Titoli in Germania

Tank Rider is the riveting memoir of Evgeni Bessonov telling of his years of service at the vanguard of the Red Army and daily encounters with the German foe. He brings large-scale battles to life, recounts the sniping and skirmishing that tried and tested soldiers on both sides, and narrates the overwhelming tragedy and horror of apocalyptic warfare on the Eastern Front. So much of the Soviet experience of World War II remains untold, but this memoir provides an important glimpse into some of the most decisive moments of this overlooked history.

Had Hitler succeeded in conquering Europe, he would have crowned himself Holy Roman Emperor. The Nazis had in their possession priceless artifacts that would give Hitler legitimacy in his subjects' eyes: the Crown Jewels of the Holy Roman Empire including the Spear of Destiny, alleged to have pierced Christ's side at the Crucifixion. Looted from the royal treasury in Vienna, Austria, the Crown Jewels were hidden in a secret bunker deep beneath Nrnberg castle, known to few.

Richard Bessel, history professor at the University of York, specializes in the social and political history of Nazi Germany. In four compelling essays, he forcefully argues that racism made war inevitable. The Third Reich, led by "[A] band of political gangsters", came to power with a deep ideological commitment to war and racism. As the driving force behind the economics, social policy, and propaganda of Germany, racial hatred was the catalyst that plunged Europe into war.

In the fall of 1961, KGB assassin Bogdan Stashinsky defected to West Germany. After spilling his secrets to the CIA, Stashinsky was put on trial in what would be the most publicized assassination case of the entire Cold War. The publicity stirred up by the Stashinsky case forced the KGB to change its modus operandi abroad and helped end the career of Aleksandr Shelepin, one of the most ambitious and dangerous Soviet leaders.

The secrets of Queen Victoria's sixth child, Princess Louise, may be destined to remain hidden forever. What was so dangerous about this artistic, tempestuous royal that her life has been documented more by rumor and gossip than hard facts? When Lucinda Hawksley started to investigate, often thwarted by inexplicable secrecy, she discovered a fascinating woman, modern before her time, whose story has been shielded for years from public view.

On a visit to the British National Archive in 2001, Sonke Neitzel made a remarkable discovery: reams of meticulously transcribed conversations among German POWs that had been covertly recorded and recently declassified. Neitzel would later find another collection of transcriptions, twice as extensive, in the National Archive in Washington, D.C. These were discoveries that would provide a unique and profoundly important window into the true mentality of the soldiers in the Wehrmacht, the Luftwaffe, the German navy, and the military in general - almost all of whom had insisted on their own honorable behavior during the war.

A princess of White Russian descent, Marie Vassiltchikov was 23 years old when she was trapped in Berlin by the outbreak of World War II. In these secret diaries, she chronicles the glamorous rise and shattering fall of the Nazi Party, as seen from the vantage point of her desk at the Foreign Ministry. She also describes how she and her friends became involved in a desperate conspiracy to murder Hitler.

A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated

In May 1940, Nazi Germany was master of continental Europe. The only European power still standing was Great Britain - and the all-conquering German armed forces stood poised to cross the Channel. Following the destruction of the RAF fighter forces, the sweeping of the Channel of mines, and the wearing down of the Royal Naval defenders, two German army groups were set to storm the beaches of southern England.

The Crimea was one of the crucibles of the war on the Eastern Front, where first a Soviet and then a German army were surrounded, fought desperate battles, and were eventually destroyed. The fighting in the region was unusual for the Eastern Front in many ways, in that naval supply, amphibious landings, and naval evacuation played major roles, while both sides were also conducting ethnic cleansing as part of their strategy - the Germans eliminating the Jews and the Soviets purging the region of Tartars.

Evans interweaves a broad narrative of the war’s progress with viscerally affecting personal testimony from a wide range of people - from generals to front-line soldiers, from Hitler Youth activists to middle-class housewives. The Third Reich at War lays bare the dynamics of a nation more deeply immersed in war than any society before or since. Fresh insights into the conflict’s great events are here, from the invasion of Poland to the Battle of Stalingrad to Hitler’s suicide in the bunker.

Despite the best efforts of a number of historians, many aspects of the ferocious struggle between Nazi Germany and the Soviet Union during the Second World War remain obscure or shrouded in myth. One of the most persistent of these is the notion - largely created by many former members of its own officer corps in the immediate postwar period - that the German Army was a paragon of military professionalism and operational proficiency whose defeat on the Eastern Front was solely attributable to the amateurish meddling of a crazed former Corporal.

There is no story in 20th-century history more important to understand than Hitler’s rise to power and the collapse of civilization in Nazi Germany. With The Coming of the Third Reich, Richard Evans, one of the world’s most distinguished historians, has written the definitive account for our time.

Reinhard Heydrich is widely recognized as one of the great iconic villains of the 20th century, an appalling figure even within the context of the Nazi leadership. Chief of the Nazi Criminal Police, the SS Security Service, and the Gestapo, ruthless overlord of Nazi-occupied Bohemia and Moravia, and leading planner of the "Final Solution," Heydrich played a central role in Hitler's Germany.

The Nazi regime preached an ideology of physical, mental, and moral purity. But as Norman Ohler reveals in this gripping new history, the Third Reich was saturated with drugs. On the eve of World War II, Germany was a pharmaceutical powerhouse, and companies such as Merck and Bayer cooked up cocaine, opiates, and, most of all, methamphetamines, to be consumed by everyone from factory workers to housewives to millions of German soldiers.

Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler's enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany's military campaigns.

With Allied armies poised on the banks of the Rhine, Nazi Germany tottered on the brink of collapse. The ensuing battles on German soil - especially those in the so-called Ruhr Pocket - were as fierce and hard-fought as any in the European theater. Going well beyond previous accounts, Derek S. Zumbro chronicles this key military campaign from a unique and fresh perspective - that of the defeated German soldiers and civilians caught in the final maelstrom of the war's Western front.

The successes of the German Blitzkrieg in 1939-41 were as surprising as they were swift. Allied decision-makers wanted to discover the secret to German success quickly, even though only partial, incomplete information was available to them. The false conclusions drawn became myths about the Blitzkrieg that have lingered for decades.

The German invasion of Poland on 1 September, 1939, designated as Fall Weiss (Case White), was the event that sparked the outbreak of World War II in Europe. The campaign has widely been described as a textbook example of Blitzkrieg, but it was actually a fairly conventional campaign as the Wehrmacht was still learning how to use its new Panzers and dive-bombers. The Polish military is often misrepresented as hopelessly obsolete and outclassed by the Wehrmacht, yet in fact it was well-equipped with modern weapons and armor.

This is the concluding volume of the history of the IV SS-Panzerkorps, a relatively unknown organization that was born in battle during the last year of the war and fought exclusively on the Eastern Front. After their successful defense of Warsaw and the Vistula Front during the fall of 1944, the corps and its two famous Waffen-SS divisions, the Totenkopf and Wiking, as well as several divisions of the German Army, were sent south to reverse the military situation on the Hungarian Front.