Episodi

  • Christopher Cusack et al. eds., "The Corpse in Modern Irish Literature" (Liverpool UP, 2026)
    May 5 2026
    From the bodies rotting by the wayside in Famine fiction, Synge's sodden corpses and Joyce's dead, to Nuala Ní Dhomhnaill's talking corpses and the unburied and dissected remains of Celtic Tiger fiction, the figure of the corpse is ubiquitous in Irish writing. This collection examines the Irish corpse as a conceptually rich centrepoint with multiple differently signifying implications across this historical period as expressed in different social, political and creative contexts. Taking Irish literature's obsession with death as its starting point, The Corpse in Modern Irish Literature (Liverpool UP, 2026) demonstrates the wide-ranging implications of this fixation, extending it through the contexts of the tragedies of the Irish past and the emergence of new identities in the wake of colonial modernity. In their range of authors and genres from the eighteenth to the twenty-first century, the chapters bring into focus patterns of change and continuity and extend current understanding of the Gothic mode, the national tale, the Irish modernist novel, Irish-language poetry, the elegiac mode, comic and tragic revivalist writings and the generic complexity of autofiction and contemporary fiction. In so doing, The Corpse in Modern Irish Literature makes a significant intervention in Irish studies, Gothic studies, death studies and medical and health humanities. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
    Mostra di più Mostra meno
    55 min
  • Malcolm Sen, "Irish Anthropocene: Literature, Climate Change, Sovereignty" (Syracuse UP, 2026)
    May 4 2026
    In Irish Anthropocene, Malcolm Sen traces the ways in which contemporary Irish literature responds to climate breakdown. Drawing upon concepts of sovereignty, precarity, and disaster, Sen examines Irish literary works to reveal how they engage with the entangled relations between ecology, economy, and politics. Irish writers not only critique the association of greenness with Ireland and the corporatization of sustainability discourses, they also illuminate the acute challenges that the climate crisis poses to political, social, and cultural forms in addition to ecosystems. The Irish canon has historically played a crucial role in Irish nationalism. But contemporary works are written at a time when questions of statehood and citizenship are yielding to the cross-border, multi-generational pressures of climate breakdown. Writing in the shadow of modernity's rhetorical and carbon emissions, contemporary authors are skeptical of business-as-usual sustainability jargon emanating from institutions. Instead, they focus on the local variations of the planetary-level threats dominating the discourse of the Anthropocene, placing the country in a webwork of ecological and geo-political relations. Cleverly written and groundbreaking in scope, Sen's analyses shows that Ireland's postcolonial identity can be especially helpful to analyze the cultural footprint of the climate crisis. Malcolm Sen is the director of the Environmental Humanities Specialization and an associate professor at the University of Massachusetts, Amherst. He is the editor of A History of Irish Literature and the Environment and Race in Irish Literature and Culture. Helen Penet is a lecturer in English and Irish Studies at Université de Lille (France). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
    Mostra di più Mostra meno
    53 min
  • David Krolikoski, "Lyrical Translation: The Creation of Modern Poetry in Colonial Korea" (U Hawai'i Press, 2026)
    May 2 2026
    Lyrical Translation: The Creation of Modern Poetry in Colonial Korea (U Hawai'i Press, 2026)is a literary history of modern Korean poetry's origins and its development through translation. As the use of Korean became increasingly restricted during the Japanese occupation, translation was not a choice but a necessity for higher education and intellectual labor. Yet it also had an expansive, creative function: Korean poets wielded it as an instrument to reimagine their literature. Around the turn of the twentieth century, intellectuals began abandoning classical Chinese as the default written language to embrace a new vernacular style in prose and verse that was closer to everyday speech. Pushing back against the perception of translation as a process of simple replication, Lyrical Translation reveals how poets used it to forge an entirely new mode of poetic composition. Dr. David Krolikoski is an assistant professor at the University of Hawaiʻi at Mānoa in the Department of East Asian Languages & Literatures. His research interests include modern Korean poetry, translation, poetics, postcolonial theory, and transnational literature, and his articles have appeared in Azalea: Journal of Korean Literature and Culture, The Routledge Companion to Korean Literature, Hyŏndae sihak, among others. Visit Dr. David Krolikoski’s University Profile here Buy Lyrical Translation: The Creation of Modern Poetry in Colonial Korea here About the host: Leslie Hickman is an Anthropology graduate student at Emory University. She has an MA in Korean Studies and a KO-EN translation certificate from the Literature Translation Institute of Korea. You can contact her at leslie.hickman@emory.edu Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
