Titoli in Latinoamericana

Federico Stahl es uno de los grandes personajes de la literatura latinoamericana de este principio de siglo. En "El orden del mundo", asistimos a una de sus aventuras más intensas y emocionantes: lo que comienza con modales de novela realista, con recuerdos de la infancia y un registro transparente, va complicándose a medida que nos adentramos en las circunvalaciones mentales de Stahl. Sanchiz sabe que en literatura la forma es el fondo.

Los cuentos de Ruben Dario no son meras muestras de habilidad, sino de verdadero impetu narrativo. Mas alla de lo que puedan representar para la historia de la literatura, estos cuentos tienen una dignidad propia y autonoma que los enclava en la inmortalidad.

In Itzel II, we continue to follow Nauta, Itzel, and Basta through the cascading outcomes of their desire for agency and for change in their world. We move from the Oaxaca coast back to Mexico City, from Nauta's Brooklyn streets to her time in Canada, from the attraction between Basta and Itzel that has altered the characters' friendship to the rumours and reckonings that result.

The Mexican American War has ended, but in a California divided between two nations, Anglo squatters continue to antagonize citizens of Mexican descent by making claims on their land. Against this charged backdrop, the lives of the Alamar family - the rightful owners of a San Diego ranch - become politically, economically, and romantically entwined with a family of New England settlers, the Darrells. Inspired by experiences in her own life, Ruiz de Burton insightfully captured a troubling time in American history - a period of intense corruption, greed, racism, and classism. 

Exploring the lives of bisexual and gay Puerto Rican men, these 15 stories show a vulnerable, intimate world of yearning and desire. The stars of these narratives linger between living their truest selves and remaining in the wings, embarking on a journey of self-discovery to satisfy their hunger for companionship and belonging. 

"La librería quemada" es el tercer y último volumen de la trilogía de novelas que Sergio Galarca le ha dedicado a Madrid. En él se retrata a un entrañable aunque vitriólico grupo de libreros que intentan remar contra el tedio que ahoga sus vidas mientras lidian con el mayor enemigo de cualquier librero: el cliente de librería y sus caprichos. Dicen que los libros arden a 451 grados Fahrenheit, ¿pero alguien sabe a qué temperatura arde un librero.

A family is murdered as they sleep. FBI Special Agent Nina Guerrera and her new team are tasked with determining whether there is any link between this attack and another triple homicide from four years earlier and more than 2,000 miles away. In the process, they’ll discover a serial killer so cunning that his grisly trail of death spanning nearly three decades has gone undetected. Each crime scene reminds Nina of the ghostly Latin folktale of La Llorona, which terrified her when she was an abandoned and vulnerable child. Now it’s back to haunt her.

In this visionary novel framed as a hagiography, the ruminative, subjective memories of Gabriel’s witnesses - spiritual, familial, romantic, and political - converge to make sense of the man’s confounding works and message. As they do, a surprising portrait develops...not only of the deepening mystery of Gabriel Romero himself but also of a country in conflict and the faith it takes to fight the suspicion and fear that divide us.  

Written in a style that is both precise and sumptuous, weirdly archaic and powerfully novel, Zama takes place in the last decade of the 18th century and describes the solitary, suspended existence of Don Diego de Zama, a highly placed servant of the Spanish crown who has been posted to Asunción, the capital of remote Paraguay. There, eaten up by pride, lust, petty grudges, and paranoid fantasies, he does as little as he possibly can while plotting his eventual transfer to Buenos Aires.

The first time Isabel meets her father-in-law, Omar, he’s already dead - an apparition appearing uninvited on her wedding day. Her husband, Martin, still unforgiving for having been abandoned by his father years ago, confesses that he never knew the old man had died. So Omar asks Isabel for the impossible: persuade Omar’s family - especially his wife, Elda - to let him redeem himself. 

With The Barbarian Nurseries, Héctor Tobar gives our most misunderstood metropolis its great contemporary novel, taking us beyond the glimmer of Hollywood and deeper than camera-ready crime stories to reveal Southern California life as it really is, across its vast, sunshiny sprawl of classes, languages, dreams, and ambitions.

