Risultati Editore "Brilliance Audio" in Commedia e umorismo

For sheer unpredictable brilliance, Gogol may come to mind, but no author alive today takes a listener as far as Helen DeWitt into the funniest, most yonder dimensions of possibility. Her jumping-off points might be statistics, romance, the art world’s piranha tank, games of chance and games of skill, the travails of publishing, or success.

Jack Benny liked to portray himself as a skinflint but his generosity as a comic allowed other characters to get their fair share of laughs...usually at his expense. Benny got more laughs playing the straight man and didn’t care if he was the butt of the jokes. With his brilliant timing, smooth delivery, and trademark mannerisms, Benny was a huge influence on the development of the radio sitcom. References to Benny’s reputed stinginess, vanity, and infirmities were expected and weekly running gags established the program’s memorable characters.

The Aldrich Family was a popular teenage situation comedy that was heard on radio and seen in films, television and comic books. The creation of playwright Clifford Goldsmith, teenager Henry Aldrich was an endearingly bumbling kid growing awkwardly into adolescence. Episodes revolved around Henry’s misadventures with girls, his family and his friends. Portrayed on radio by 20-something Ezra Stone, The Aldrich Family launched as a summer replacement program for Jack Benny in NBC’s Sunday night lineup, July 2nd, 1939, sponsored by Jell-O.

Created by Don Quinn, the co-creator of Fibber McGee & Molly, The Halls of Ivy was a situation comedy series that ran on NBC radio from 1950 through 1952. Originally slated to star Gale Gordan and Edna Best, the lead roles went to British husband-and-wife actors Ronald and Benita Colman. The Colman’s were well versed at comedy and already a hit with radio fans having played Jack Benny’s next-door-neighbor on The Jack Benny Program for years. Ronald Colman played William Todhunter Hall, the urbane president of small, rural Ivy College.

These are the voyages of the starship A.S.F. Willful Child. Its ongoing mission: to seek out strange new worlds on which to plant the Terran flag, to subjugate and if necessary obliterate new life-forms, to boldly blow the... And so we join the not-terribly-bright but exceedingly cock-sure Captain Hadrian Sawback and his motley crew on board the Starship Willful Child for a series of devil-may-care, near-calamitous and downright chaotic adventures through "the infinite vastness of interstellar space".

Fibber McGee & Molly had a long and successful run on radio (1935-1959). The program showcased terrific comic and musical talent, headlined by its creators and stars, married couple Jim and Marian Jordan. Living in the fictional Midwestern town of Wistful Vista, Fibber was an American teller of tall tales and a braggart, usually to the exasperation of his long-suffering wife Molly. Fibber's weekly schemes would be interrupted, inspired by, and often played upon the people of Wistful Vista, a set of regular players and characters.

Created by Irving Brecher, The Life of Riley starred William Bendix as Brooklyn-born Chester A. Riley, a family man who worked as an airplane riveter at the fictional Cunningham Aircraft plant in California. The stories were usually set at home, with Riley cheerfully disrupting life with his malapropisms and ill-timed intervention into minor problems. His stock answer to every turn of fate “what a revoltin' development this is!” became a popular catchphrase.

Freeman Gosden and Charles Correll made their radio debut January 12, 1926, as the comedic, blackface characters Sam 'n' Henry. On March 19, 1928 they introduced Amos 'n' Andy, which went on to become one of the most popular and longest-running programs in radio history. During the height of its popularity, almost the entire country listened to the 15-minute, Monday through Friday adventures of Amos 'n' Andy. Department stores open in the evening piped in the broadcasts, so shoppers wouldn't miss an episode.

This collection contains 12 of the greatest shows ever broadcast during the Golden Age of Radio—including episodes of The Jack Benny Program, Burns & Allen, Gunsmoke, The Amos ‘N’ Andy Show, Philip Marlowe, The Green Hornet, X Minus One, Sherlock Holmes and many others. Radio’s finest actors perform before the microphones, including: Jack Benny, Frank Sinatra, Danny Kaye, Groucho Marx, Ozzie Nelson, Harriet Hilliard, Basil Rathbone, Nigel Bruce, Jim and Marian Jordan, Hal Peary, Eve Arden, George Burns, Gracie Allen and many more.

