Every Minute of Everything Everywhere All At Once copertina

Every Minute of Everything Everywhere All At Once

Every Minute of Everything Everywhere All At Once

Di: TruStory FM
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A proposito di questo titolo
 Lester and Kynan attempt to explain, evaluate, enlighten and elucidate the Academy Award-winning film, Everything Everywhere All At Once, minute by multiversal minute! Now, you may only see a couple of chuckleheads trying to talk about a movie and getting distracted by all the cool references and easter eggs…but we see a story! Follow us through the multiverse as we explore each individual minute of this amazing film!Copyright TruStory FM Arte
Episodi
  • Minute 113 - We Put Feet On A Bagel!

    Minute 113 - We Put Feet On A Bagel!
    Nov 11 2026
    Hot dog Deirdre comes home, drops her bags in the doorway, and Evelyn appears — hot dog hands clutched to her chest, no longer flinching at her own fingers. What follows is a handful of glimpses into their life together: a dinner party where two insufferably happy dinner guests sit across from them and clink wine glasses with their feet, a quiet night on the couch, a knitting project in various stages of completion, and finally Deirdre at the piano, playing Claire de Lune with her feet. Intercut with the atrium, where Deirdre is swinging a paper cutter machete at Evelyn's neck, and Evelyn catches her wrist with a foot — gently, almost like a caress — and tells her: that's not true. There's always something to love. Even in a stupid, stupid universe where we have hot dogs for fingers, we get very good with our feet.We spend a long time arguing about the hot dog timeline. Lester insists it's one universe with a clear sequence; Kynan pitches that we're watching two parallel hot dog worlds where each woman gets to be the cold one. Neither of us wins. We also dig into Claire de Lune — Kynan traces it back to the Verlaine poem about a clumsy rustic dance and reads the whole thing aloud, and it turns out to be about seeing someone's imperfect, sad beauty in the moonlight — plus what it means that Deirdre's deepest fear isn't being hated, it's being told she's already worthy of love. And that the feet playing the piano are prosthetics, worn by an actual pianist, hitting the correct keys.
    • Show archive
    • Banana for Scale Facebook Group
    • Connect with Kynan on Instagram or Letterboxd
    • Connect with Lester on Facebook, Instagram, or X

    ---
    Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.
    Check out the other podcasts in the Banana for Scale family of podcasts:
    • The Devil's Details: The Evolution of the Devil Through Art & Literature
    • The Exorcist Minute
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    1 ora e 18 min
  • Minute 112 - We Put Cold, Unlovable B**ches Like Us On A Bagel!

    Minute 112 - We Put Cold, Unlovable B**ches Like Us On A Bagel!
    Nov 4 2026
    Waymond calls out across the chaos — Evelyn, please, no more — and she lets go of Deirdre's throat. The script said "no more fighting." The film cuts the last word, and it changes everything: he's not asking her to stop swinging, he's asking her to stop being the kind of person who would. Jobu, already walking away, stops and turns back to watch, visibly furious that her mother might be learning something. She raises a foot over Evelyn's face, moves it aside at the last second, and steps over her toward the stairs. Deirdre detaches the blade from an industrial paper cutter and comes back swinging. And then: Evelyn sitting down outside the laundromat, next to Deirdre, asking what her silly husband said. Deirdre tells her about the day her husband served her papers and she drove his Kia Forte through the neighbor's kitchen. And then the line: it's cold, unlovable bitches like us who make the world go round.We dig into the villain trope Lester loves most — the one where the hero's kindness makes the villain angrier, because being proven wrong this late means reckoning with everything you've already done. He also tells the story of the best villain death he's ever seen, from a 1983 Osamu Tezuka movie about a baby unicorn, which has stuck with him since he was five. Plus: the cut lines from the 2022 script that the performances made unnecessary, why "my ex gave me the papers" became "my husband gave me the papers," why "hysterical" was correctly removed from the famous line, and the specific horror of sitting on the same side of the desk as your nemesis.
    • Show archive
    • Banana for Scale Facebook Group
    • Connect with Kynan on Instagram or Letterboxd
    • Connect with Lester on Facebook, Instagram, or X

    ---
    Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.
    Check out the other podcasts in the Banana for Scale family of podcasts:
    • The Devil's Details: The Evolution of the Devil Through Art & Literature
    • The Exorcist Minute
    Mostra di più Mostra meno
    58 min
  • Minute 111 - We Put A SURPRISE BAGEL On A Bagel!

    Minute 111 - We Put A SURPRISE BAGEL On A Bagel!
    Oct 28 2026
    Jobu grabs Evelyn's hands and pries them apart in a slow, playground-style gesture — not the hand vagina from the hallway, something new — and the gap between their fingers becomes a window. Through it we see Temple Jobu's eyes, serene and goddess-like, perfectly aligned with the hurt, human Jobu standing right in front of Evelyn. The window rises past her bagel hair bun and then higher, revealing the actual bagel, now here, in the atrium. Everything starts getting pulled in. Two of Jobu's own acolytes go first. Then Daniel Kwan, in a cameo that ends with his face tearing off to reveal another identical face underneath. Jobu says she doesn't care if Evelyn comes with her — enjoy your life — and walks toward the stairs with Deirdre marching behind her. Evelyn Naruto-runs through the foliage, lands in front of her like an anime character, and Jobu just smiles, nods, and turns away.We open with something that didn't land until after last week's recording: Evelyn crossing back to Waymond without reaching for her daughter can only read, from Jobu's side, as I won't do this with you, but go ahead. Which is worse than a rejection. We also dig into why the film slowed this moment way down instead of doing it anime-style like the script describes, the three possible readings of Jobu's "I knew it" face, and why the Daniels refused every easier version of this beat. Plus: Evelyn choking Deirdre in a way that is genuinely too violent to be funny, the Daniel Kwan cameo and the ethics of director cameos generally, spaghettification, and an unpixelated glimpse behind the movie magic.Heads up: we've got a bonus episode coming at the end of the month on the 2018 Halloween requel, because we can't stay away from Jamie Lee Curtis.
    • Show archive
    • Banana for Scale Facebook Group
    • Connect with Kynan on Instagram or Letterboxd
    • Connect with Lester on Facebook, Instagram, or X

    ---
    Learn more about supporting this podcast by becoming a member. It's just $5/month or $55/year. Visit our website to learn more.
    Check out the other podcasts in the Banana for Scale family of podcasts:
    • The Devil's Details: The Evolution of the Devil Through Art & Literature
    • The Exorcist Minute
    Mostra di più Mostra meno
    58 min
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