Risultati Editore "Dreamscape Media, LLC" in Vita familiare

Meet Nives: widow, Tuscan through and through, survivor. Nives recently lost her husband of 50 years. She didn’t cry when she found him dead in the pig pen, and she didn’t cry at the funeral, but now loneliness has set in. When she decides to bring her favorite chicken inside for company, she is shocked, confused, and a little bit guilty to discover that the chicken’s company is a more-than-adequate replacement for her dead husband.

Siblings Jonah and Nell Talbot used to be inseparable, but ever since Jonah suddenly blew town 12 years ago, they couldn’t be more distant. Now, in the wake of Jonah’s divorce, they embark on a cross-country road trip back to their hometown of Albuquerque, hoping to mend their broken relationship along the way.

David Wiesel lives for making music, partying, and women. He has a wicked sense of humor and a body made for sinning. He's the kind of guy every mama warns her daughter about. Sylvia Price lives for her daughter, theater, and teaching. She is living the responsible life and has left her wild ways in the past. She's the kind of woman every mama wants her son to marry - not that she's looking for that. One drunken night when they were teenagers left them irrevocably bound. Fifteen years later, an accident brings them back together.

It’s been years since Abby O’Brien Winters set foot in Chesapeake Shores. The Maryland town her father built has too many sad memories, and Abby has too few spare moments - thanks to her demanding Wall Street career, the crumbling of her marriage, and her energetic daughters. Then one panicked phone call from her youngest sister brings her racing back home to protect Jess’ dream of renovating the charming Inn at Eagle Point. But saving the inn from foreclosure means dealing not only with her own fractured family but also with Trace Riley, the man Abby left 10 years ago.

When her last two plays are dismal failures and her relationship with her temperamental mentor falls apart, writer Bree O’Brien abandons Chicago and the regional theater where she hoped to make a name for herself to return home. Opening Flowers on Main promises to bring her a new challenge and a new kind of fulfillment. But not all is peaceful and serene in Chesapeake Shores, with her estranged mother on the scene and her ex-lover on the warpath.

When nineteen-year-old Avery awakens to flames consuming her family's remote compound, she knows it's her only chance to escape her father's grueling survival training, bizarre rules, and gruesome punishments. She and her brother Cole flee the grounds for the first time in their lives, suddenly homeless in a world they know nothing about. After months of hiding out, they are arrested for shoplifting and a shocking discovery is made—Avery and Cole were kidnapped fifteen years earlier, stolen by cult leaders they knew as Mom and Dad.

Is there such a thing as an antisocial butterfly? If there were, Greta Oto would know about it - and totally relate. An entomologist, she far prefers the company of bugs to humans, and that's okay - people don't seem to like her all that much anyway, with the exception of her twin brother, Danny. But they've recently had a falling out, so when she lands a research gig in the rain forest, she leaves it all behind. But then Greta learns that Danny has suffered an aneurysm and is hospitalized, so she abandons her research and hurries home to be there for him. 

The truth is, as a character in this provocative new collection puts it, "passionate, beautiful, and hideous, it can make you happy and it can torture you, and it's always liberating." In "After the Season", a man of humble means falls quickly in love with a woman belonging to a much elevated financial status and wrestles with his feelings and his beliefs about the rich. A son takes his distant father to a Bach festival in "Johann Sebastian Bach on Ruegen" only to learn that perhaps he was the one who was never really present in their relationship. And in "The Night in Baden-Baden" a man who's caught in a lie changes his ways.

The disregard of a dying woman's bequest, a girl's attempt to help an impoverished clerk, and the marriage of an idealist and a materialist intersect at an estate called Howards End. There, the lives of three families become entangled. As chance brings them together, societal conventions come into question as does the ownership of Howards End. Through the fate of the estate - as well as the lives of the families who are affiliated with it - Forster creates a brilliant parallel to the fate of English society itself.

Stevie, a recovering alcoholic and kitchen manager of Chappy’s, a small-chain restaurant, is frantically trying to prevent the people around her from going supernova: her PTSD-suffering veteran son, her uproariously demented parents, the polyglot eccentrics who work in her kitchen, the blind geriatric dog she inherits, and a damaged 5-year-old who landed on her doorstep and might just be her granddaughter. In the tight grip of new corporate owners, Stevie battles corporate’s “restructuring” to save her kitchen.

