Risultati di "G.K Chesterton" in Tutte le categorie

"The Awful Reason of the Vicar's Visit" is a Story by G. K. Chesterton. First appeared in Harper's Weekly (May 28 & June 4, 1904) "Cherub" Swinburne is asked to investigate the mysterious assault on the Vicar of Chuntsey (in Essex). It is a mystery when a distressed reverend begins his tale of a monstrous outrage committed against him.

"The Eccentric Seclusion of the Old Lady" is a Story by G. K. Chesterton. First appeared in Harper's Weekly (July 9 & 16, 1904). Rupert Grant rescues a lady from her kidnappers but cannot understand why she refuses to be rescued. The answer leads to the final unveiling of the mystery of The Club of Queer Trades.

In "The Incredulity of Father Brown," G.K. Chesterton treats us to another set of bizarre crimes that only his "stumpy" Roman Catholic prelate has the wisdom and mindset to solve. As usual, Chesterton loves playing with early twentieth-century class distinctions, "common-sense" assumptions, and the often anti-Catholic biases of his characters. He loves showing, through his characters, how those who hold themselves superior to the "fantasies" of Brown's Catholic faith themselves devolve into superstitious blithering when faced with the tiniest of mysteries.

Another collection of G.K. Chesterton's ingenious, thoughtful, and lyrically written mystery stories featuring the unassuming little priest who solves crimes by imagining himself inside the mind and soul of criminals, thus understanding their motives. The stories are full of paradox, spiritual insight, and "Chestertonian fantasy," or seeing the extraordinary in the ordinary. In the title story, a beautiful (and married) rich woman has taken up with a distinguished poet and Father Brown, rather than reacting as expected, appears to be providing assistance.

Shabby and lumbering, with a face like a Norfolk dumpling, Father Brown makes for an improbable super-sleuth. But his innocence is the secret of his success: refusing the scientific method of detection, he adopts instead an approach of simple sympathy, interpreting each crime as a work of art, and each criminal as a man no worse than himself… Here you will find the complete Father Brown stories in the chronological order of their original publication. The Innocence of Father Brown Starts at Chapter 1, The Wisdom of Father Brown Starts at Chapter 13.

Chesterton portrays Father Brown as a short, stumpy Roman Catholic priest, with shapeless clothes and a large umbrella, and an uncanny insight into human evil. "How in Tartarus," cried Flambeau, "did you ever hear of the spiked bracelet?" - "Oh, one's little flock, you know!" said Father Brown, arching his eyebrows rather blankly. "When I was a curate in Hartlepool, there were three of them with spiked bracelets." Not long after he published Orthodoxy, G. K. Chesterton moved from London to Beaconsfield, and met Father O'Connor.

London. A candidate for global capital. Centre of an empire. The swift-beating heart of culture. A sprawling metropolis of life’s rich tapestry. And a bewildering Escher cityscape of overlapping and colliding forces. People, streets, buildings interweaving and interchanging. And our eminent writers have the talent and focus to reveal the story that lies beneath the words.

Gilbert Keith Chesterton was born in Campden Hill, Kensington, on May 29th, 1874. Originally, after attending St Paul's School, he went to Slade to learn the art of illustration. In 1896 he joined a small London publisher and began his journalistic career as a freelance art and literary critic before going on to writing weekly columns in the Daily News and the Illustrated London News. Chesterton's poems range from the virtues and vices of England and the English to his worldview and religious beliefs.

The indomiitable cleric's gentle expertise in ferreting out the guilty is presented in selected stories, including: "The Absence of Mr. Glass", "The Paradise of Thieves", "The Duel of Dr. Hirsch", "The Man in the Passage", "The Mistake in the Machine", "The Head of Caesar", "The Purple Wig", "The Perishing of the Pendragons", "The Salad of Colonel Cray", "The Strange Crime of John Bounoir" and "The Fairy Tale of Father Brown".

Father Brown, an unassuming and shabbily dressed priest, possesses an incredible ability to solve crimes and murders. Here he reveals the secret of his success. He discovers the culprit by imagining himself to be inside the mind of the criminal. This fourth collection of Father Brown stories contains the magnificent "The Chief Mourner of Marne"- a fascinating story with unexpected twists - about a duel and a case of mistaken identity.

