Titoli in Germania

The massive offensives on the Eastern Front during 1915 are too often overshadowed by the events in Western Europe, but the scale and ferocity of the clashes between Imperial Germany, Hapsburg Austria-Hungary, and Tsarist Russia were greater than anything seen on the Western Front and ultimately as important to the final outcome of the war. Now, with the work of internationally renowned Eastern Front expert Prit Buttar, this fascinating story of the unknown side of the First World War is finally being told.

The secrets of Queen Victoria's sixth child, Princess Louise, may be destined to remain hidden forever. What was so dangerous about this artistic, tempestuous royal that her life has been documented more by rumor and gossip than hard facts? When Lucinda Hawksley started to investigate, often thwarted by inexplicable secrecy, she discovered a fascinating woman, modern before her time, whose story has been shielded for years from public view.

On a visit to the British National Archive in 2001, Sonke Neitzel made a remarkable discovery: reams of meticulously transcribed conversations among German POWs that had been covertly recorded and recently declassified. Neitzel would later find another collection of transcriptions, twice as extensive, in the National Archive in Washington, D.C. These were discoveries that would provide a unique and profoundly important window into the true mentality of the soldiers in the Wehrmacht, the Luftwaffe, the German navy, and the military in general - almost all of whom had insisted on their own honorable behavior during the war.

A princess of White Russian descent, Marie Vassiltchikov was 23 years old when she was trapped in Berlin by the outbreak of World War II. In these secret diaries, she chronicles the glamorous rise and shattering fall of the Nazi Party, as seen from the vantage point of her desk at the Foreign Ministry. She also describes how she and her friends became involved in a desperate conspiracy to murder Hitler.

A presence in Third Reich cinema, Adolf Hitler also personally financed, ordered, and censored films and newsreels and engaged in complex relationships with their stars and directors. Here, Bill Niven offers a powerful argument for reconsidering Hitler's fascination with film as a means to further the Nazi agenda. In this first English-language work to fully explore Hitler's influence on and relationship with film in Nazi Germany, the author calls on a broad array of archival sources. Niven also explores Hitler's representation in Third Reich cinema, personally and through films focusing on historical figures with whom he was associated

In May 1940, Nazi Germany was master of continental Europe. The only European power still standing was Great Britain - and the all-conquering German armed forces stood poised to cross the Channel. Following the destruction of the RAF fighter forces, the sweeping of the Channel of mines, and the wearing down of the Royal Naval defenders, two German army groups were set to storm the beaches of southern England.

The Crimea was one of the crucibles of the war on the Eastern Front, where first a Soviet and then a German army were surrounded, fought desperate battles, and were eventually destroyed. The fighting in the region was unusual for the Eastern Front in many ways, in that naval supply, amphibious landings, and naval evacuation played major roles, while both sides were also conducting ethnic cleansing as part of their strategy - the Germans eliminating the Jews and the Soviets purging the region of Tartars.

Evans interweaves a broad narrative of the war’s progress with viscerally affecting personal testimony from a wide range of people - from generals to front-line soldiers, from Hitler Youth activists to middle-class housewives. The Third Reich at War lays bare the dynamics of a nation more deeply immersed in war than any society before or since. Fresh insights into the conflict’s great events are here, from the invasion of Poland to the Battle of Stalingrad to Hitler’s suicide in the bunker.

Despite the best efforts of a number of historians, many aspects of the ferocious struggle between Nazi Germany and the Soviet Union during the Second World War remain obscure or shrouded in myth. One of the most persistent of these is the notion - largely created by many former members of its own officer corps in the immediate postwar period - that the German Army was a paragon of military professionalism and operational proficiency whose defeat on the Eastern Front was solely attributable to the amateurish meddling of a crazed former Corporal.

There is no story in 20th-century history more important to understand than Hitler’s rise to power and the collapse of civilization in Nazi Germany. With The Coming of the Third Reich, Richard Evans, one of the world’s most distinguished historians, has written the definitive account for our time.