Elena Alvarez is living a cursed life. From the deadly fire she accidentally set as a child to her mother's abandonment and now an unwanted pregnancy, she knows better than most that small actions can have terrible consequences. Yet when her grandmother calls and asks her to watch over the children of a recent widower in a small, isolated town in Colorado, she takes it as a chance to finally organize her life.

Hailey Jennison is smart, funny, and, unfortunately, stacked like a blonde brick house. She's well aware of the impact her looks have on the male gender, and she hates it. Socially awkward, she keeps to a safe, boring routine, meeting friends once a week for dinner, some laughs, and entertainment. Entertainment comes in the form of a little harmless voyeurism, watching the living, breathing sex god across the quad parade around his apartment half-naked. Hailey watches and yearns, indulging in this weekly fantasy that almost - but not quite - satisfies her every desire.

Like most mothers, Catherine would slip into her sleeping newborn’s room, listening to make sure her baby was still breathing. Now her daughter is eighteen; however, Catherine continues to check on her at night. She can’t help herself; the intrusive thoughts rise up again and again, keeping her awake. Anya is leaving for university, but any excitement Catherine might feel for her daughter is drowned out by terror. While Catherine obsesses, she does not see the dangers in front of her—and both mother and daughter will be forced to deal with the painful truths keeping them trapped.

Presented in the first person, the story is a collection of journal entries written by a woman whose physician husband (John) has rented an old mansion for the summer and the couple moves into the upstairs nursery. As a form of treatment, she is forbidden from working, but encouraged to eat well and get plenty of exercise and air, so she can recuperate from what he calls a temporary nervous depression - a slight hysterical tendency, a diagnosis common to women in that period.

At one time, Jacob MacCallum had it all: wealth, a wonderful family, and a position as one of the most respected businessmen in Chicago. For the past 20 years, he's lived in an alcohol-induced haze, riddled with guilt for his role in the untimely death of his wife. Estranged from his children and penniless, he embarks on a journey to find his family and seek their forgiveness. On his path to redemption, he encounters a young girl whose friendship might be the key to reuniting the MacCallum family just in time for Christmas.

Kirstie lives in exile on the small Shetland island of Yell after the end of yet another torrid affair. This time, she knows she went too far. Her desperate behavior caused the breakdown of her lover’s marriage. Taking up residence in her grandparents’ croft, which has lain empty since their deaths, wanting time to reflect on her life and disastrous relationships, Kirstie begins to write about her obsessive behavior. What she hasn’t realized is that the island is full of relatives she never knew she had. 

In the close-knit community of Chesapeake Shores, Maryland, Susie O’Brien and Mack Franklin’s not-dating claim befuddles everyone, especially since the two spend every spare minute together. Susie’s thrilled when their friendship finally heats up. Then, just when happily-ever-after seems within reach, Mack loses the job he loves and Susie faces a devastating diagnosis. But O’Briens always unite in a crisis.

When Edith finds photos of a mysterious woman on her husband's phone, the heartbreaking implications are all too familiar, and she sets out to discover the woman’s identity. What starts as a desperate search for answers quickly becomes a terrifying spiral of obsession and subterfuge. With each new secret uncovered about her life, her marriage, and the man she loves, Edith is left with even more questions. What exactly is her husband hiding? Who is the woman in his photos?

Rose Wallace’s world revolves around all things Jane Austen, and with the annual festival in Bath - and the arrival of dishy archaeologist Dr. Aiden Trevellyan - just around the corner, all is well with the world. But then a mysterious woman who bears more than a passing resemblance to the great author moves in upstairs, and things take a disastrous turn. Rose’s new neighbour is none other than Jane Austen herself, now trapped in the 21st century after her time-travel adventure was sabotaged by a mischievous dog. Rose’s life is instantly changed.

Every Christmas Eve for the past 50 years, Ruby Harris, the owner of the historic B&B, The Christmas House, has opened her doors to strangers in need, showing them the compassion once denied to her. When Ruby invites her family home for the holidays, including her two adult grandchildren, Charlotte and Olivia, she hopes they will be able to put the past behind them. However, her plans for reconciliation implode as the women unravel secrets from the past that force them to confront the impact they've had on their dysfunctional family.