We are back for our first episode of 2024 and it's a special one...

We're kicking off with a focus on actors we think are destined for nominations in the near future! And Michael is putting his chips on the marvellous Adeel Akhtar.

Adeel's filmography is an eclectic mix that includes Four Lions (Christopher Morris, 2010) Pan (Joe Wright, 2015), The Big Sick (Michael Showalter, 2017), Murder Mystery (Kyle Newacheck, 2019) or Ali & Ava (Clio Barnard, 2021). He will also be familiar to many for his TV work such such Fool Me Once (2024) and Sherwood (2022).

Adeel's succession surely(!) will continue with more roles, more exposure and an Oscar nomination? WE BELIEVE! So join us as we celebrate Adeel ahead of his future career high...

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It's time to celebrate two legends.

As Michael (our lovely co-host and producer) celebrates his birthday, he wanted to focus an episode on one his absolute favourite actors... Kristin Scott Thomas!

Kristin is our second official 'Dame' for the podcast but somehow she never seems to get the appreciation of her contemporaries. Not here! Join us as we cover Kristin's film career including Four Wedding And A Funeral (Mike Newell, 1994), her Oscar-nominated performance in The English Patient (Anthony Minghella, 1996), Keeping Mum (Niall Johnson, 2005), I’ve Loved You So Long (Philippe Claudel, 2008), Only God Forgives (Nicolas Winding Refn, 2013) and Military Wives (Peter Cattaneo, 2019). 

Beyond this we look into the future and dream up some roles we would love to see Kristin get the opportunity to tackle. We hope you all can come away with as much love for Kristin as we have and maybe discover a few gems along the way to add to your watchlists.

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This week we were delighted to take on another audience suggestion to dive into the film career of Lizzy Caplan.

On the big screen Lizzy will be known to many for her iconic turn as Janice Ian in Mean Girls (Mark Waters, 2004), where her quote-a-long line readings and frenetic energy began her rise to stardom. From there she would continue to deliver committed big screen work in the likes of Cloverfield (Matt Reeves, 2008), Hot Tub Time Machine (Steve Pink, 2010), Bachelorette (Leslye Headland, 2012), The Interview (Evan Goldberg & Seth Rogen, 2014), Now You See Me 2 (Jon M. Chu, 2016) and Cobweb (Samuel Bodin, 2023). 

So join as we talk through some of these career highlights, as we have again enjoyed the fun of visiting a star we had not yet considered and would strongly encourage more suggestions from our lovely audience! 

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Let’s get everyone talking about Kelly Reilly!

Kelly is a performer who clearly has a lot of industry respect, racking up many noteworthy credits. But where these roles felt primed to launch her to lofty heights, things never quite lined up as we’d imagine for someone who feels destined for big things. 

In this career retrospective, we take on some of Kelly’s film highlights to discuss along the way: Pride & Prejudice (Joe Wright, 2005), Mrs Henderson Presents (Stephen Frears, 2005), Eden Lake (James Watkins, 2008), Sherlock Holmes and it’s sequel A Game Of Shadows (Guy Ritchie, 2009 & 2011), Flight (Robert Zemeckis, 2012), Calvary (John Michael McDonagh, 2014), 10x10 (Suzi Ewing, 2018) and A Haunting In Venice (Kenneth Branagh, 2023). 

Having proven her prowess many times, we are holding out for that major moment which will give her the opportunity to dazzle us all. To help manifest those opportunities we have come up with some ideas of our own to share with you all.

TRIGGER WARNING: Discussion around clerical abuse in Calvary

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Let's talk about...Eva Mendes.

Our host Scott has been eager to focus on Eva's career since the start of the podcast and FINALLY here we are... And what an interesting filmography to reflect on!

There's her roles alongside questionable cops in Training Day (Antoine Fuqua, 2001), The Other Guys (Adam McKay, 2010) and Bad Lieutenant: Port Of Call New Orleans (Werner Herzog, 2009) AND questionable fellas in Hitch (Andy Tennant, 2005), The Place Beyond The Pines (Derek Cianfrance, 2012), Holy Motors (Leos Carax, 2012) and Ghost Rider (Mark Steven Johnson, 2007).  AND then there's quesitonable ladies in The Women (Diane English, 2008).

So she may have been somewhat pigeonholed but there is something undeniable about Eva on the big screen.

And should she decide to make a return to acting, we have dreamt up some suggestions to share with you all. So come listen to us discuss all of this and more on our Eva Mendes edition. 

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