Monsters copertina

Monsters

What Do We Do with Great Art by Bad People?

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Monsters

Di: Claire Dederer
Letto da: Claire Dederer
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A proposito di questo titolo

A passionate, provocative and blisteringly smart interrogation of how we experience art in the age of #MeToo, and whether we can separate an artist's work from their biography.

What do we do with the art of monstrous men? Can we love the work of Roman Polanski and Michael Jackson, Hemingway and Picasso? Should we love it? Does genius deserve special dispensation? Is history an excuse? What makes women artists monstrous? And what should we do with beauty, and with our unruly feelings about it?

Claire Dederer explores these questions and our relationships with the artists whose behaviour disrupts our ability to apprehend the work on its own terms. She interrogates her own responses and her own behaviour, and she pushes the fan, and the listener, to do the same. Morally wise, deeply considered and sharply written, Monsters gets to the heart of one of our most pressing conversations.

©2023 Claire Dederer (P)2023 Penguin Audio
Arte Etica e moralità Filosofia Scienze sociali Storia e critica Storia e critica della letteratura

Recensioni della critica

"Monsters is an incredible book, the best work of criticism I have read in a very long time. It's thrillingly sharp, appropriately doubtful, and more fun than you would believe, given the pressing seriousness of the subject matter. Claire Dederer's mind is a wonder, her erudition too; I now want her to apply them to everything I'm interested in so I can think about them differently." (Nick Hornby)

"An exhilarating, shape-shifting exploration of the perilous boundaries between art and life. This timely book inhabits both the marvellous and the monstrous with generosity and wit." (Jenny Offill)

"A blisteringly erudite and entertaining read. Dederer holds the moral ambiguity of her subject matter, landing her arguments with precision and flair. It's a book that deserves to be widely read and will provoke many conversations." (Nathan Filer)

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