Titoli in Epica

Mit "Worte aus meiner Feder" geht Roman Just erstmals dem Genre Thriller aus dem Weg und begibt sich in die Welt der Lyrik. Er spielt mit Worten und bringt Leser damit zum Schmunzeln und Nachdenken. Der "Späte Abschied" in dem Buch lädt zum Weinen ein, während die "Tresenkinder" einen den Kopf schütteln lassen. Wie Ebbe und Flut wechseln Humor und Ernsthaftigkeit.

This translation of The Iliad equals Fitzgerald's earlier Odyssey in power and imagination. It recreates the original action as conceived by Homer, using fresh and flexible blank verse that is both lyrical and dramatic. * This audiobook edition includes a downloadable PDF containing Notes on the...

A tragic epic love story before Romeo and Juliet, by one of the greatest medieval Persian romance poets, in a modern-verse English translation by Dick Davis A Penguin Classic Based on historical characters of the seventh-century Iranian court and written 850 years ago, the narrative poem about...

Doris Margot Schlechta versteht ihre Gedichte als Hoffnungspost an die Seele. Sie selbst hat auf ihrem Lebensweg eine große Portion Optimismus im Gepäck, der sie durch schwierige Zeiten getragen hat. Mit ihren Texten lenkt sie den Blick auf Lyrische Momente, die in jeden Alltag Hoffnung streuen, aus der ein gutes Leben wachsen kann.

Blanche Kommerell hat ihre Gedanken in Worte gekleidet. Gedanken über das Leben, die aktuelle Zeit, den Tod, Freude, Leid und Hoffnung. Immer wieder Hoffnung! Linus Haagen begleitet sie feinabgestimmt und gefühlvoll mit eigenen Kompositionen am Klavier. Ein Arrangement, das mit Texten und Melodien einlädt zum Innehalten und Besinnen auf das, was wertvoll für uns ist.

Oğuz Türkleri'nin ünlü epik destanlarıdır Dedem Korkut Hikayeleri. Dede Korkut destanların ilk anlatıcısıdır. Dirse Han Oğlu Boğaç Destanı da eski bir Türk geleneği olarak Toy ile (şölen) başlamaktadır. "Bir gün Kam Gan oğlu Han Bayındır yerinden kalkmıştı. Şami otağını yer yüzüne diktirmişti Alaca gölgeliği gök yüzüne yükselmişti. Bin yerde ipek halıcığı döşenmişti. Hanlar hanı Bayındır yılda bir kerre ziyafet verip Oğuz beylerini misafir ederdi. Gene ziyafet tertip edip attan aygır, deveden erkek deve, koyundan koç kestirmişti. Bir yere ak otağ, bir yere kızıl otağ, bir yere kara otağ kurdurmuştu.."

Bu destan şiir öykü, Hacı Bektaş katına buğday istemeye giden bir genç adamın öyküsü değildir yalnızca. Kaderini fark eden, şu yeryüzüne neden gönderildiğini bilip, gereğini yerine getiren bir Anadolu fidanının öyküsüdür. Ben gelmedim davi için, Benim işim sevi için, Hakk'ın evi gönüllerdir, Gönüller yapmaya geldim...

El paraíso perdido de John Milton es un poema épico que narra la caída de Adán y Eva y su expulsión del Jardín del Edén, destacando la rebelión de Satanás contra Dios. La obra explora temas de libre albedrío, obediencia, y la naturaleza del bien y el mal. Milton, poeta y ensayista inglés, es reconocido por su habilidad para fusionar la narrativa bíblica con la complejidad de los temas teológicos y filosóficos, ofreciendo una profunda reflexión sobre la condición humana y la divinidad.

The Iliad by Homer is an epic poem central to ancient Greek literature, narrating the siege of Troy. It explores themes of heroism, the wrath of Achilles, the nature of fate, and the quest for glory. Homer, a semi-legendary figure, is credited with composing both "The Iliad" and "The Odyssey," foundational works of Western literature.

Paradise Lost is an epic poem in blank verse by the 17th-century English poet John Milton (1608–1674). The first version, published in 1667, consists of ten books with over ten thousand lines of verse. A second edition followed in 1674, arranged into twelve books (in the manner of Virgil's Aeneid) with minor revisions throughout. It is considered by critics to be Milton's major work, and it helped solidify his reputation as one of the greatest English poets of his time.

