Titoli in Storia e critica

This book explores the historical and cultural conditions of the genre as it appeared in the late 1970s and early 1980s and then again in the early 2000s, and illuminates what is at stake in delineating dance-punk as a genre. Looking at bands such as Gang of Four, ESG, Public Image Ltd., LCD Soundsystem, The Rapture, and Le Tigre, this book examines the tensions between and blurring of the rhetoric and emotion in dance music and the cynical and ironic intellectualizing associated with post-punk.

Teen pop is a sub-genre of popular music marketed to tweens and teens. Its melodic yearning and veneer of sincerity appeal to an emerging romantic eroticism and autonomy. But tweens and teens buy music that isn’t primarily marketed to them, too. Teen pop encompasses several kinds of musical styles, not limiting itself to just one—teen pop wants to play. Although it’s very difficult to attain and maintain social progress and play it forward—there are so many tragedies—'70s Teen Pop examines how liberation and a true counterculture can be possible through music.

Krautrock is not a music genre. Krautrock is a way of life. Its sonic diversity and global reach belie the common culture from where it emerged. This is a band-by-band history. Krautrock explores the history and methodology of the genre, charting its influences and innovations, its more mainstream acts (like Faust, Kraftwerk, and Can) as well as the less universally known (including Harmonia, Popol Vuh, Embryo, and Ash Ra Tempel), and how the genre developed in post-war Germany and what it means to today's listeners.

Trip-hop described some of the 1990s’ best music, and it was one of the decade’s most revealing bad ideas. This book chronicles the music and its leading artists, packed with recommended listening, essential tracks, great remixes, and under-recognized albums. But the music at its best still sounds experimental and dramatic; and its influence lingers through artists like FKA twigs, Sevdaliza, James Blake, Billie Eilish, and Lana Del Rey. This short book is a guide to ’trip-hop’ in its context of the weird 1990s.

Neue Deutsche Welle (NDW), or “German New Wave,” was made extraordinarily popular in the 1970s and 1980s by the likes of Nena's "99 Luftballons" and Trio's "Da Da Da"—and then left as quickly as it came. Conventional wisdom among artists dictates that it’s better to burn out than fade away, but this doesn’t tell the full story of NDW—the reason for its rapid rise and fall, the historical context that necessitated the genre, and where the energy of the NDW movement went after its end.

Guitars playing abrasive, discordant riffs, the thunderous double-kick of the drums acting like an accelerated heartbeat, and porcine, guttural vocals pummeling twisted lyrics. Courting controversy from inception to its modern day iteration, death metal presents a number of contradictions: Driven and adventurous musicians compete to make uncomfortable noises; it is crude and far beyond parody and yet consistently popular; and the music is pig-headedly uncommercial despite making a few labels, albeit briefly, wealthy.

This oral history documents the story of Oasis as told by the fans who were there. Discover never-before-seen perspectives charting the rise, fall, and rise again of Liam and Noel Gallagher and the British rock band whose music defined a generation. A few years after Definitely Maybe topped the...

Math rock sounds like blueprints look: exact, precise, architectural. This trance-like progressive metal music with indie rock and jazz influences has been captivating and challenging listeners for decades. Bands associated with the genre include King Crimson, Black Flag, Don Caballero, Slint, American Football, Toe, Elephant Gym, Covet, and thousands more. In an online age of bedroom producers and sampled beats and loops, math rock is music that is absolutely and resolutely played: men and woman in rooms with instruments creating chaos, beauty, and beautiful chaos.

What the hell is shoegaze? A scene? A movement? A sound? Back in the Nineties, many would have said the so-called genre was entirely fabricated. The term itself, an offensive piss-take given by the notoriously catty and scene-obsessed British music press, was plainly rejected by the absurdly small collection of bands to which it supposedly applied. In this ambitious oral history of a genre that has eluded definition for three decades, Ryan Pinkard unearths the first wave of shoegaze, following the core bands, their sounds, their influence, and their journeys in and out of obscurity.

