Risultati letto da "Sarah Durham" in Tutte le categorie

"If you loved Behind Her Eyes, prepare to be totally and utterly blown away by Insomnia. Sarah Pinborough is a twisted genius." — Lisa Jewell IN THE DEAD OF NIGHT, MADNESS LIES . . . Emma can’t sleep. CHECK THE WINDOWS. It’s been like this since her big 4-0 started getting closer. LOCK THE...

Two weeks before her wedding, a stranger stops Amy in the street and warns her she’s in danger. Then that night, Matt, her fiancé, doesn’t come home. Desperate, Amy calls the police - but when Matt fails to emerge, she’s forced to call off her wedding day. Then another man is reported missing, by a woman called Fiona - a man meeting Matt’s description, who was about to leave his fiancée for her. He was supposed to be moving in with her - but instead, he’s vanished. 

Ponden Hall is a centuries-old house on the Yorkshire moors, a magical place full of stories. It's also where Trudy Heaton grew up. And where she ran away from. Now, after the devastating loss of her husband, she is returning home with her young son, Will, who refuses to believe his father is dead. While Trudy tries to do her best for her son, she must also attempt to build bridges with her eccentric mother. And then there is the Hall itself: fallen into disrepair but generations of lives and loves still echo in its shadows, sometimes even reaching out to the present....

When the body of a retired police superintendent is found murdered at Hull Fair, Detective Hollie Turner is thrust into a case that will force her to confront her own painful history. Twenty-five years ago, Hollie's university friend Moira vanished without a trace at the very same fairground. Now, as she investigates the superintendent's death, long-buried secrets from that fateful night begin to surface.

Seventeen-year-old student Kyle Wilson is lying in the fetal position of a derelict school outbuilding. As Detective Hollie Turner studies the boy’s lifeless body, pushing back the tears pooling in her eyes, one question plays over in her mind. Who would want this teenage kid dead? Interviewing the tight-lipped students and staff, Hollie learns that Kyle was a loner with a penchant for secretly filming his peers and had been receiving threatening notes in his locker. The deeper Hollie digs, the more she realizes almost everyone at the academy has something to hide.

Under pressure to solve the murder of Sister Sophia Brennan, Detective Hollie Turner is close to cracking the case and catching the killer when her Deputy Chief Constable, Rose Warburton, goes missing. It soon becomes clear that Rose has been abducted, and Hollie makes a shocking discovery. Rose's disappearance is connected to Sister Brennan's murder investigation. As Hollie and her team delve further into the lives of the four girls who had their babies forcibly taken at the sinister Church of St Mary and the Angels mother and baby home, Hollie unearths a revelation about a fifth girl.

Detective Hollie Turner is chasing down a suspect connected to the recent murder of Sister Sophia Brennan when she receives a call that someone has confessed to the shocking crime. Hollie should be relieved that this is the end of a grueling investigation, but her instincts tell her something isn’t right. As Hollie and her team uncover the truth behind the confession, they discover a web of dark secrets and unspeakable crimes haunting the now-abandoned Church of St Mary and the Angels mother and baby home.

When the broken body of a seventy-one-year-old woman is found beneath the Humber Bridge, a sign around her neck with the words ‘Pure Evil’ spray-painted in red, Detective Hollie Turner can’t help but wonder–who would want this frail elderly woman dead? As she starts to delve into the victim’s personal life, Hollie discovers that the woman, Sister Brennan, ran a local mother and baby home at the Church of St Mary and the Angels. The unit may have shut down years ago, but the pain and anguish of those who were forced to give up their babies remains.

For Iris, each visit to her mother in St Mabon’s Cove, Cornwall has been the same—a serene escape from the city. But today, as she breaths in the salt air on the doorstep of her beloved childhood home, a heavy weight of anticipation settles over her. Iris knows she’s adopted, but any questions about where she came from have always been shut down by her parents, who can’t bear to revisit the past. Now, Iris can’t stop thinking about what she’s read on the official paperwork: BABY GIRL, FRANCE, 1939 – the year war was declared with Nazi Germany.

At twenty-seven, I’m too young to be a widow. I’m trying my best to start over though: new city, new job running my own little shop. I try to fade into the background where I can, but the police won’t let me disappear completely. There are too many unanswered questions about the night my husband died.

Stratford-upon-Avon, 1940. Rosalind Arden, born into one of the oldest families in England, has grown up running wild through the walled gardens and secret passages of historic Arden House, known to have once been frequented by Shakespeare himself. But centuries of squandered wealth have left the family destitute, and Papa Arden plans to replenish the coffers by securing hasty marriages to the highest bidder for Rosalind and her sisters. Passionate and headstrong, Rosalind is quickly running out of ways to avoid this fate.

Fifty-two-year-old Michelle Banks is struggling to keep all the plates spinning. She’s a perimenopausal district nurse, caring for elderly parents. Her husband is wasting their money on children’s TV memorabilia, her teenage daughter is riddled with anxiety and her 16-year-old son is behaving secretively. Alexa is the only one who knows how much Michelle is juggling. Listening in via four smart speakers, she also knows that it’s about to get even worse. So, when Michelle pleads for help, Alexa decides to go rogue.