Risultati di "Radio Shows of the Past!" in Tutte le categorie

A radio dramatization of the original Star Wars film trilogy was produced in 1981, 1983, and 1996. The first two radio series, based on Star Wars and The Empire Strikes Back, were produced and broadcast by National Public Radio (NPR) as part of NPR Playhouse. A dramatization of Return of the Jedi was produced by most of the same team and it was also broadcast on NPR.The radio serials were made with the full cooperation of George Lucas, who, in exchange for a dollar each, sold the rights to KUSC-FM, the public radio affiliate at his alma mater, the University of Southern ...

As the name implies, Hollywood Star Playhouse featured movie stars, as did a number of other old-time radio programs. A news brief announcing the premiere broadcast noted that the program would feature "a different top screen personality each week in original stories of mystery and adventure by leading Hollywood writers." Those stories were what distinguished this program from others, according to radio historian John Dunning. He wrote that the stories were "tense, original suspense plays well suited for the half-hour." Writers usually created scripts for specific stars. One story, The ...

Fire Fighters was a syndicated series produced by Cincinnati’s William F. Holland Productions, Inc. in 1948. It was aired in various markets from coast-to-coast, including Portland, OR, Omaha, NE, and Washington, D.C., into the early 1950s. It followed the adventures of rookie firefighter Tim Collins and fire chief Bob Cody. Written by Frank Jones, Fire Fighters starred Cameron Prud’Homme and Lyle Sudrow.

This is a 13 episode radio show that aired in 1952. it telss the tales of important events in the history of growing and expanding the American continent.

For most of the program's time on the air, Dennis Day played a soda jerk who sang as he worked. His character was naive, innocent, and prone to making wisecracks, much like the character Day played on The Jack Benny Program. Radio historian John Dunning wrote, "His [the character's] name was Dennis Day, but not, he emphasized, the same Dennis Day as that bright young man on the air with Jack Benny." Plots often derived from problems with his girlfriend and her parents. Before the show ended, it changed to a variety format. Being the star of his own program was a departure from Day's ...

Pepper Young's Family was a popular daytime drama radio series that ran from 1932 to 1959. The show followed the lives of a young man and his family from high school to adulthood. It was created and written by Elaine Sterne Carrington, a short story author and playwright, and was sponsored by Beech-Nut Gum and Camay. The show went through several format and title changes over its long run.

Love Story Magazine was an American romantic fiction pulp magazine, published from 1921 to 1947. It was one of the best selling magazines of Street & Smith.The magazine's circulation was 100,000 in 1922, and 600,000 by 1932. The magazine's first issue was released in May 1921 as a quarterly. It became a semi-monthly by August, and a weekly in 1922. When Smith's Magazine folded in early 1922, its female audience was merged into the new publication.Daisy Bacon served as longtime editor of the magazine, from about 1928 through its end. Writers who contributed to the magazine included Peggy...

In the early 1930s, Wynn hosted the popular radio show The Fire Chief, heard in North America on Tuesday nights, sponsored by Texaco gasoline. Like many former vaudeville performers who turned to radio in the same decade, the stage-trained Wynn insisted on playing for a live studio audience, doing each program as an actual stage show, using visual bits to augment his written material, and in his case, wearing a colorful costume with a red fireman's helmet.He usually bounced his gags off announcer/straight man Graham McNamee; Wynn's customary opening, "Tonight, Graham, the show's gonna be ...

Murder at Midnight is an old-time radio show featuring macabre tales of suspense, often with a supernatural twist. It was produced in New York and was syndicated beginning in 1946. The show's writers included Robert Newman, Joseph Ruscoll, Max Ehrlich, and William Norwood,[citation needed] and it was directed by Anton M. Leader. The producer was Louis G. Cowan. The host was Raymond Morgan, who delivered the lines of introduction over Charles Paul's organ theme: "Midnight, the witching hour when the night is darkest, our fears the strongest, and our strength at its lowest ebb. Midnight,...

Night Editor is a 15-minute anthology television series aired on the DuMont Television Network from March 14 to September 8, 1954. Hal Burdick wrote and narrated the episodes and sometimes acted out the stories. Ward Byron was the producer, and Dick Sandwick was the director. In December 1952, the series was syndicated by Harry Goodman Productions Incorporated, with 26 15-minute episodes available. Mickey Baron directed, and Burdick again wrote the scripts. Kaiser-Frazer sponsored the show in five markets.The Complete Directory to Prime Time Network and Cable TV Shows described Night ...