    Mostra di più Mostra meno
    1 ora e 7 min
  • Andrea Horbinski, "Manga's First Century: How Creators and Fans Made Japanese Comics, 1905-1989" (U California Press, 2025)
    Apr 30 2026
    Andrea Horbinski's Manga's First Century: How Creators and Fans Made Japanese Comics, 1905-1989 (U California Press, 2025) centers the fans and creators who built Japanese comics into a massive global phenomenon. The book traces the history of manga from the art form's distinctly modern emergence in the early 1900s, one that first hybridized the artistic legacy of Japan with the world of Western political satire but very quickly expanded its scope. By the 1920s and 1930s, manga was already beginning to show some of the breadth of genre and style that has become a trademark of Japanese comics and their byproducts today. In the postwar, manga's embrace of new audiences and stylistic conventions, and the embrace of these new forms by audiences of amateur consumer-creators especially since the mid-1970s, led to an explosion in popularity that has made manga a global phenomenon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
    Mostra di più Mostra meno
    50 min
  • David Womersley, "Thinking Through Shakespeare" (Princeton UP, 2026)
    Apr 28 2026
    In the eighteenth century, Samuel Johnson famously argued that Shakespeare is enduringly popular because he “is above all writers, at least above all modern writers, the poet of nature; the poet that holds up to his readers a faithful mirror of manners and of life.” Johnson’s view largely prevailed until the late twentieth century, when it was challenged by a growing scepticism about the existence of a general human nature. In Thinking Through Shakespeare (Princeton UP, 2026), eminent literary critic David Womersley pushes back against this change by exploring how Shakespeare’s plays think through—and invite us to think through—deep human questions of lasting importance.Thinking Through Shakespeare explores four perennial human problems: personal identity, the distinction between civilization and barbarism, the relation between political power and religious authority and the tension between means and ends. It examines the history of these problems, from antiquity to today, and traces how Shakespeare engages with them in the great tragedies—Othello, Hamlet, Macbeth and King Lear—but also in his other plays. Without arguing that human nature is universal or unchanging, or that Shakespeare has some special access to timeless wisdom, the book makes the case that his drama is powerful because it serves as a forensic tool, probing rival perspectives on questions that have preoccupied many people in many societies over many centuries.By revealing in new ways how Shakespeare’s plays are animated and driven by central human problems, and why he should again be viewed as the great poet of human nature, Thinking Through Shakespeare opens up a richer understanding and appreciation of his work. David Womersley is the Thomas Warton Professor of English Literature at the University of Oxford. His books include Divinity and State, Gibbon and the “Watchmen of the Holy City” and The Transformation of the Decline and Fall of the Roman Empire. He is also the editor of many books, including the Penguin Classics editions of Gibbons’s Decline and Fall of the Roman Empire, Boswell’s Life of Samuel Johnson and David Hume’s complete essays. He is a Fellow of the British Academy and of the Royal Historical Society. Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature. YouTube Channel: here Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
    Mostra di più Mostra meno
    1 ora e 1 min
  • Jonathan Gray and Daphne Gershon, "Reading Media: How to Do Textual Analysis" (NYU Press, 2026)
    Apr 25 2026
