process,” she says, “because something that may work on set doesn't always work editorially. Or maybe a sequence becomes something completely different than what you imagined it to be. Or it becomes even better than you thought it would be. It's very interesting: You make a movie three times. You write it, you direct it, and then you edit it. And you're remaking it every single time.”

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hosted on Acast. See acast.com/privacy for more information.

New Yorker staff writer Patrick Radden Keefe is the author of several books, including “Empire of Pain” and “The Snakehead.” He talks with Matthew about “Say Nothing,” an award-winning book that was later adapted into a TV series on FX.

On the agenda: The importance of outlining, the joys of research, and learning how and when to trust your gut. To Keefe, great reporting in 2025 must be accessible:” Personally, I want people to read what I'm writing,” he says. There's a point beyond which I'm not gonna dumb it down. But I will take no satisfaction from having like preserved, like, my belletristic integrity and insisted on the two paragraph description of what the landscape looks like,” he adds.”I do think that if you don't consider your audience, it just feels sort of self-indulgent.”

To connect with the team and gain access to behind the scenes content, join our community at ⁠joinoriginstories.com⁠. You can also find us on ⁠Instagram⁠, ⁠TikTok⁠ & ⁠Youtube⁠.

See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.

Hosted on Acast. See acast.com/privacy for more information.