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Charles John Huffam Dickens was an English writer and social critic. He is regarded by many as the greatest novelist of the Victorian era. His works enjoyed unprecedented popularity during his lifetime and, by the 20th century, critics and scholars had recognized him as a literary genius. His novels and short stories are widely read, performed, and adapted today.

This audiobook, read by three Audie award-winning narrators, includes unabridged recordings of Fyodor Dostoyevsky and Leo Tolstoy's greatest novels. Translations by Constance Garnett and Aylmer & Louise Maude. This audiobook is fully indexed. Once downloaded, each book and chapter will be listed so you can easily navigate to the individual section.

This audiobook, read by Audie award-winning narrators, includes unabridged recordings of E.M. Forster's 5 great novels, his greatest work of literary criticism, and 2 short story collections.

It was a strong face, certainly—the eyes pale grey and very cold, the mouth was hard, the dark hair-grey-streaked now—still fell in the authentic comma over the forehead. This is how John Pearson reacted to his first encounter with the real James Bond, an encounter probably unique in the annals of thriller writing. He went on to write the bestselling authorized biography of Ian Fleming. At the time, like most of the world he assumed that James Bond was nothing more than a character in Fleming's highly charged imagination.

Raskolnikov, a destitute and desperate former student, wanders through the slums of St Petersburg and commits a random murder without remorse or regret. He imagines himself to be a great man, a Napoleon: acting for a higher purpose beyond conventional moral law. But as he embarks on a dangerous game of cat and mouse with a suspicious police investigator, Raskolnikov is pursued by the growing voice of his conscience and finds the noose of his own guilt tightening around his neck. Only Sonya, a downtrodden sex worker, can offer the chance of redemption.

Jonathan Oldbuck, the antiquary of the title, has a passion for the past–and delights in trying to convey it. He meets the mysteriously taciturn young Lovel and the two strike up a friendship, bonding over Roman ruins. When Lovel falls for Isabella, daughter of a local landowner, it looks like an impossible situation. Sharp, funny, gothic, romantic, and full of action, this is a thoroughly entertaining window on Scottish life in the summer of 1794: it was Scott’s intention to show the spirit of the times, and how the past affects the present–and it was his own favourite of all his novels.