Maximilian I. (1459-1519) ist „Held Theuerdank“. Die Geschichte - in frühneuhochdeutscher Sprache - handelt von einer stark allegorisierten Form menschlichen Verhaltens. Theuerdank wird von „drei Erzlastern“ in allerlei Gefahren und Hinterhalte gelockt. Die Hauptmänner „Fürwittig (Übermut), Unfallo (Vermessenheit) und Neidelhart (Neid)“, schützen die „drei Pässe“, durch die Theuerdank reisen muss, um zu Königin Ehrenreich zu gelangen.

Dating to the ninth century B.C., Homer's timeless poem still vividly conveys the horror and heroism of men and gods wrestling with towering emotions and battling amidst devastation and destruction, as it moves inexorably to the wrenching, tragic conclusion of the Trojan War. Renowned classicist Bernard Knox observes in his superb introduction that although the violence of the Iliad is grim and relentless, it coexists with both images of civilized life and a poignant yearning for peace.

Ion is a very short Platonic dialogue between Socrates and a rhapsode by the name of Ion who specializes in reciting the poetry of Homer. The dialogue explores the nature of poetic and artistic inspiration in a most playful way.

Purgatory is the second part of Dante's Divine Comedy, following the Inferno, and preceding the Paradiso. The poem was written in the early 14th century. It is an allegory telling of the climb of Dante up the Mount of Purgatory, guided by the Roman poet Virgil, except for the last four cantos at which point Beatrice takes over as Dante's guide.

Dante's Inferno by Dante Alighieri. The first part of Dante's Divine Comedy , the "Inferno" (or "Hell"), begins on the night before Good Friday in the year 1300, "halfway along our life's path". Dante is thirty-five years old, half of the biblical life expectancy of 70, lost in a dark wood, assailed by beasts he cannot evade, and unable to find the straight way to salvation. Conscious that he is ruining himself and that he is falling into a deep place where the sun is silent, Dante is at last rescued by Virgil, and the two of them begin their journey to the underworld.

Durante degli Alighieri, usually referred to simply as Dante, was born in Italy, and lived from c. 1265 to c. 1321. He was a major poet during the Middle Ages. He wrote the famous Divine Comedy, which was originally called Comedìa (modern Italian: Commedia). The work was later christened Divina by Boccaccio. It is widely considered the greatest literary work composed in the Italian language and a masterpiece of world literature. In the late Middle Ages, the overwhelming majority of poetry was written in Latin, and therefore accessible only to affluent and educated audiences.

The Divine Comedy (Italian: Divina Commedia) is an Italian narrative poem by Dante Alighieri, begun c. 1308 and completed in 1320, a year before his death in 1321. It is widely considered the pre-eminent work in Italian literature and one of the greatest works of world literature. The poem's imaginative vision of the afterlife is representative of the medieval worldview as it had developed in the Western Church by the 14th century. It helped establish the Tuscan language, in which it is written, as the standardized Italian language. It is divided into three parts.

The protagonist Beowulf, a hero of the Geats, comes to the aid of Hrothgar, king of the Danes, whose great hall, Heorot, is plagued by the monster Grendel. Beowulf kills Grendel with his bare hands, then kills Grendel's mother with a giant's sword that he found in her lair. Later in his life, Beowulf becomes king of the Geats, and finds his realm terrorized by a dragon, some of whose treasure had been stolen from his hoard in a burial mound.

SHORTLISTED FOR THE NATIONAL BOOK AWARD The winner of Sweden’s most prestigious literary award makes her American debut with an epic, multigenerational novel-in-verse about two Sámi families and their quest to stay together across a century of migration, violence, and colonial trauma...

The Homecoming of Beorhtnoth Beorhthelm’s Son was originally published in the 1953 edition of Essays and Studies. In December of that year, J.R.R. Tolkien took possession of a reel-to-reel tape recorder and, some time during the first few months of 1954, decided to record ‘the whole thing on tape’ as a way of ‘testing’ the performative quality of the dramatic dialogue between Tídwald and Torhthelm.