Not just a favorite pen. There are preferred point sizes. 0.5 is good. 0.38 has its place. And gel ink is, apparently, “correct.”
She keeps identical pen and pencil kits in different bags, uses color-coded sticky notes, still has a legit Rolodex, and maintains a home reference binder of trusted service providers (which we have already taken advantage of!). Give Chelsea enough information and she will organize it, map it, and figure out how it all connects.
Before Chelsea was a lawyer, she was an artist. A senior thesis sent her deep into the SMU law library, where an advisor suggested she consider becoming an art lawyer. Chelsea went to law school planning to do exactly that. Then, just as she became eligible for the art law classes, the professor went on a two-year sabbatical.
What followed was a career Chelsea describes as extraordinarily circuitous, eventually leading her to financial litigation and what she calls “litigation mitigation,” work she loves but never imagined when she started law school.
The path may have changed, but Chelsea never stopped looking at the world like an artist: noticing details, seeing patterns, and figuring out how seemingly unrelated pieces fit together.
So when she started hearing origin stories about different groups of women lawyers in Dallas and realized many were unfolding along the same timeline, her brain did what her brain does.
Hmm. Let’s deep dive.
Chelsea started researching and mapping the connections, trying to understand not only who these women were, but how their stories intersected. That curiosity eventually collided with Kandace Walter.
The two began talking about how to preserve these stories and make sure younger lawyers knew the women who had come before them. Then Kandace said, “It should be a documentary.”
Chelsea spent about five minutes trying to come up with a reason they shouldn’t do it. Then, as she puts it, “all the other tabs were closed.”
“Okay, well, let’s do a documentary.”
Nine months later, Chelsea and Kandace, working with filmmaker Alex Garcia Topete and associate producer Mackenzie Freeman, had researched, written, shot, edited, and finalized A Law Unto Themselves, preserving 70 years of stories about women lawyers in Dallas and the community they built together.
And maybe that’s what makes the whole thing feel so very Chelsea. The artist is still there. You can see it in the way she visualizes information, maps timelines, spots patterns, and builds a story from seemingly unrelated pieces.
Maybe that’s the finer point of Chelsea’s story: the path changed, but the way she sees the world never really did.
***Bonus: Chelsea curated her own Amazon supply list that you, too can own the “correct” pen: https://a.co/d/06V7LaRS
Listen now:
Find Chelsea at linkedin.com/in/chelsea-hilliard-5954815
Coming soon to a browser near you: A Law Unto Themselves – check https://dallaswomenlawyers.org/ for updates.
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Explicit Rating is for the occasional use of colorful language.