The Genius of Jane Austen
Her Love of Theatre and Why She Is a Hit in Hollywood
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The Genius of Jane Austen
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Letto da:
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Antonia Beamish
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Di:
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Paula Byrne
A proposito di questo titolo
'I relished every page … This is the best book on Jane Austen I have ever read’ Spectator
'Compelling … a delightful and engrossing book … Byrne’s passion is nothing if not persuasive’ Sunday Times
Was Jane Austen a woman of prim manners and genteel calm? Or someone who behaved outrageously, filled with sharp wit and wild comedy?
Jane Austen loved the theatre. She learned much of her art from a long tradition of English comic drama and took joyous participation in amateur theatricals. Her juvenilia, then Sense and Sensibility, Pride and Prejudice, Mansfield Park and Emma were shaped by the arts of theatrical comedy.
Her admiration for drama’s dialogue, characterisation, plotting, exits and entrances is why she has been dramatised so successfully on screen in the last twenty years – and these versions are at the centre of her continuing fame, culminating in her celebration on £10 note.
Austen expert and author of The Real Jane Austen, Paula Byrne looks at stage adaptations of Austen’s novels (including one called Miss Elizabeth Bennet by A. A. Milne) to modern classics, including the BBC Pride and Prejudice and Persuasion, Emma Thompson’s Sense and Sensibility, and the phenomenally brilliant and successful Clueless, The Genius of Jane Austen presents an Austen not of prim manners and genteel calm, but filled with wild comedy and outrageous behaviour.
Recensioni della critica
‘I relished every page … Byrne’s knowledge of everything Austen wrote has an enviable thoroughness and perception which is rare among Austen scholars and which illuminates the whole of her text. I am tempted to say this is the best book on Jane Austen I have ever read.’ Paul Johnson, The Spectator
‘A definitive and pioneering study of a wholly neglected aspect of Austen’s art’ Michael Caines, Times Literary Supplement
‘A fascinating analysis that marries meticulous historical research with critical imagination and flair’ The Historical Journal