Private investigator Heredia has many phantoms - and one of his most haunting has come calling. Argentine investigative journalist Fernanda Arredondo, an old flame he loved and lost, needs to see him after saying good-bye years ago. All it takes is a single day for Heredia to lose her again when she’s found dead - an apparent suicide in a lonely hotel room in Santiago. Heredia has more than his instincts to tell him that it was murder. 

Every morning, seventeen-year-old Maria Anís Rosario takes the subway an hour from her boisterous and close-knit family in Queens to her private high school on the Upper East Side, where she struggles to fit in as one of the only Latina students - until Rocky welcomes her into this new life. White, rebellious, and ignored by her wealthy parents, Rocky uses her money toward one goal: to get away with anything. To Maria, it’s a dazzling privilege. 

Ceferino Carrión is desperate for a new life - one of opportunity, fortune, and fame. But he knows he’ll never find this life in war-torn Spain. With his home country under the heel of the devastating Franco dictatorship and call-up papers on his doorstep, Cefe knows there’s only one thing he can do: run. A new life awaits in America, as does a new name - Jean Leon. From the concrete valleys of the Bronx to the sun-soaked hills of California, Jean crosses paths with legendary superstars, political powerhouses, and dangerous mobsters as he flees his past and pursues his dreams.

Mexican author Rubirosa is attending a book fair in Tangier when he reconnects with an old acquaintance, a Moroccan artist who asks one favor of his visiting friend: to access the puzzling files on a memory card. It could help fulfill the destiny of his son Abdelkrim. It could also unwittingly draw both men into irreversible events already in motion on distant shores. In America, Abdelkrim, a brilliant aspiring astronaut deemed “too Muslim” for citizenship, has teamed up with an equally gifted young prodigy, a witness to the plight of Syrian refugees. 

Los tempranos años setenta en Chile fueron una época efervescente de entusiasmo y compromiso, sobre todo para miles de jóvenes militantes de izquierda que veían en el gobierno de Salvador Allende la posibilidad de una verdadera transformación política y social. Un nuevo mundo era posible y había que estar ahí para ayudar a construirlo.

El tercer audiolibro de cuentos de Hugo Burel aúna una vez más todas las obsesiones del autor: un reflejo de su Uruguay contemporáneo, su amor por la ciudad de Montevideo a pesar de la certeza de sus luces y sus sombras, la profundad exploración de la psicología de sus personajes y un gusto irredento por la intriga y los tejemanejes clásicos del género negro, todo ello envuelto en una prosa concisa, afilada y contundente a la vez.

En un futuro muy lejano, los latinoamericanos han desarrollado el "Impulso González", la única manera conocida de viajar mucho más rápido que la velocidad de la luz. El "Impulso González" ha llevado a la humanidad a contactar con las únicas siete especies alienígenas inteligentes de todo el universo. Sin embargo, cuando el doctor Jan Amos Sangan Dongo, veterinario especializado en criaturas de tamaño súper extra grande, recibe un particular encargo, se verá involucrado en un conflicto que podría dar al traste con el precario equilibrio de fuerzas de todo el universo.

Un audiolibro de cuentos que demuestra que la dimensión reducida del relato se vuelve infinita entre las palabras que lo forman. Padres locos, adolescentes muertos, tragedias familiares, discos duros que encierran el destino de familias enteras, terrores irracionales y una Argentina en crisis perpetua que refleja el desorden interno de sus habitantes. Una recopilación imprescindible. 

De las mejores distopías hechas en español en la actualidad, un futuro lleno de nubarrones negros que en realidad habla de un presente demasiado cruel como para no disfrazarlo de ficción. "Crímenes del futuro" presenta una sociedad al borde del apocalipsis, un mundo en el que los estados han desaparecido y el mundo entero está al servicio de las multinacionales. La ley financiera obliga a arrodillarse al ciudadano y el planeta entero parece a punto de explotar. En esta vorágine, tres mujeres muy diferentes intentan sobrevivir con sus sentimientos a flor de piel.