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In this inspirational biography of a living legend, acclaimed sports writer and bestselling author Dan Wetzel chronicles Tom Brady's rise from a backup quarterback at the University of Michigan to an MVP on the biggest stage in sports—the Super Bowl.

When a mysterious figure called the Hood, a thief in disguise, starts stealing from prominent socialites, Royal Police officer Rhosyn itches to catch him. His uncanny ability to slip through her fingers presents an irresistible challenge, and she can’t help but obsess over who hides beneath the mask. Unfortunately, her hands are already full with the meteoric rise of a new gang called the Foxes, as well as an unexpected flirtation with an infuriatingly handsome circus owner, Mr. Ansel Blakely.

One night in college changed the course of Avery’s entire life. Her rapist took everything from her—including the trust of her friends and long-term boyfriend, who were convinced she cheated. A year later, she still can’t bear to tell the truth about what happened and risk her friendship with Morgan, the only friend she has left.

Getting High is an illuminating, funny, sometimes shocking reminder of how big a band can get, and how quickly the insanity sets in. Oasis have today sold in excess of 70 million records worldwide. Hewitt's intimate account of this explosive and beloved band, in their prime, is a rock classic and a riveting narrative.

This powerful sequel to Saints of Storm and Sorrow brims with unruly magic and pirates, moon-eating dragons and sizzling Sapphic romance. Enthralling Filipino-inspired fantasy for fans of The Hurricane Wars, R.F. Kuang and Tasha Suri. Five years after the fall of the Palisade in Aynila, the Codicíans are closing in with a vast armada. Lunurin and Alon have been working desperately to solidify their alliances across the archipelago, but petty rivalries, suspicion, and conflicted loyalties threaten to undermine their efforts.

It’s October 1977, and the Rolling Stones are in a Paris recording studio. They’re under siege. Keith Richards’s legal troubles after his arrest for heroin possession threaten the band’s future, and the broad consensus among rock aficionados is that the band will never again reach the heights of Exile on Main Street.

Danielle Sherman-Lazar has had this thought many times as she’s raised her four young daughters under 10, from her struggles with breastfeeding to two of her daughters’ stays at the NICU. Through personal and honest stories on motherhood and her struggles with eating disorders, Mothers Are Made shows how moms aren’t instantly born along with their babies—mothers are made through time and experience. It's when mothers go through the fire, Danielle argues, that we are forged into resilient, brave, and courageous parents.

From a Los Angeles hospital bed, equipped with little more than a laptop and a stack of records, James “J Dilla” Yancey crafted a set of tracks that would forever change the way beatmakers viewed their artform. The songs on Donuts are not hip hop music as “hip hop music” is typically defined; they careen and crash into each other, in one moment noisy and abrasive, gorgeous and heartbreaking the next.

The power and influence of Grace increases with each passing year. Here, Daphne Brooks traces Jeff Buckley's fascinating musical development through the earliest stages of his career, up to the release of the album. With access to rare archival material, Brooks illustrates Buckley's passion for life and hunger for musical knowledge, and shows just why he was such a crucial figure in the American music scene of the 1990s.

R.E.M.'s debut album, released in 1983, was so far removed from the prevailing trends of American popular music that it still sounds miraculous and out of time today. J. Niimi tells the story of the album's genesis—with fascinating input from Don Dixon and Mitch Easter. He also investigates Michael Stipe's hypnotic, mysterious lyrics, and makes the case for Murmur as a work of Southern Gothic art.

Voodoo, D'Angelo's much-anticipated 2000 release, set the standard for the musical cycle ordained as "neo-soul," a label the singer and songwriter would reject more than a decade later. The album is a product of heightened emotions and fused sensibilities; an amalgam of soul, rock, jazz, gospel, hip-hop, and Afrobeats. D'Angelo put to music his own pleasures and insecurities as a man-child in the promised land. It was both a tribute to his musical heroes: Prince, Sly Stone, Marvin Gaye, J Dilla...and a deconstruction of rhythm and blues itself.

