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In 1952, radio program creator Lawrence Klee brought The Chase to NBC radio. Developed as a psychological drama, the premise was that many life situations place their subjects in a chase of one type or another. A chase for fame. A chase from peril. A chase to beat the clock. A chase to escape death. The added twist was the question of, who is the hunter or the hunted in these situations? The scripts were fast-paced, starring top New York talent. The plots focused primarily on fear-inducing pursuits of one form or another.

In 1952, radio program creator Lawrence Klee brought The Chase to NBC radio. Developed as a psychological drama, the premise was that many life situations place their subjects in a chase of one type or another. A chase for fame. A chase from peril. A chase to beat the clock. A chase to escape death. The added twist was the question of, who is the hunter or the hunted in these situations? The scripts were fast-paced, starring top New York talent. The plots focused primarily on fear-inducing pursuits of one form or another.

Humphrey Bogart began his screen career mostly playing gangsters due to his resemblance to John Dillinger. Bogart’s breakthrough from supporting roles to A-list stardom came with his performances in High Sierra and The Maltese Falcon. In between film work, he enjoyed appearing on radio, often with his wife, Lauren Bacall. Here are 14 examples of his radio work spanning 1943 until 1952.

Like its predecessor Dragnet, Tales of the Texas Rangers adapted actual police case files for its broadcasts. Leading each week’s investigation of an actual Texas Ranger case was the same Texas Ranger, Jayce Pearson, portrayed by movie star Joel McCrea. Because the stories were set in the present day, Pearson used the latest scientific techniques to identify criminals. Unlike Joe Friday, Pearson didn’t have a regular partner, typically working with the local sheriff instead (who was usually portrayed by Parley Baer).

Created by Blake Edwards (of Pink Panther fame), Richard Diamond, Private Detective came to NBC radio in 1949 starring film actor and crooner Dick Powell. Powell had recently played Philip Marlowe in the popular RKO film Murder, My Sweet and jumped at the chance to play a suave detective on radio. Richard Diamond was a light-hearted New York-based private eye who enjoyed ribbing the cops and singing songs to his millionairess girlfriend, Helen Asher (played by Virginia Gregg). It’s theme, “Leave it to Love,” was whistled by Powell at the top of each episode.

On March 19, 1928, Freeman Gosden and Charles Correll introduced Amos ‘n’ Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday-through-Friday adventures of Amos ‘n’ Andy. Department stores piped in the broadcasts so shoppers wouldn’t miss an episode, and movie theaters scheduled their features to end just prior to the start of Amos ‘n’ Andy so they too could pipe it in.

The Screen Director’s Playhouse came to NBC in 1949 and became one of the top drama anthologies featuring Hollywood actors reprising their screen roles a la Lux Radio Theater. The primary focus of the program was the original movie’s director, who not only served as a guest host but also participated in an interview towards the end of the broadcast. Unlike Lux, which featured Cecil B. DeMille as a regular host, The Screen Director’s Playhouse had a different director every week. Alfred Hitchcock, Frank Capra, and Lewis Milestone were among those appearing.

Suspense was a radio series of epic proportion. It aired on CBS from 1942 to 1962 and is considered by many to be the best mystery/drama series of the golden age. Known as Radio’s Outstanding Theater of Thrills it focused on suspenseful stories starring the biggest names in Hollywood. Early in the run, the episodes were hosted by the “Man in Black” who, from an omniscient perch, narrated stories of people thrown into dangerous or bizarre situations with plots that, at the very end, usually had an unseen twist or two.

The Cisco Kid was a popular film, radio, television, and comic book series based on the fictional Western character created by O. Henry in his short story “The Caballero’s Way,” published in 1907 in the collection Heart of the West. The Cisco Kid came to radio October 2, 1942, with Jackson Beck in the title role and Louis Sorin as Pancho. With Vicki Vola and Bryna Raeburn in supporting roles and Michael Rye announcing, this series continued on Mutual until 1945.

From the pens of the world’s best-known and respected supernatural fiction authors comes The Weird Circle - tales of mystery, suspense, horror, and the macabre! Now, enjoy sixteen of the greatest mysteries of all time! The Weird Circle was an anthology of classic thrillers from the pens of the world’s best-known and respected fiction authors of the 19th century. The focus was horror and suspense stories by Edgar Allan Poe, Robert Louis Stevenson, and Mary Shelley (among others), with the occasional drama by Emily Bronte, Charles Dickens, and George Eliot.