Throckmorton P. Gildersleeve was a popular character appearing regularly on The Fibber McGee & Molly Show. On August 31, 1941, the character landed his own situation comedy show, The Great Gildersleeve, becoming radio’s first spin-off. Gildy moved from the town of Wistful Vista to Summerfield, where he raised his orphaned niece and nephew, Marjorie (originally played by Lurene Tuttle and followed by Louise Erickson and Mary Lee Robb) and Leroy (Walter Tetley). The household also included a cook named Birdie (Lillian Randolph).

The Lux Radio Theatre was one of the most prestigious and longest running shows from Radio’s Golden Age. It featured the greatest stars in Hollywood appearing in hour-long radio adaptations of their biggest motion pictures. Cecil B. DeMille was the host (from 1936-1945) for a lavish production of what was to become a veritable checklist of many of Hollywood’s best films from the mid-1930s through the mid-1950s. The stars of the movie usually appeared in their audio counterparts, although sometimes contracts or schedules meant that another actor took the part.

Mad Jack is in reality Winifrede Levering Bascombe, who, happily, has her name changed very quickly in the story. She arrives in London with the aunts, Mathilda and Maude, of Lord Cliffe, Grayson St. Cyre, to beg his assistance. He welcomes the aunts, briefly spots the valet, Jack, and proceeds very quickly after their arrival to fall down the rabbit hole.

In this newly collected anthology of spiels-on-wheels, O'Rourke celebrates cars and berates car haters, and chronicles America's relationship with automobiles from love for a powerful chariot of freedom to tolerance of an oversized household appliance with an extra-long extension cord.

Maddie Faraday's life would be perfect if it weren't for her cheating husband, her suspicious daughter, her gossipy mother, her secretive best friend, her nosy neighbors, and that guy she lost her virginity to 20 years ago.

In Tell Me Lies, Jennifer Crusie dishes up a funny, sexy, suspenseful novel about small-town secrets, big-time betrayals and the redemptive power of love, laughter and chocolate brownies.

Quinn McKenzie has always lived what she calls a "beige" life. But when Quinn decides to change her life by adopting a stray dog over everyone's objections, everything begins to spiral out of control. Now she's coping with dog-napping, breaking and entering, seduction, sabotage, stalking, and more secrets than she really wants to know.

The narrator of Rob Doyle's Threshold has spent the last two decades traveling, writing, and imbibing drugs and literature in equal measure, funded by brief periods of employment or "on the dole" in Dublin. Now, stranded between reckless youth and middle age, his travels to far-flung places have acquired a de facto purpose: to aid the contemporary artist's search for universal truth.

Part memoir and part how-not-to guide, The Wrong End of the Table is everything you wanted to know about Arabs but were afraid to ask, with chapters such as “Tattoos and Other National Security Risks,” “You Can’t Blame Everything on Your Period; Sometimes You’re Going to Be a Crazy Bitch: and Other Advice from Mom,” and even an open letter to Trump. This is the story of every American outsider on a path to find themselves in a country of beautiful diversity.

The golden age of radio had incredible comedy shows that kept Americans in stitches for decades. Families gathered around their living room radios to be entertained by the greatest names in Hollywood each and every day. This collection includes Bud Abbott and Lou Costello, Eve Arden as Connie Brooks on Our Miss Brooks, Jim and Marian Jordan as Fibber McGee & Molly, William Bendix as Chester A. Riley on The Life of Riley, Jack Benny welcoming guest, Fred Allen, Freeman Gosden and Charles Correll as Amos ‘n’ Andy and many more!

The Great Gildersleeve was the first show to be centered on a single parent balancing raising children, work, and a social life, accomplished with taste and genuine wit, often at the expense of Gildersleeve's slightly understated pomposity. Radio veteran, Hal Peary originated the role of Throckmorton P. Gildersleeve but left the series at the height of its popularity in 1950 giving way to Peary-sound-a-like and well-known character actor, Willard Waterman. Now, enjoy 12 half-hour comedy episodes of The Great Gildersleeve starring Willard Waterman.

Never meddle with unidentified spying objects...The year is: The Future. Mars and Earth are like that divorced couple who don’t exactly like each other but have at least stopped fighting in public. Floating somewhere in between them, amid all the garbage and Gene Roddenberry’s ashes, a transport vessel called the SS Jefferson is homeward bound. Its crew might have even made it on time for once, too...