Risultati letto da "Ron Butler" in Tutte le categorie

Twelve-year-old Hoodoo Hatcher was born into a family with a rich tradition of practicing folk magic: hoodoo, as most people call it. But even though his name is Hoodoo, he can't seem to cast a simple spell. When a mysterious man called the Stranger comes to town, Hoodoo starts dreaming of the dead rising from their graves. Even worse, he soon learns the Stranger is looking for a boy named Hoodoo. The entire town is at risk from the Stranger's black magic, and only Hoodoo can defeat him.

"A stranger could drive through Miguel Street and just say 'Slum!' because he could see no more." But to its residents, this derelict corner of Trinidad's capital is a complete world, where everybody is quite different from everybody else. In this tender, funny early novel, V. S. Naipaul renders their lives (and the legends their neighbors construct around them) with Dickensian verve and Chekhovian compassion. 

In the wake of the American Revolution, the Founding Fathers faced a daunting task: overcome their competing visions to build a new nation, the likes of which the world had never seen. Washington and Hamilton chronicles the unlikely collaboration between two conflicting characters working together to protect their hard-won freedoms. Yet while Washington and Hamilton's different personalities often led to fruitful collaboration, their conflicting ideals also tested the boundaries of their relationship - and threatened the future of the new republic.

The seminal rap group A Tribe Called Quest brought jazz into the genre, resurrecting timeless rhythms to create masterpieces. This narrative follows Tribe from their early days as part of the Afrocentric rap collective known as the Native Tongues, through their first three classic albums, to their eventual breakup and long hiatus. Throughout the narrative, poet and essayist Hanif Abdurraqib connects the music and cultural history to their street-level impact and draws from his own experience to reflect on how its distinctive sound resonated among fans like himself.

RAN AWAY. So began a score of advertisements every week in the New Orleans newspapers, advertising for slaves who’d fled their masters. But the Turk, Hüseyin Pasha, posted no such advertisement when his two lovely concubines disappeared. And when a witness proclaimed he’d seen the “devilish infidel” hurl their dead bodies out of a window, everyone was willing to believe him the murderer. Only Benjamin January, who knows the Turk of old, is willing to seek for the true culprit, endangering his own life in the process. 

New Orleans, 1836. When free Black musician and surgeon Benjamin January attends the funeral of a friend, an accident tips the dead man out of his coffin - only to reveal an unexpected inhabitant. Just one person recognizes the corpse of the White man: Hannibal Sefton, fiddle-player and one of January’s closest friends. But he seems unwilling to talk about his connection to the dead man.... 

Nineteenth-century New Orleans is a blazing hotbed of scorching politics and personal vendettas. And it’s into this fire that Benjamin January falls when he is hired to follow Oliver Weems, a bank official who has absconded with $100,000 in gold and securities. But it’s more than just a job for January. The missing money is vital to the survival of the school for freed slaves that he and his wife, Rose, have founded. 

Mexico City in the autumn of 1835 is a lawless place, teeming with bandits and beggars. But an urgent letter from a desperate friend draws Benjamin January and his new bride, Rose, from New Orleans to this newly free province. Here they pray they’ll find Hannibal Sefton alive - and not hanging from the end of a rope. 

It’s 1835, and the relentless glare of the late July sun has slowed New Orleans to a standstill. When Hesione LeGros - once a corsair’s jeweled mistress, now a raddled hag - is found slashed to death in a shanty on the fringe of New Orleans’ most lawless quarter, there are few to care. But one of them is Benjamin January, musician and teacher. He well recalls her blazing ebony beauty when she appeared, exquisitely gowned and handy with a stiletto, at a demimonde banquet years ago. 

In February 1835, the cold New Orleans streets are alight with masked Mardi Gras revelers as the American Theater’s impresario, Lorenzo Belaggio, brings a magnificent yet controversial operatic version of Othello to town. But it’s pitch-black in the alley where free man of color Benjamin January hears a slurred whisper, spies the flash of a knife, and is himself wounded as he rescues Belaggio from a vicious attack. Could competition for audiences - or for Belagio’s affections - provoke such violent skulduggery?  

