In this episode, we speak with art market expert Doug Woodham to unpack how Jean-Michel Basquiat became one of the most enduring cultural icons of our time.

Moving beyond his rise in 1980s New York, this episode focuses on what happened after his death. We explore how his estate, led by his father, shaped his legacy through control of supply, copyright, and narrative; how early collectors and market forces drove the value of his work; and how museums and media cemented his place in art history.

Together, we explore the bigger question: is creating great art enough, or does becoming an icon require an entire ecosystem working behind the scenes?

Read Doug's book here:

https://www.amazon.com/Jean-%C2%ADMichel-Basquiat-Making-Doug-Woodham/dp/0500030693

Also, please join us on May 27 for the highly anticipated Art Law Conference 2026, held at Brooklyn Law School and Online (Hybrid). Entitled “What is Copy, Right? Visual Art, AI, and the Law in the 21st Century,” this year’s conference explores the evolving relationship between visual art, copyright law, and artificial intelligence:

https://itsartlaw.org/2026-art-law-conference-new-york-city/

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In this episode, we had the opportunity to speak with Elysia Borowy, Executive Director of the Rema Hort Mann Foundation, Christy Ceriale, founder of the foundation’s Young Collectors Initiative, and Antonio Vidal, one of the recipients of the 2026 Emerging Artist Grant.

Through these three perspectives, we explored the inner workings of one of New York’s most prominent art foundations, hearing firsthand about the realities of running a philanthropic arts organization, building a career as a working artist, and navigating the world of collecting as a young person in the city.

Founded in 1995, the Rema Hort Mann Foundation supports both emerging visual artists and individuals battling cancer, providing grants and resources at pivotal moments in their lives and careers.

Learn more about the foundation and its programs here:

https://www.remahortmannfoundation.org/

Check out Antonio's work here:

https://www.instagram.com/antonio.vidal.l/

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In our first episode of the year, Paris and Andrea speak with Ali Nour, who recounts his journey from Khartoum to Cairo amid the ongoing civil war, and describes how he became involved with the Emergency Response Committee - a group of Sudanese heritage officials working to safeguard Sudan’s cultural heritage.

Upcoming Events:

• https://www.eventbrite.com/e/art-lawyering-bootcamp-copyright-law-tickets-1977628671593?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=ebdsshcopyurl

• https://www.eventbrite.com/e/artist-legacy-estate-planning-clinic-tickets-1369639341139?utm-campaign=social&utm-content=attendeeshare&utm-medium=discovery&utm-term=listing&utm-source=cp&aff=ebdsshcopyurl

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What happens when culture becomes collateral damage in war?

In this episode of Art in Brief, we speak with Patty Gerstenblith, a leading expert on cultural heritage law, about the destruction of cultural sites in recent armed conflicts.

We examine the role of international courts, the limits of accountability, and whether the law can truly protect history in times of war.

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In this episode, Paris and Andrea sit down with Carina Popovici, a physicist turned art tech entrepreneur and the founder of Art Recognition.

Together, we explore how her team trains AI to read an artist’s hand, detect forgeries, and bring more transparency to the art market. We also dive into the ethical stakes, from questions of bias to concerns about authority and accountability, as technology begins to influence how we understand our cultural past.

Check out the Framework for Responsible Use of AI in Art Authentication, developed by Art Recognition and the Center for Art Law, a nonprofit organization based in the United States.

https://art-recognition.com/wp-content/uploads/2025/11/Framework-for-Responsible-Use-of-AI-in-Art-Authentication-final.pdf

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Paris and Andrea are joined by Roksolana Makar and Anastasiia Olexii to discuss how Ukrainians are fighting back against Russia’s assault on their cultural heritage From documenting destroyed sites to preserving artifacts and seeking justice for cultural war crimes, they show how protecting heritage is central to defending the nation's identity.

For more information on HeMo, the Ukrainian Heritage Monitoring Lab, the Raphael Lemkin Society and Wall Evidence, check out the resources below!

People of Culture Taken Away By The War:

https://pen.org.ua/en/lyudy-kultury-yakykh-zabrala-vijna

HeMo:

https://www.heritage.in.ua/

War Archive:

https://ukrainewararchive.org/eng/

Wall Evidence:

https://wallevidence.mizhvukhamy.com/

https://instagram.com/wallevidence

Raphael Lemkin Society:

https://www.facebook.com/lemkin.society

https://lemkin.org.ua/index_en.html

https://www.instagram.com/lemkin_society?igsh=ZHp6eGx5ZG1kYzVx

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In this episode, Paris and Andrea are joined by Simon Frankel and Stephen Urice, co-authors of the newly released 6th edition of Law, Ethics, and the Visual Arts, the leading textbook shaping the field of art law.

Together, they explore the complex relationship between artistic freedom and government authority and unpack how the First Amendment applies to visual art.

From the cancellation of Amy Sherald’s exhibition at the Smithsonian to landmark legal battles over obscenity and censorship, we ask:

• What counts as protected expression?
• When, and why, can the government intervene?
• And who ultimately controls the art that reaches the public?

To learn more about the book, check out the links below:

• https://cambridgeblog.org/2025/04/law-ethics-and-the-visual-arts/
• www.leva6.org

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In this episode, Paris and Andrea sit down with former FBI Art Crime Team agents Ronnie Walker and Dave Bass.

They share incredible stories from their time undercover, including recovering a multi-million dollar stolen pair of ruby slippers and bringing one of America’s most infamous art forgers to justice.

Now out of the Bureau, Ronnie and Dave reveal how their experiences led them to co-found The Art Legacy Institute, and what’s next in their mission to protect artists and their work.

A big thanks to Eva Bella for guiding the research for this episode.

Connect with Ronnie and Dave Here:

• https://bsky.app/profile/artcrimeguy.bsky.social
• https://x.com/artcrimeguy
• https://www.linkedin.com/in/ronnie-walker-b64953176/
• https://www.linkedin.com/in/dave-bass-97a11b297/

For More Information:

Art Legacy Institute:

• https://www.artlegacyinstitute.org/
• https://www.instagram.com/artlegacyinstitute_org/
• https://bsky.app/profile/artlegacyinstitute.bsky.social
• https://x.com/artlegacy_org

Alitheon:

• https://alitheon.com/

AWS:

• https://aws.amazon.com/government-education/nonprofits/?ams%23interactive-card-vertical%23pattern-data--2066256937.filter=%257B%2522filters%2522%253A%255B%255D%257D

Ruby Slippers Case:

• https://www.washingtonpost.com/news/magazine/wp/2019/04/30/feature/the-case-of-dorothys-stolen-ruby-slippers/

Earl Washington Case:

• https://www.nytimes.com/2024/07/18/arts/earl-washington-woodblocks-art-fraud.html?unlocked_article_code=1.ZE8.RkOq.-8-4beaBhG5o&smid=url-share

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