This title offers a superb investigation of what is arguably Johnny Cash's greatest album, focusing on his enduring mythology. When Johnny Cash signed to Rick Rubin's record label in 1993, he was a country music legend who, like his fellow Highwaymen Willie, Waylon and Kris, remained a fondly regarded yet completely marginalized Nashville figure, unheard on the radio and unseen on the charts. Cash's odyssey from oldies act to folk hero pivots on his first American Recordings album, a document of almost unbearable solitude and directness.

1890. American heiress, Cora Beaumont is celebrating her engagement to Terrance Tristan, the second son of a duke. Their union will solidify Cora's place in British society and put her in a rare position of power, but as they embark on the Lady Air’s maiden voyage to England, Cora soon finds that not everyone in society is accepting of her recent engagement, and tensions fly as high as the airship. When a body is discovered the first night on the ship, with a calling card for Cora on the victim, she’s determined to find the killer hidden among the passengers before they come for her next.

Lana Burrell grew up on an idyllic Napa Valley vineyard with her best friend Jess—until Jess mysteriously disappeared and Lana’s father was falsely accused of her murder. Over twenty years later, he’s still serving a life sentence, but Lana knows he’s innocent, just like she knows Jess’s real killer is still out there. Now, as a seasoned FBI agent in the San Francisco field office, Lana figures she can handle just about anything—until a killer strikes the Valley again and those old wounds come bursting open.

Derided as one-hit wonders, estranged from their original producer and record label, and in self-imposed exile in Los Angeles, the Beastie Boys were written off by most observers before even beginning to record their second album—an embarrassing commercial flop that should have ruined the group's career. But not only did "Paul's Boutique" eventually transformed the Beasties from a fratboy novelty to hiphop giants, its sample-happy, retro aesthetic changed popular culture forever.

La Petite Roque (1885) de Guy de Maupassant est une nouvelle captivante où se mêlent tragédie et analyse psychologique. L’histoire débute avec la découverte du corps de Louise Roque, une jeune fille assassinée dans un paisible village normand. Ce crime bouleverse la communauté et déclenche une enquête qui fait émerger les secrets et les tensions cachés. Le récit suit notamment Monsieur Renardet, le maire du village, un homme influent, mais rongé par une culpabilité oppressante liée à ce drame.

Bitches Brew is still one of the most astonishing albums ever made in either jazz or rock. Seeming to fuse the two, it actually does something entirely more revolutionary and open-ended: blending the most avant-garde aspects of Western music with deep grooves, the album rejects both jazz and rock for an entirely different idea of how music can be made.

In this wickedly entertaining and thoroughly informed homage to one of rock music's towering pinnacles, Erik Davis investigates the magic—black or otherwise—that surrounds this album. Carefully peeling the layers from each song, Davis reveals their dark and often mystical roots—and leaves the listener to decide whether [FOUR SYMBOLS] is some form of occult induction or just an inspired, brilliantly played rock album.

In the '80s, the Birmingham, England, band Duran Duran became closely associated with new wave, an idiosyncratic genre that dominated the decade's music and culture. No album represented this rip-it-up-and-start-again movement better than the act's breakthrough 1982 LP, Rio. A cohesive album with a retro-futuristic sound—influences include danceable disco, tangy funk, swaggering glam, and Roxy Music's art-rock—the full-length sold millions and spawned smashes such as "Hungry Like the Wolf" and the title track.

Non-fans regard Céline Dion as ersatz and plastic, yet to those who love her, no one could be more real, with her impoverished childhood, her (creepy) manager-husband's struggle with cancer, her knack for howling out raw emotion. There's nothing cool about Céline Dion, and nothing clever. That's part of her appeal as an object of love or hatred — with most critics and committed music fans taking pleasure (or at least geeky solace) in their lofty contempt.