The Nazi regime preached an ideology of physical, mental, and moral purity. But as Norman Ohler reveals in this gripping new history, the Third Reich was saturated with drugs. On the eve of World War II, Germany was a pharmaceutical powerhouse, and companies such as Merck and Bayer cooked up cocaine, opiates, and, most of all, methamphetamines, to be consumed by everyone from factory workers to housewives to millions of German soldiers.

Culture was integral to the smooth running of the Third Reich. In the years preceding WWII, a wide variety of artistic forms were used to instill a Nazi ideology in the German people and to manipulate the public perception of Hitler's enemies. During the war, the arts were closely tied to the propaganda machine that promoted the cause of Germany's military campaigns.

With Allied armies poised on the banks of the Rhine, Nazi Germany tottered on the brink of collapse. The ensuing battles on German soil - especially those in the so-called Ruhr Pocket - were as fierce and hard-fought as any in the European theater. Going well beyond previous accounts, Derek S. Zumbro chronicles this key military campaign from a unique and fresh perspective - that of the defeated German soldiers and civilians caught in the final maelstrom of the war's Western front.

The successes of the German Blitzkrieg in 1939-41 were as surprising as they were swift. Allied decision-makers wanted to discover the secret to German success quickly, even though only partial, incomplete information was available to them. The false conclusions drawn became myths about the Blitzkrieg that have lingered for decades.

The German invasion of Poland on 1 September, 1939, designated as Fall Weiss (Case White), was the event that sparked the outbreak of World War II in Europe. The campaign has widely been described as a textbook example of Blitzkrieg, but it was actually a fairly conventional campaign as the Wehrmacht was still learning how to use its new Panzers and dive-bombers. The Polish military is often misrepresented as hopelessly obsolete and outclassed by the Wehrmacht, yet in fact it was well-equipped with modern weapons and armor.

This is the concluding volume of the history of the IV SS-Panzerkorps, a relatively unknown organization that was born in battle during the last year of the war and fought exclusively on the Eastern Front. After their successful defense of Warsaw and the Vistula Front during the fall of 1944, the corps and its two famous Waffen-SS divisions, the Totenkopf and Wiking, as well as several divisions of the German Army, were sent south to reverse the military situation on the Hungarian Front.

Between 1940 and 1945, German occupiers transformed Norway into a vast construction zone. This remarkable building campaign, largely unknown today, was designed to extend the Greater German Reich beyond the Arctic Circle and turn the Scandinavian country into a racial utopia. From ideal new cities to a scenic superhighway stretching from Berlin to northern Norway, plans to remake the country into a model “Aryan” society fired the imaginations of Hitler, his architect Albert Speer, and other Nazi leaders.

In 1919 the Treaty of Versailles stripped Germany of its overseas colonies. This sudden transition to a post-colonial nation left the men and women invested in German imperialism to rebuild their status on the international stage. Remnants of an earlier era, these Kolonialdeutsche (Colonial Germans) exploited any opportunities they could to recover, renovate, and market their understandings of German and European colonial aims in order to reestablish themselves as "experts" and "fellow civilizers" in discourses on nationalism and imperialism.

On a cold May morning in 1940, Adrian Vincent arrived in France with his battalion. His war didn’t last long. Within five days the Siege of Calais was over, and nearly all his comrades were killed, wounded or, like him, taken prisoner. After a brutal journey across the breadth of Germany, Vincent and his fellow survivors began their life in Stalag VIIIB, set to work in terrible conditions down a Polish mine. For the next five years, they waged a war not against enemy soldiers but instead versus monotony, disease, cruelty, starvation, and hopelessness.

What would life be like for a Black boy growing up in Nazi Germany? This unprecedented autobiography answers that question with the spellbinding true story of Hans J. Massaquoi’s life in Hamburg during the height of Hitler’s regime. Hans is the son of a Black Liberian diplomat father and a white German mother. His father returns to Africa at the beginning of the war, leaving them behind in poverty without the means to flee. Within this tense atmosphere, increasingly violent Nazi policies and Allied bombing raids make Hans and his mother’s lives a day-to-day survival struggle.