As a poetical movement, Georgian poetry is easy to classify. It began naturally enough in 1910, when George V ascended to the throne of England. Edward Marsh, a civil servant, polymath and arts patron, decided that the verse of that time needed to be seen in its own right and from 1912-1922 set out to publish anthologies. Marsh agreed a deal with the poet and bookseller Harold Munro, who had recently opened The Poetry Bookshop in London’s Devonshire Street to publish the books in return for a share of the profits.

Victoria’s reign was long and presided over the restless expansion of the British Empire and reams of creative genius. Within these volumes we can bring only a glimpse of the richness, beauty and words of their poets and their musings on this remarkable age. Many are world renowned - Tennyson, Browning, Arnold, Kipling, Austin, Hopkins, Hardy and Swinburne. Some almost forgotten - Patmore, Newbolt, Synge. And some are barely noted - Lyall, Meynell and Merdeith. But together they encompass a great poetical age.

The gentle, unassuming cleric ferrets out the guilty in such mysteries as "The Blue Cross", "The Honour of Israel Gow", "The Hammer of God", "The Queer Feet", "The Flying Stars", "The Secret Garden", "The Eye of Apollo", "The Invisible Man", "The Wrong Shape", "The Sins of Prince Saradine", "The Sign of the Broken Sword", and "The Three Tools of Death".

With his black hat, huge umbrella, unworldly simplicity and 'beaming but breathless geniality', Father Brown is one of fiction's best-loved amateur detectives. Short and tatty, but with the wisdom and insight to unravel the most wayward of criminal minds, he has entertained generations. In this collection of 13 full-cast dramatisations, the high priest of detection becomes involved in seven intriguing cases that will tax even his mental powers to the limit.

This podcast delves into the intriguing friendship and intellectual sparring between George Bernard Shaw and G.K. Chesterton. Despite their contrasting beliefs, the two maintained a mutual respect and fascination for each others ideas. The podcast explores how Shaw, a prominent figure in the emerging school of thought known as humanism, championed progress for its own sake, even if it meant redefining the nature of humanity. Chesterton, in contrast, was more inclined towards religious thought, with his views leaning more and more towards the Church. This podcast offers a fascinating insight ...

Esteemed writer G. K. Chesterton offers a compelling critique of the works of Charles Dickens, sharing his profound admiration and unique insights into Dickens literary genius in his distinct and engaging style. (Summary by Karen Merline)

Dive into the captivating world of G. K. Chesterton’s fictional detective, Father Brown, in this second of five collections of short stories. Father Brown may appear to be an ordinary Catholic Priest with his loose clothing and ever-present umbrella, but his extraordinary insight into the depths of human wickedness sets him apart. His detective methods, though rooted in careful observation, lean more towards intuition than deduction. A devout and educated clergyman, Father Brown never lets his faith compromise his rationality. His deductions always lead to a logical, earthbound solution ...

Delve into the mystery of the Peacock trees, feared by peasants as the source of a deadly fever. Squire Vane, a non-believer of this folklore, dares to challenge the superstition by spending a night amongst the trees. When dawn breaks, he is nowhere to be found. Has he fallen victim to the curse or is there a more sinister play at work? Could the poet, the lawyer, the woodsman or even the trees themselves be responsible for his disappearance? Join us as we unravel this enigma.

Eine spannende Reise in die Ursprünge des Kriminalromans: Diese Sammlung von zehn klassischen Geschichten vereint die größten Meister der klassischen Spannungsliteratur. Von Edgar Allan Poes düsteren Visionen über Sherlock Holmes' messerscharfe Logik bis zu Chestertons moralphilosophischen Detektivrätseln – hier begegnen sich Wahnsinn, Mord, Mysterien und meisterhafte Erzählkunst.

The tenth story in The Innocence of Father Brown is entitled The Eye of Apollo. At the beginning of this short story, Flambeau has just opened his detective agency in a new building located near Westminster Abbey. The other tenants in the building are a religious charlatan named Kalon, who claims to be "the New Priest of Apollo," and two sisters, who are typists. Flambeau and Father Brown instinctively distrust Kalon, who has installed a huge eye of Apollo outside his office.