Tired of the everyday grind? Ever dream of a life of romantic adventure? Want to get away from it all? We offer you...Escape! Escape, designed to free you from the four walls of today for a half-hour of high adventure! Escape was radio’s leading anthology series of mystery and high-adventure, airing on CBS from July 7, 1947 until September 25, 1954. Many story premises, both originals and adaptations, involved a protagonist in dire life-or-death straits.

Father Knows Best was a situation comedy built around the Anderson family and life on Maple Street in the fictitious Midwestern town of Springfield. Robert Young starred as Jim Anderson, head of the household, husband of Margaret, and an insurance man by occupation. The couple had three children. The weekly radio script, although played for laughs, offered words of wisdom and “recipes for domestic happiness” that American families could identify with. Jim’s understanding wife Margaret was the picture of domesticity as mother to Betty (aged 18), Bud (16), and Kathy (10).

The Whistler was one of radio's top mystery programs, airing from May 16, 1942, until September 22, 1955. Airing on CBS radio and sponsored by the Signal Oil Company, the Whistler (played by Joseph Kearns, Gale Gordon, and Bill Forman) was an ominous narrator who knew the killer's every move even before they did. The Whistler often commented directly upon the action in the manner of a Greek chorus, taunting the criminal from an omniscient perspective. One of the show's trademarks was the ironic twist endings that helped serve as a payoff for the listener.

Convinced they could build on the success of the already released motion-picture series, MGM Studios hired Lew Ayres and Lionel Barrymore to reprise their screen roles as Dr. James Kildare and Dr. Leonard Gillespie in a syndicated radio series. Kildare was the compassionate, caring physician at Blair General Hospital, New York City; Gillespie a crusty, lovable diagnostician. Kildare reminded listeners each week in the opening signature.

Created by author Jack Boyle, Boston Blackie was a reformed jewel thief and safecracker, constantly suspected of crimes he did not commit and forced to play the role of detective to clear his name. His girlfriend, Mary Wesley, assisted Blackie from time to time, as did his pal Shorty. Forced to defend himself against the accusations of New York Police Inspector Faraday, Blackie always managed to stay one step ahead of the cops in solving a crime.

Radio westerns were aimed at kids until 1952 when Gunsmoke hit the radio airwaves. Produced for adult listeners, the stories were grim, the deaths brutal, and life on the plains was harsh. Radio audiences had never heard anything like Gunsmoke, and they made it the number one Western on radio. It soon made a successful transition to television, becoming the longest-running dramatic series in TV history.

The Lux Radio Theatre was one of the most prestigious and longest-running shows from radio's Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood's best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts. The productions were broadcast live, with a full orchestra, in front of a large studio audience.

The golden age of radio had incredible Western shows that kept Americans glued to their sets. Families gathered around their living room radios to hear Western heroes catch the bad guys and save ladies in distress. This collection includes Gregory Peck in an hour-long episode of The Gunfighter on the Screen Director's Playhouse; James Stewart as Brit Ponset, a.k.a. "the Six-Shooter"; William Holden in The Virginian on General Electric Theater; William Boyd as Hopalong Cassidy; William Conrad as US Marshal Matt Dillon on Gunsmoke; and many more!

This collection contains 16 of the greatest shows ever broadcast during the golden age of radio - including episodes of The Jack Benny Program, The Abbott & Costello Show, Burns & Allen, Gunsmoke, The Amos 'n' Andy Show, Philip Marlowe, Gang Busters, Suspense, X Minus One, Our Miss Brooks, Sherlock Holmes, and many others. Relive the best radio shows from yesterday and the legendary stars that made them amazing in this incredible collection.

The golden age of radio had incredible detective shows that kept Americans glued to their sets. Families gathered around their living room radios to hear their favorite Hollywood stars voicing fiction's most famous gumshoes. This collection includes Dick Powell as suave detective Richard Diamond, Vincent Price as the Saint, Jack Webb as Sergeant Joe Friday on Dragnet, Richard Kollmar as "enemy to those who make him an enemy, friend to those who have no friend" on Boston Blackie, and much more!