    Reading Media: How to do Textual Analysis reinvigorates one of media and cultural studies’ most foundational methods at a moment when it is most needed, showing its continuing vitality by adapting it to new media environments, cultural objects, and scholarly questions.The volume insists that the close study of meaning, form, and representation remains central to understanding media’s power. With contributions from leading and emerging scholars, the book offers a diverse toolkit: from narratological and semiotic analysis of film and TV, to historical poetic accounts of TikTok, multimodal analysis of Afrobeats music videos, and postcolonial criticism of games. Essays extend the scope of textual analysis to unexpected objects—such as plastic waste, memes, and refugee-authored media—while others demonstrate how texts operate across platforms, genres, and transmedia franchises. Beyond offering new and improved approaches to textual analysis, each chapter illustrates its approach using a specific case study, functioning both as a step-by-step how-to guide and as an example of textual analysis in action.Reading Media advances a vision of textual analysis that is rigorous yet flexible, attuned to both aesthetics and politics, and responsive to today’s media environment. Essential for students and scholars in media, communication, and cultural studies, Reading Media both reaffirms and renews textual analysis as an indispensable way of engaging with the mediated worlds that shape contemporary life. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
    Mostra di più Mostra meno
    45 min
  • Tiffany Jo Werth, "The Lithic Imagination from More to Milton" (Oxford UP, 2024)
    Apr 25 2026
    The Lithic Imagination from More to Milton (Oxford University Press, 2024) by Dr. Tiffany Jo Werth explores how stones, rocks, and the broader mineral realm play a vital role in early modern England's religious and cultural systems, a role that, in turn, informs the period's poetic and visual imagination. The scale of the human lifespan and the gyre-like turns of England's long Reformation provide a conceptual framework for the various stony textual and visual archives this book studies. The texts and images participate in specifically English histories (literary, artistic, political, religious) although Continental influences are frequently in dialogue. The religious orbit encompasses the Christian rivalry with Jewish culture, touches on Christianity's tension with Islam, but most intently centers on the antagonism between Catholic and variants of Protestant and Reformed belief.The volume features canonical writers such as Shakespeare, Spenser, Donne, Wroth, Herbert, Milton and Pulter, but puts them in company with lesser-known religious polemicists, alchemists, anatomists, painters, mothers and stonemasons. Accordingly, the multimedia archive includes drama, lyric and prose as well as biblical illustrations, tapestries, church furniture, paintings, anatomical drawings and statues. The lithic too is capaciously construed as a continuum of rocky as well as mineral forms ranging from bodily encrustations like the kidney and bezoar stone, to salt, iron, limestone, marble, flint and silicon. The assemblage of materials bears witness to aspirational imperial fantasies and looming colonial conquests; it engages in both syncretism and supersession; upholds and subverts gender hierarchies; limns the race-making category of hue with desire; and supports, and sometimes thwarts, elitist ideologies of an elect, chosen people. All come together via the storied pathways of stone as densely material and as a foundation for the abstract imaginary along the scala naturae. Across the lithic-human fold, stone promises, fascinates, betrays. As alpha and omega, stone can herald salvation or it can threaten with damnation. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
    Mostra di più Mostra meno
    46 min
  • Vin Nardizzi, "Marvellous Vegetables in the English Renaissance" (U Toronto Press, 2025)
    Apr 24 2026
    Today, I interview Vin Nardizzi, Professor of English at the University of British Columbia, about his new monograph Marvellous Vegetables in the English Renaissance (U Toronto Press, 2025), published by the University of Toronto Press. Vin Nardizzi is the author of Wooden Os: Shakespeare’s Theatres and England’s Trees (University of Toronto, 2013). He is also the co-editor of Queer Renaissance Historiography: Backward Gaze (Ashgate, 2009) and The Indistinct Human in Renaissance Literature (Palgrave Macmillan, 2012). In Marvellous Vegetables in the English Renaissance, a wide-ranging, elegantly written book, Vin argues that one of the major works of sixteenth-century plant writing, John Gerard’s The Herball, can reanimate our thinking about early modern literature and visual art. Marvellous Vegetables in the English Renaissance brings together a rich archive include Shakespeare’s Merry Wives of Windsor, Ovid’s Metamorphoses and its English translations, seventeenth-century anatomy textbooks, and the paintings of Giuseppe Arcimboldi and Nicholas Hilliard. The book also makes exciting methodological interventions in the critical practices of early modern scholarship. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/literary-studies
    Mostra di più Mostra meno
    1 ora e 42 min