In this unique collection, Literary Witches co-creator Katy Horan unearths the true and fictional stories behind twenty traditional murder ballads, exploring the beauty and horror of the art form through stories, lyrics, and original interpretations. The audiobook includes covers of various folk...

The Shortest History of Music takes us on a lively tour through several thousands of years of music history, tracing our relationship with this essential art and allowing us to freshly appreciate and understand music today.

July 3, 1981, was a pivotal night for the future of America's newest art form: hip hop. In New York's Harlem World Club, the Fantastic Romantic Five and the Cold Crush Brothers competed, with an unprecedented $1,000 on the line in a highly anticipated rap battle. The show drew hundreds of fans to settle a question that still dominates hip hop circles: Who's the best? In Harlem World, journalist Jonathan Mael chronicles this fateful night of hip hop rivalry and shares a new look at how Harlem helped ignite a musical revolution.

Thunderclap Newman stunned the music world in the summer of 1969 with the success of their wonderfully odd debut single "Something In The Air", which ousted none other than the Beatles from the top of the charts. They followed up with an LP described by Nik Cohn as "one of the finest, most truly bizarre albums of the era" before disintegrating just a few months after its release. This is the story of one of the most unlikely combos in popular music history, and of the four disparate characters who formed its core.

An entertaining and deeply nostalgic dive into how female pop stars broke through the music industry in the 2000s and altered the cultural landscape forever, from the Ringer writer and Every Single Album podcast cohost “Hit Girls bridges our butterfly-clipped, bedazzled past with today’s...

The finest book on Britain's most popular rock 'n' roll band 'Read on … It's all true' Noel Gallagher Featuring an exclusive interview with Noel Gallagher and bespoke artwork by celebrated Oasis album designer Brian Cannon Think Oasis was just Britpop and brawls? Think again. John Robb was...

On September 19, 1985, a US Senate hearing was instigated by the Parents Music Resource Center (PMRC)—founded by Tipper Gore, wife of Senator and later Vice President Al Gore; and Susan Baker, wife of Treasury Secretary James Baker—who wanted to introduce a parental warning system that would label all music albums containing alleged offensive material.

1972 installierte Elliot Mintz ein rotes Licht in seinem Schlafzimmer im kalifornischen Laurel Canyon. Wenn es zu blinken begann, wusste er: John Lennon oder Yoko Ono rufen an. Über einen Zeitraum von fast zehn Jahren telefonierten sie täglich miteinander, oft stundenlang. Elliot Mintz wurde zum engsten Vertrauten eines der öffentlichsten Paare der Welt. Er begleitete Yoko und John durch gute und schwierige Zeiten. Und er war in den Stunden, Tagen und Wochen nach Johns Ermordung an Yokos Seite.

NATIONAL BESTSELLER A New Yorker, GQ, The Daily Telegraph (London), and Library Journal Best Book of 2025 A 2025 Washington Post Notable Nonfiction An NPR Books We Love Most pick Winner of a Certificate of Merit from the 2025 ARSC Awards for Excellence An unsparing investigation into Spotify’s...

James Douglas Morrison (December 8, 1943 - July 3, 1971), born in Melbourne, FL, was an American singer, songwriter and poet who was the lead vocalist and primary lyricist of the rock band The Doors. Due to his distinctive voice, poetic lyrics, erratic and unpredictable performances, along with the dramatic circumstances surrounding his life and early death, Morrison is regarded by music critics and fans as one of the most influential frontmen in rock history. The following recording is from a June 1970 interview.

Janis Lyn Joplin (January 19, 1943-October 4, 1970), born in Port Arthur, TX, was an American singer and songwriter. One of the most iconic and successful rock performers of her era, she was noted for her powerful mezzo-soprano vocals, as well as her electric stage presence. The following recording is from a November 1968 interview.