Titoli in Afroamericana

In the historical context of the Jim Crow South, Gail explores her mother's decision to pass, how she hid her secret even from her own husband, and the price she paid for choosing whiteness. Haunted by her mother's fear and shame, Gail embarks on a quest to uncover her mother's racial lineage, tracing her family back to 18th-century colonial Louisiana. In coming to terms with her decision to publicly out her mother, Gail changed how she looks at race and heritage.

Shirley Anita St. Hill Chisolm rose from being the child of immigrants to running for the highest office in the land. She was both the first African American woman elected to the US Congress and the first African American woman of a major political party to make a serious run for president of the United States. These achievements were not in spite of her background but rather because of it. She persevered by being steadfast in her political convictions and unwilling to compromise on the issues she believed in.

Revelations about U.S. policies and practices of torture and abuse have captured headlines ever since the breaking of the Abu Ghraib prison story in April 2004. Since then, a debate has raged regarding what is and what is not acceptable behavior for the world's leading democracy. Within this context, Angela Davis, one of America's most remarkable political figures, gave a series of interviews to discuss resistance and law, institutional sexual coercion, politics, and prison. Throughout, Davis returns to her critique of a democracy compromised by its racist origins and institutions.

Race for Profit uncovers how exploitative real estate practices continued well after housing discrimination was banned. The same racist structures and individuals remained intact after redlining's end, and close relationships between regulators and the industry created incentives to ignore improprieties. Meanwhile, new policies meant to encourage low-income homeownership created new methods to exploit Black homeowners.

In a chilling exploration of a nearly forgotten chapter of history, Marcus Rediker delves into the dark depths of slave ships in the 18th century. In this widely praised history of an infamous institution, award-winning scholar Marcus Rediker shines a light into the darkest corners of the...

ONE OF THE NEW YORK TIMES’ TEN BEST BOOKS OF THE YEAR A sweeping history of one of the nation’s most important African American churches and a profound story of courage and grace amid the fight for racial justice—from Pulitzer Prize–winning journalist Kevin Sack “A masterpiece...

LONGLISTED FOR THE NATIONAL BOOK AWARD NEW YORK TIMES BESTSELLER #1 NATIONAL BESTSELLER A “powerful” (The Guardian) reflection on basketball, life, and home—from the author of the National Book Award finalist A Little Devil in America “Mesmerizing . . . not only the most...

From acclaimed columnist and political commentator Michael Harriot, a searingly smart and bitingly hilarious retelling of American history that corrects the record and showcases the perspectives and experiences of Black Americans. America’s backstory is a whitewashed mythology implanted in our...

Two world wars, the Civil Rights movement, and a Jheri curl later, Blacks in America continue to have a complex and convoluted relationship with their hair. From the antebellum practice of shaving the head in an attempt to pass as a "free" person to the 2013 uproar over an Ohio school that banned Afro puffs, the issues surrounding Black hair continue to linger as we move through the 21stst century.

A classic work of feminist scholarship, Ain't I a Woman has become a must for all those interested in the nature of Black womanhood. Examining the impact of sexism on Black women during slavery, the devaluation of black womanhood, black male sexism, racism among feminists, and the black woman's involvement with feminism, hooks attempts to move us beyond racist and sexist assumptions. The result is nothing short of groundbreaking, giving this work a critical place in every feminist scholar's library.

Monument Eternal offers deep insight into Coltrane’s tremendous musical output and shines a light on her transformation from Alice McLeod, Detroit church organist and bebopper, to sage thought leader Swami Turiyasangitananda. It also reflects the extraordinary fluidity of American religious customs in the mid- and late-twentieth century. Akashic’s long-awaited reissue of Monument Eternal includes a new foreword by Ashley Kahn.

No segundo volume de Escravidão—Da corrida do ouro em Minas Gerais até a chegada da corte de dom João ao Brasil, Laurentino Gomes concentra-se no século XVIII. O período representou o auge do tráfico negreiro no Atlântico, motivado pela descoberta das minas de ouro e diamantes no país e pela disseminação, em outras regiões da América, do cultivo de cana-de-açúcar, arroz, tabaco, algodão e outras lavouras marcadas pelo uso intensivo de mão de obra cativa.

What does it mean to call a place home? Who is allowed to become a member of a community? When can we say that we truly belong? These are some of the questions of place and belonging that renowned cultural critic Bell Hooks examines in Belonging: A Culture of Place. Traversing past and present, Belonging charts a cyclical journey in which Hooks moves from place to place, only to end where she began—her old Kentucky home.

Through candid interviews with Maya Angelou, Toni Cade Bambara, Gwendolyn Brooks, Alexis De Veaux, Nikki Giovanni, Kristin Hunter, Gayl Jones, Audre Lorde, Toni Morrison, Sonia Sanchez, Ntozake Shange, Alice Walker, Margret Walker, and Sherley Anne Williams, the book highlights the practices and critical linkages between the work and lived experiences of Black women writers whose work laid the foundation for many who have come after.

This groundbreaking and highly acclaimed work examines the two most influential African American leaders of the twentieth century. While Martin Luther King, Jr., saw America as "essentially a dream . . . as yet unfulfilled," Malcolm X viewed America as a realized nightmare. James Cone cuts through superficial assessments of King and Malcolm as polar opposites to reveal two men whose visions are complementary and moving toward convergence.

I Hear My People Singing shines a light on a small but historic black neighborhood at the heart of one of the most elite and internationally renowned Ivy League towns - Princeton, New Jersey. The vivid first-person accounts of more than 50 black residents detail aspects of African American life throughout the 20th century.

"Hold tight. The way to go mad without losing your mind is sometimes unruly." So begins La Marr Jurelle Bruce's urgent provocation and poignant meditation on madness in black radical art. Bruce theorizes four overlapping meanings of madness: the lived experience of an unruly mind, the psychiatric category of serious mental illness, the emotional state also known as "rage," and any drastic deviation from psychosocial norms.

Back to Black seeks to show us the long, powerful and painful history of Black radical politics. Born out of resistance to slavery and colonialism, its rich past encompasses figures such as Marcus Garvey, Angela Davis, the Black Panthers and the Black Lives Matter activists of today. At its core, the book argues that racism is inexorably embedded in the fabric of society, and that it can never be overcome unless by enacting change outside of this suffocating system.

Once again, the poet casts her spell as she resumes one of the greatest personal narratives of our time. In this continuation, Angelou relates how she joins a "colony" of Black American expatriates in Ghana--only to discover no one ever goes home again...

In the critical essays collected in Black Looks, bell hooks interrogates old narratives and argues for alternative ways to look at blackness, black subjectivity, and whiteness. Her focus is on spectatorship—in particular, the way blackness and black people are experienced in literature, music, television, and especially film—and her aim is to create a radical intervention into the way we talk about race and representation. As she describes: "the essays in Black Looks are meant to challenge and unsettle, to disrupt and subvert."