We argue over the Rock and Roll Hall of Fame 2026 inductees and the bigger issue of whether the Hall still means “rock” or has quietly become a general Music Hall of Fame. Along the way we call out who we think got in for the right reasons, who feels like a stretch, and which overlooked bands deserve a serious second look.
• reactions to the 2026 performer inductees list and what it signals about the Hall’s identity
• memories from visiting the Hall and why artifacts make the history feel real
• frustration with non-rock inductions and the case for renaming the institution
• our snub list and why influence matters for Smashing Pumpkins, Thin Lizzie, Phish, Devo, Pixies, Television, Motörhead and Jane’s Addiction
• music time capsule picks including John Lennon, Peter Frampton, Rod Stewart, Joan Jett, Def Leppard, Robert Palmer, Psychedelic Furs and Ozzy Osbourne

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Remember Something Old

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We celebrate three years of making the show by chasing the stories that live inside songs, from U2’s reinvention on Achtung Baby to the radio moments that made 1991 and 1992 feel electric. We trade chart facts, tour memories, and weird-but-true backstories that make you hear familiar tracks in a new way.
• marking the three-year milestone and why music talk never runs out
• U2’s shift in sound on Achtung Baby and what “Zoo Station,” “Mysterious Ways,” and “One” reveal
• why “One” helps hold the band together and why it can be tough live
• the late-1991 wave that resets alternative rock energy
• “Don’t Fear The Reaper” and how “More Cowbell” rewires a classic
• why Billy Joel’s Songs In The Attic works as a career bridge
• Soft Cell’s “Tainted Love” as a cover with a tragic timeline behind it
• “Bizarre Love Triangle” dance-floor memories and New Order’s evolution from Joy Division
• Rick Rubin’s production lens on “Give It Away” and borrowed riffs
• Beatles Anthology 3 demos that prove less is more
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Desert Trip still sounds like a rumor you’d hear from a friend who swears they were there: Bob Dylan opening for the Rolling Stones, Paul McCartney sharing a weekend with Neil Young, and The Who somehow slotted before Roger Waters running through Pink Floyd giants. We break down what made the 2016 Indio run such a defining classic rock live music moment, from the jaw-dropping economics and VIP culture to the real fan dilemma of “do I spend the money now or regret it forever?” We also get into the most interesting wrinkle of all: when an artist like Dylan agrees to lean into the hits, what does that change about the night?

We slide back into our musical time capsule with Queen and Bowie’s “Under Pressure,” J. Geils Band’s “Centerfold,” Billy Joel’s underrated “A Matter of Trust,” The Smiths, Weezer’s Pinkerton redemption arc, and Sublime’s “What I Got” with its bittersweet backstory.

Subscribe for more music history and sharp left turns, share this with a friend who still argues about setlists, and leave a review with the band you’d book for your own once-in-a-lifetime weekend.

Learn Something New or
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