The first audio play series about Mark Trail aired on January 30, 1950 and lasted until June 8, 1951. It was broadcast on Mutual Broadcasting System. Each episode was 30 minutes long and aired three times a week, at 5 p.m. on Monday, Wednesday and Friday.[1] The series was sponsored by Kellogg's Pep cereal. A review of the first episode in the trade publication Variety said that the show's hero "combines the character of J. Edgar Hoover and Robin Hood." It commended Matt Crowley's performance in the title role.

Elliott and Goulding began as radio announcers (Elliott a disc jockey and Goulding a newscaster) in Boston with their own separate programs on station WHDH, and each would visit with the other while on the air. Their informal banter was so appealing that WHDH would call on them, as a team, to fill in when Red Sox baseball broadcasts were rained out.Elliott and Goulding (not yet known as Bob and Ray) would improvise comedy routines all afternoon, and joke around with studio musicians.Elliott and Goulding's brand of humor caught on, and WHDH gave them their own weekday show in 1946. ...

In 1937, he moved to NBC as their "Sunshine Melody Man", offering hymns and uplifting messages. McConnell’s blend of "songs, humor and philosophy" aired over network affiliates at 5:30pm. Guests included the Doring Trio, The Four Grenadiers, The Campus Choir and the Rhythmaires.In 1936, McConnell was featured in Acme Sunshine Melodies on WMAQ in Chicago. The Sunday afternoon program was sponsored by Acme White Lead and Color Works.[3]McConnell became known in New York City when he was heard over WJZ, though the show was broadcast from Chicago and he lived in Elk Rapids, ...

33 Half Moon came out of South Africaand was a radio sensation in its day. "Assignments Unlimited" was thename of the PI firm in this airwaves success. The Chief Investigator,Aubrey Mason, guaranteed successful completion of all cases...which was atall order since most their cases were the uncommon. The voice of Masonwas Michael Todd, an extremely popular actor in South Africa. Duringits run in 1965-66, the show was written by Adrian Steed and thenDouglas Laws. The private investigation office was at 33 Half Moon Street.

One of the best classic comedy shows of all time, Down our Way radio show is bound to leave you wanting more. Tune into this show and others by following our page!

The Airmail Mystery is a 1932 Universal pre-Code movie serial directed by Ray Taylor, written by Ella O'Neill, starring James Flavin and Wheeler Oakman, and featuring Al Wilson doing the aerial stunts. The Airmail Mystery was Universal's first aviation serial that set the pattern for the aviation serials and feature films to follow. The film also marks the film debut of James Flavin. The Airmail Mystery is considered a lost film.Airmail pilot Bob Lee (James Flavin), owner of a gold mine, faces off against "The Black Hawk" (Wheeler Oakman) who has kidnapped Jimmy Ross (Al Wilson), ...

In 1933 Ralston-Purina obtained his permission to produce a Tom Mix radio series called Tom Mix Ralston Straight Shooters which, but for one year during World War II, was popular throughout most of the 1930s through the early 1950s. Mix never appeared on these broadcasts and was instead played by radio actors: Artells Dickson (early 1930s), Jack Holden (from 1937), Russell Thorsen (early 1940s) and Joe "Curley" Bradley (from 1944). Others in the supporting cast included George Gobel, Harold Peary and Willard Waterman.The Ralston company offered ads during the Tom Mix radio program for ...

Betty and Bob is a 1932-1940 radio soap opera. The soap opera follows the lives of Betty and Bob Drake. Betty was a secretary who falls madly in love with her boss, bachelor Bob Drake. The two wed and each day, the subject matter dealt with everything from love to hate, jealousy to divorce, murder to betrayal, and collusion to insanity. The program was the first radio program produced by future daytime radio monarchs Frank and Anne Hummert.[2] The program also began a long partnership between the Hummerts and scriptwriter Robert Hardy Andrews.The program originally starred Elizabeth ...

Edwin Montague is a stubborn man. As the Magnificent Montague of the Shakespearean Theatre, he held out for years against going on the radio. Now that hunger has driven him to becoming Uncle Goodheart, hero of an afternoon radio program, he refuses to get off the air, even for a weekend vacation. His poor wife, Lily, is doomed for another weekend in the city. But Agnes, their maid, is happily packing for an outing.

Strange Wills was a radio program syndicated in 1946. It was produced in Hollywood by Charles Michelson and Teleways Syndication. Stage and film star Warren William, who starred in the show, was also part of the creative team. The stories were said to be based on actual wills, with the names of those involved changed.