When slave owner Simon Fourchet asks Benjamin January to investigate sabotage, arson, and murder on his plantation, January is reluctant to do any favors for the savage man who owned him until he was seven. But he knows too well that plantation justice means that if the true culprit is not found, every slave on Mon Triomphe will suffer. Abandoning his Parisian French for the African patois of a field hand, cutting cane until his bones ache and his musician’s hands bleed, Benjamin must use all his intelligence and cunning to find the killer - or find himself sold down the river.

It is St. John’s Eve in the summer of 1834 when Benjamin January - Creole physician and music teacher - is shattered by the news that his sister has been arrested for murder. The Guards have only a shadow of a case against her. But Olympe - mystical and rebellious - is a woman of color, whose chance for justice is slim. As Benjamin probes the allegation, he is targeted by a new threat: graveyard dust sprinkled at his door, whispering of a voodoo death curse. Now, to save Olympe’s life - and his own - Benjamin knows he must glean information wherever he can find it.

The summer of 1833 has been one of brazen heat and brutal pestilence, as the city is stalked by Bronze John - the popular name for the deadly yellow fever epidemic that tests the healing skills of doctor and voodoo alike. Even as Benjamin January tends the dying at Charity Hospital during the steaming nights, he continues his work as a music teacher during the day. When he is asked to pass a message from a runaway slave to the servant of one of his students, January finds himself swept into a tempest of lies, greed, and murder that rivals the storms battering New Orleans.

Condom dresses and space helmets have debuted on runways. A dead body becomes the trend when a coat made of human skin saunters down fashion’s biggest stage. The body is identified as Annabelle Leigh, the teenager who famously disappeared more than a decade ago from her boyfriend’s New York City mansion. This new evidence casts suspicion back on the former boyfriend, Cecil LeClaire.

Weeks ago, Andre Cobb received a much-needed liver transplant. He's ready for his life to finally begin, until one night, when he passes out and wakes up somewhere totally unexpected - in 1969, where he connects with a magnetic boy named Michael. And then, just as suddenly as he arrived, he slips back to present-day Boston, where the family of his donor is waiting to explain that his new liver came with a side effect - the ability to time travel. And they've tasked their youngest son, Blake, with teaching Andre how to use his unexpected new gift.

The coauthor of Beowulf’s Children strikes out on his own with this novel of mystic revelation and martial arts. What if the disciplines we know as the martial arts, meditation, and fasting were mere fragments of a greater, more powerful killing art? What if that hidden discipline could produce in a man the power to manipulate matter and energy at will? What if the effect on the mind were so deadly that, uncontrolled, the result would be an inhuman killer?

James Beard award - winning author Adrian Miller vividly tells the stories of the African Americans who worked in the presidential food service as chefs, personal cooks, butlers, stewards, and servers for every First Family since George and Martha Washington. Miller brings together the names and words of more than 150 black men and women who played remarkable roles in unforgettable events in the nation's history.

A full-cast, fully soundscaped production of spectral romance from the Atlanta Radio Theatre Company! What would you give for love? Your heart? Your soul? Your mind? Once there was a chateau locked in winter and a palace trapped in spring. Once it was 1922 and 1888...and only a hallway separated them. Once there was an actress and a prince...and only one of them was real. Once there was the Empress Carlotta and a young woman, staring at each other across love and madness. Once...there was the Throne of Shadows.

Triumph. Tragedy. The empyreal. The infernal. Even the mundane, filtered through the fantastical. Superheroes are, appropriately enough, a sort of super-genre, encompassing all other story types. This YA anthology features thirteen short stories that creatively turn superhero tropes on their head, while still paying homage to the genre that has found fans for more than eight decades. And there will be no mistake—superheroes don’t have to just be generic handsome white dudes. 

Ten-year-old Tybre Faw is obsessed with history and the civil rights movement, and he devours every book he can find on the subject. When he learns of Congressman John Lewis's harrowing and heroic march across the Edmund Pettus Bridge in the fight for the right to vote, Tybre is determined to meet him.