This week we're heading to Mexico by way of Italy in the recently recovered Sharksploitation adventure film, The Shark Hunter from director Enzo G. Castellari. In 1979 Enzo Doria got his hands on a script that he was so excited to produce that he called up Italian superstar, Franco Nero and asked him what he was doing right this minute and if he'd like to drop literally everything and make a movie. But when scripts vanished, the cast and crew had to make a movie based on their broad memories of the original story and we'd be lying if we didn't think they did a pretty good job of it. Severin Films bent over backwards in 2025 to recover what materials they could find and released the best possible scan of the last remaining 35mm prints of The Shark Hunter, a movie that was dangerously close to disappearing forever.

In The Shark Hunter we find a sun burned and bloodshot American expat living seaside in Mexico, making a living by leaping into the ocean to kill every shark he sees, which happens to be a lot of sharks. But this is just a cover for an operation to recover a sunken safe in a crashed airplane. He teams up with a local buddy and will have to outsmart a gangster and a rival special forces dude if he plans to get his hands on all that sweet, sweet cash.

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You'll have the time of your life when you listen to our latest episode, a look at the 1987 mega-hit Dirty Dancing. Jennifer Grey and Patrick Swayze were both watching their own careers grow and advance as the 80's lurched forward but it was this singular moment in the history of film when everything took flight. Swayze, among the sexiest men to ever live set up shop in everyone's head and heart and this sweet nostalgia bomb set down roots in a way no one was expecting. Dirty Dancing was among the most rejected scripts in 80's Hollywood, a movie everyone turned down for being too girly in an age where loud guy movies were all the rage. Along came the video distribution giant, Vestron Video, in the middle of a changing market, with designs on producing their own original movies and they gambled on this one for their first feature and boy, did it pay out big. Their first feature became one of the biggest hits of the 1980s and joined a pantheon of classic movie musicals. It's too bad Vestron couldn't recapture that magic as every follow-up picture tanked hard enough to take the entire company down with them.

Dirty Dancing takes place at a Catskills mountain resort in the summer of 1963, right before the violent cultural changes of the 1960s. Baby Houseman is on vacation with her family and falls in with the resort staff who dance the night away when the vacationers all go to bed. She falls in love with dance instructor Johnny Castle, learns to dance, learns to love, and finds herself at this magical summer retreat. It's schmaltzy. It's naive. It's just what the movies needed in 1987.

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This week we're doing things a little differently. We're taking a look at two crucial queer short films and a feature from the time before the Stonewall Riots forced the gay liberation struggle to the fore.

We're looking at Fireworks, a 1947 avant garde short from one of LA's weirdest guys, Kenneth Anger.

Next up is Picnic, a 1948 silent short from Curt Harrington, director of What's The Matter With Helen.

We wrap things up with Winter Kept Us Warm, the Canadian feature from David Secter. It's an important film in the history of queer cinema as well as Canadian cinema. It was the first Canadian movie to run at Cannes and influenced many Canadian filmmakers that followed.

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Pride 2026 continues with one of this year's most unexpected episodes. At a glance, Making Love is not the sort of thing you would expect to hear on 99 Cent Rental. It's a Hollywood drama. It's a "very important movie". It's from the director of Love Story (and a bunch of other really great movies). But our friend Sean Abley dropped by for what turned into a giant-sized episode of 99 Cent Rental and we go long on one of the most honest and authentic coming-out stories at a critical moment in the 80's just as the gay rights movement was gaining momentum but right before the first reports of AIDS hits the news. It offers a remarkable alternative to contemporary portrayals of gay characters, casting off the well-worn tropes of swishy queens and terrifying leather daddies, Making Love gives you gay men who are simply ordinary men.

Making Love is about married couple Claire and Zach. Their life together is great. Except for one critical thing. Zach is gay and is finally coming to terms with it. He meets author Bart, an openly gay but aloof loner who loves them and leaves them and has his first sexual encounter with a man which sends his entire life into a spiral.

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This week we're taking a look at David Lynch's fourth feature, Blue Velvet. It is the first movie of his career that feels truly Lynchian in the way that we recognize the best of his movies. Blue Velvet comes hot on the heels of Lynch's disastrous failure, Dune, a movie experience that was terrible for everyone involved an led to a career low point for Lynch. But thankfully, Lynch found himself patronized by 80's super producer, Dino De Laurentiis, a producer who believed in Lynch's gift at a time when no one else would and were it not for Dino, we're not sure that we get the rest of the movies Lynch is so well known for. Realizing that Blue Velvet was commercially radioactive but supportive regardless, De Laurentiis transformed his entire company to also accomodate film distribution just for Blue Velvet and when the movie dropped it struck critics and viewers in such a way that they knew they were seeing something grotesque and special at the same time.

Blue Velvet sees Jeffrey Beaumont, a young resident of the sleepy small town, Lumberton, drawn into a world of violence, sex, and obsession when he finds a severed ear in a field which leads him to the city's underworld, a place occupied by dangerous people living a desperate existence. He falls in love with the femme fatale, Dorothy Vallens, runs afoul of drug dealer Frank Booth, and struggles to free her from Frank's grasp. The descent into the city's dark side reveals uncomfortable truths about Jeffrey and by extension, all of us.

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This week we take on George Romero's Martin from 1977. Is it a vampire movie? Maybe if you squint at it just right. Martin doesn't fit neatly into any genre and for that we're at a loss to properly define it. But one thing is for sure, this is our favorite non-zombie Romero movie. It's a very weird, very European movie with artsy tendencies and a good idea of where George Romer's career may have gone had he not been repeatedly dragged back to the zombie well.

In Martin, the eponymous young man drifts from house to house, a ward of a highly superstitious family who pass him around as a burden that must be contained lest his bloodlust lead him to mayhem and carnage but here's the problem: Martin doesn't seem to actually be a vampire. He walks around during the day, holy symbols and vampire wards have no effect on him. But he is no less monstrous, being an actual serial killer. The question remains, does Martin kill because he's been told for so long that he's a monster?

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This week we take a look at what is arguably Godfrey Ho's magnum opus as far as that director can have such a thing. We're watching Ninja Terminator from 1986, just one of scores of cheap, trashy martial arts movies made in the 1980s by Godfrey Ho in order to capitalize on the western appetite for all things ninja. Ho is famous for a technique of cut and paste filmmaking where he would cut out all the good parts of an Asian action movie, shoot some wraparound footage with western actors, and dub the whole thing over with a new audio track to make a new movie. Sort of. Plus ninjas.

In this one, Ho casts Richard Harrison as Master Ninja Harry who, along with some friends, absconds with three pieces of a statue sacred to the Ninja Empire. When one of them are killed and the Ninja Empire recovers one piece, the other two ninjas conspire to keep the pieces away in order reform the ninja empire. Maybe? Harry enlists his friend Jaguar Wong to seek out the missing piece and a whole lot of crazy bullshit happens in the meantime.

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