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"The Tomb" is a fictional short story by American writer H. P. Lovecraft, written in June 1917 and first published in the March 1922 issue of The Vagrant. It tells the story of Jervas Dudley, who becomes obsessed with a mausoleum near his childhood home.

The story is about a golden-haired youth who wanders into the city of Teloth, telling tales of the great city of Aira, where he was a prince. While Iranon enjoys singing and telling his tales of wonder, few people appreciate it. A city solon even orders Iranon to cease his singing & music, and become apprenticed to a cobbler - or leave the city by sunset. When a disenfranchised boy named Romnod suggests leaving Teloth to go to the famed city of Oonai (which he thinks may be Aira, now under a different name), Iranon takes him up on his offer.

While riding his bicycle in the Miskatonic Valley of rural New England, a genealogist seeks shelter from an approaching storm. He enters an apparently abandoned house, only to find it occupied by a "loathsome old, white-bearded, and ragged man", speaking in "an extreme form of Yankee dialect... thought long extinct." The narrator notices that the house is full of antique books, exotic artifacts, and furniture predating the American Revolution. At first, the old man appears harmless and ignorant towards his guest. However, he shows a disquieting fascination for an engraving in a rare old book.

In 1923, an American named Delapore, the last descendant of the De la Poer family, moves to his ancestral estate in England following the death of his only son during World War I. To the dismay of nearby residents, he restores the estate, called Exham Priory. After moving in, Delapore and his cat frequently hear the sounds of rats scurrying behind the walls. Upon investigating further, and through recurring dreams, Delapore learns that his family maintained an underground city for centuries, where they raised generations of "human cattle".

One of the masterpieces of classical literature, the "Histories" describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.

One of the masterpieces of classical literature, the "Histories" describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.

One of the masterpieces of classical literature, the "Histories" describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.

One of the masterpieces of classical literature, the "Histories" describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.

One of the masterpieces of classical literature, the "Histories" describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.

One of the masterpieces of classical literature, the "Histories" describes how a small and quarrelsome band of Greek city states united to repel the might of the Persian empire. But while this epic struggle forms the core of his work, Herodotus' natural curiosity frequently gives rise to colorful digressions - a description of the natural wonders of Egypt; an account of European lake-dwellers; and far-fetched accounts of dog-headed men and gold-digging ants. With its kaleidoscopic blend of fact and legend, the "Histories" offers a compelling Greek view of the world of the fifth century BC.

The unnamed narrator of the story goes into the middle of the Arabian Peninsula to seek out and enter a lost city. After hearing a clanging seemingly coming from deep inside the earth, the narrator inspects mysterious carvings and ruins until nightfall. The next day, the narrator discovers a cliff riddled with low-ceilinged buildings, unfit for human use. While he attends to his suddenly nervous camel, the narrator discovers a somewhat larger temple, with altars, painted murals, and a small staircase going down.

Barzai the Wise, a high priest and prophet greatly learned in the lore of the "gods of earth", or Great Ones, attempts to scale the mountain of Hatheg-Kla in order to look upon their faces, accompanied by his young disciple Atal. Upon reaching the peak, Barzai at first seems overjoyed until he finds that the "gods of the earth" are not there alone, but rather are overseen by the "other gods, the gods of the outer hells that guard the feeble gods of earth!" Atal flees, and Barzai is never seen again.

In the story, the unnamed narrator describes the final fate of his good friend, Denys Barry, an Irish-American who reclaims an ancestral estate in Kilderry, a fictional village in Ireland. Barry ignores pleas from the superstitious local peasantry not to drain the nearby bog, with unfortunate supernatural consequences.

"The Lurking Fear" is a horror short story by American writer H. P. Lovecraft. Written in November 1922, it was first published in the January through April 1923 issues of Home Brew.

Due to lack of funds, a student studying metaphysics abroad is forced to take up lodging in a cheap apartment building on a street named the "Rue d'Auseil". The street is not far from his university and is bordered by a river, dark warehouses and a large wall, giving the street an appearance of being on a cliff. The student cannot see what lies on the other side of the wall, as only a single window on the top floor of his building looks over it. Along with the building's disabled landlord, Blandot, one of the few other tenants is an old German man named Erich Zann.

"The Portrait of Mr. W. H." is a story written by Oscar Wilde, first published in Blackwood's Magazine in 1889. It was later added to the collection Lord Arthur Savile's Crime and Other Stories, though it does not appear in early editions. An enlarged edition planned by Wilde, almost twice as long as the Blackwood's version, with cover illustration by Charles Ricketts, did not proceed and only came to light after Wilde's death. This was published in limited edition by Mitchell Kennerley in New York in 1921, and in a first regular English edition by Methuen in 1958, edited by Vyvyan Holland.

"The Festival" is a short story by H. P. Lovecraft written in October 1923 and published in the January 1925 issue of Weird Tales.

"The Evil Clergyman" is an excerpt from a letter written by American horror fiction writer H. P. Lovecraft in 1933. After his death, it was published in the April 1939 issue of Weird Tales as a short story. The story was later adapted into the unreleased 1987 anthology film Pulse Pounders. The letter, to his friend Bernard Austin Dwyer, recounted a dream that Lovecraft had had. Although Lovecraft frequently based stories on his dreams, An H. P. Lovecraft Encyclopedia notes that " is difficult to say how HPL would have developed this conventional supernatural scenario.

"The Haunter of the Dark" is a horror short story by American author H. P. Lovecraft, written between 5-9 November 1935 and published in the December 1936 edition of Weird Tales. It was the last written of the author's known works, and is part of the Cthulhu Mythos. The epigraph to the story is the second stanza of Lovecraft's 1917 poem "Nemesis".

"The Nightingale and the Rose" A nightingale overhears a student complaining that the professor's daughter will not dance with him, as he is unable to give her a red rose; a lizard, a butterfly and a daisy laugh at the student for doing so. The nightingale visits all the rose-trees in the garden, and one of the roses tells her there is a way to produce a red rose, but only if the nightingale is prepared to sing the sweetest song for the rose all night with her heart pressing into a thorn, sacrificing her life.