Short films are one of the fastest ways to get noticed, if you approach them the right way.

In this episode of Directing Dread, working director Justin Harding and up and coming filmmaker Jacob Phair break down how to actually make a short film that gets programmed, gets seen, and moves your career forward.

We cover festival strategy, where to premiere, when to go online, and how to position your short depending on your goals. Proof of concept or standalone film. Festival run or YouTube launch. What actually makes sense and what is a waste of time.

We also pull from our own films and some of our favorite shorts to break down what works, why certain ideas land, and how to build something memorable in a short format.

You can check out Justin's Short films here:

Kookie - https://www.youtube.com/watch?v=BTshCCwo5Tw

Latched - https://www.youtube.com/watch?v=flW_alXzCXU

Point of View - https://www.youtube.com/watch?v=Arn9e83Ojc0

Carved - https://www.youtube.com/watch?v=c0BvhGhkuvI

And Jacob's short film here:

Lure - https://www.youtube.com/watch?v=ClBA_sWTE9w

Other Films Discussed include:

Meat Puppet - https://www.youtube.com/watch?v=y3oLGASdXYE

The Robbery - https://www.youtube.com/watch?v=0gdiPSnfVgk

Lights Out - https://www.youtube.com/watch?v=FUQhNGEu2KA

Vicious - https://www.youtube.com/watch?v=4d0ggz0aibg

Panic Attack - https://www.youtube.com/watch?v=-dadPWhEhVk

Mama - https://www.youtube.com/watch?v=fcrM74s7tm4

If you are trying to make a short film that does more than just sit on a hard drive, this episode gives you a clear path forward.

If you cannot sell your horror movie, it does not get made.

In this episode of Directing Dread, working director Justin Harding and up and coming filmmaker Jacob Phair take a deep dive into the art of the pitch deck and why it is one of the most important tools a director has.

We break down what actually goes into a strong deck, why most pitch decks fail, and how to approach yours like a piece of filmmaking instead of a document.

Then we get into the shift. Using motion, AI, and modern tools to create pitch decks that feel alive. Decks that move, build tone, and pull the reader into the movie instead of just explaining it.

This is about creating a sales tool that feels like the film itself and gives producers, financiers, and collaborators a real experience of what you are trying to make.

If you want your project to stand out and actually get traction, this episode shows you how to rethink the pitch deck completely.

AI is already in the filmmaking pipeline. The question is how you use it.

In this episode of Directing Dread, working director Justin Harding and up and coming filmmaker Jacob Phair break down the real role of AI in filmmaking today, and where it is actually heading.

We dig into the recent deal between Ben Affleck’s company Interpositive and Netflix as a signal of how the industry is starting to adopt AI at a higher level.

From there, we get practical. How AI is being used right now inside real film pipelines. Where it actually saves time and money. Where it falls apart. And how filmmakers can use it as a tool to elevate their work, not replace it.

This is not about generating slop or shortcuts. It is about using new tools to bring your vision to life in ways that were not possible even a year ago.

If you want to understand how AI fits into modern filmmaking without the hype, this episode breaks it down.

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Welcome to the first episode of Directing Dread.

This is a podcast built for aspiring horror directors who want to stop waiting and start making films.

In this episode, working director Justin Harding and up and coming filmmaker Jacob Phair lay out the mindset that matters most at the beginning of your career. Use what you already have.

We break down how films like Paranormal Activity, Creep, and Terrifier turned limited resources into massive opportunities, and why that approach still works today. We also dig into how tone, simplicity, and execution can make something feel far bigger than its budget.

This episode is about removing excuses, thinking creatively, and making your first film with what is already in front of you.

If you have been waiting for the right moment, this is it.

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https://www.youtube.com/@DirectingDread