Risultati letto da "Ragland Ragland" in Tutte le categorie

Murder comes in two familiar forms. Whether as a crime of passion with high emotions or a cold dispassionate plot to take life in order to gain in some way, the act strikes us all as somehow inhuman. Beneath us as civilised beings. But however we cloak our animal instincts the need to remove a human being and gain relief from abuse or gain from money, the term is just the same – MURDER. Robert Louis Stevenson, Arthur Conan Doyle, J M Barrie, W W Jacobs and many others bring their literary heft to bear in as calculating a way as any killer could.

Art and life. Each the mirror of the other. This then is the classic definition of what ‘Realism’ as a writing form really is. Some might call it a fancy term for the mundane day to day pursuits but in the hands of an author it comes alive. We are drawn into characters and landscapes that we can empathize with, we can, metaphorically speaking, help shoulder their burden, be on the long trail with them whatever the landscapes, the hurdles, incidents and other people may place in their literary way.

Our ‘fight of flight’ response is something hardwired into the primitive part of our brain. Our need to survive, to outlive whatever danger poses, that immediate threat to our lives is little short of a marvel. Everything else is abandoned in order to survive. Whilst in modern times that ability has been somewhat modified and ‘reasoned’ away to an extent, in past years it’s what usually kept you alive. In this volume people struggle valiantly to survive and to exist no matter the extent of the threat they face.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, Literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

Benét was born on 22nd July in Bethlehem, Pennsylvania. Prodigiously his first book was published at 17 and for he obtained his M.A. in English when he submitted a poetry volume as his thesis. Whilst travelling in France, in the early '20s, he met and quickly married a fellow writer and poet, Rosemary Carr. She would also collaborate with him on several works. In Paris he wrote the book-length narrative poem of the American Civil War ‘John Brown's Body’, for which he received the Pulitzer Prize for Poetry.

Short stories have always been a sort of instant access into an author’s brain, their soul and heart. In this series we try to offer up tried and trusted ‘Top Tens’ across many different themes and authors. But any anthology will immediately throw up the questions – Why that story? Why that author? Ambrose Bierce is an author whose words take us one way and then send us another. These miniature masterpieces all have a central truth and plausibility that seems to vanish in an ending that can be anything from wry, to shocking to hallucinatory.

Henry James was born 15th April 1843, in New York City. A prolific author he was able to easily move across genres to create vivid and totally real worlds and situations and to offer sophisticated observations of human relations as well as realistic social criticism. The Great Good Place is a formidable short story with a sharp view of a writer who really needs to find peace but unexpectedly finds himself in paradise. Or does he?

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

The American literary tradition has, in a far shorter span of time than others throughout history, achieved a glowing and glittering reputation. From its transatlantic roots it has absorbed the sons and daughters of other cultures, other lands and made them part of her own. Within this melting pot of styles, genres and wordplay one fact stands out: In the American short story, literary tradition has a strong, vibrant and almost inclusive history, if you know where to look.

In this collection of short stories some of our most popular and well-known authors are grouped together with an unfortunate tag: dead at 40. These authors are not run-of-the-mill or ten a penny; many are literary leviathans who left enduring works of literature and sadly may have left us many more had they lived. We will never know.

Nathaniel Hawthorne was born on 4th July 1804 in Salem, Massachusetts, a town synonymous with the earlier Salem Witch Trials. It was instrumental in Hawthorne’s later use of American Gothic and dark romanticism in his writing. The Birthmark is a classic tale from Hawthorne’s pen. Georgina has a small red birthmark on her cheek. Her husband, a brilliant scientist and philosopher, becomes obsessed with what he thinks is this blemish on her beauty.

Robert William Chambers was born on 26th May 1865 in Brooklyn. His best-known work is ‘The King in Yellow’ (1895), a highly vivid collection of Art Nouveau short stories. These stories are woven together by the theme of a fictitious drama of the same title, which drives those who read it insane. ‘The Repairer of Reputations’ from ‘The King in Yellow’ is a mind-bending and disruptive story that adds just enough reality that the unreal elements seem totally at home in the descent to chaos.

Nathaniel Hawthorne was born on 4th July 1804 in Salem, Massachusetts, a town synonymous with the earlier Salem Witch Trials. It was instrumental in Hawthorne’s later use of American Gothic and dark romanticism in his writing. ‘Rapaccinni’s Daughter’ is a classic piece of literature from his pen. Set in Italy, it is an unsettling story of romance destroyed by science.

Pearl Zane Grey was born on 31st January 1872, in Zanesville, Ohio. From an early age, he was intrigued by history, fishing, baseball, and writing. Grey was an avid reader of adventure stories, consuming dime store novels by the dozen. His first magazine article, about one of his fishing expeditions, was published in 1902. It was not until 1910 that he wrote his first Western, ‘The Heritage of the Desert’. It was a breakthrough title and quickly became a bestseller.

Sherwood Anderson was born on 13th September 1876 in Camden, Ohio. In 1916 his first book, ‘Windy McPherson’s Son’, was released and in 1919, his most famous book, ‘Winesburg, Ohio’, a collection of short stories about life in an Ohio town was released. Anderson continued to write short stories, novels and non-fiction but his only true bestseller came with ‘Dark Laughter’. His influence on writers that followed, from Faulkner to Hemingway, was immense.

Edgar Poe was born in Boston, Massachusetts, on 19th January 1809. Poe is also one of a number of authors credited with inventing the detective genre with his Parisian sleuth C. Auguste Dupin. He's featured in three stories, including the legendary ‘Murders in the Rue Morgue’, and by sheer deduction, logic and a touch of Gallic arrogance revealed what was hidden to the rest of us.

Richard Edward Connell Jr was born on the 17th October 1893, in Poughkeepsie, New York. During the First World War Connell served in France with the US Army and was the editor of his camp's newspaper. After the war he turned to writing short stories, and eventually wrote over 300 of them for the periodicals and journals of the day, including regular contributions to The Saturday Evening Post and Collier’s. The attention of his audience kept him popular for decades. He is perhaps best remembered for his macabre short story ‘The Most Dangerous Game’, written in 1924.

Sherwood Anderson was born on 13th September 1876 in Camden, Ohio. In 1916 his first book, ‘Windy McPherson’s Son’, was released and in 1919, his most famous book, ‘Winesburg, Ohio’, a collection of short stories about life in an Ohio town was released. Anderson continued to write short stories, novels and non-fiction but his only true bestseller came with ‘Dark Laughter’. His influence on writers that followed, from Faulkner to Hemingway, was immense.

William Austin was born on 2nd March 1778 in Lunenburg, Massachusetts. Although he was a frequent contributor to local periodicals on various subjects from Unitarian theology to chemistry to legal history, nothing quite approached the popularity of ‘Peter Rugg: The Missing Man’. This story and its sequels, constructed as long letters, were originally published in the New England Galaxy periodical between 1824 and 1827. So credible was his writing premise that they were accepted as a factual recounting of local legends rather than Austin’s fiction.